Yngwie Malmsteen /TX,USA 2021

The champion Yngwie Malmsteen, who remained self-respecting even in his new work “PARABELLUM”. Here is the best video that lets you experience the re-election stage. This work was shot at the “Houston performance on July 31, 2021”. It is a superb audience shot… probably. I’m sorry that it suddenly became unreliable, but the position of this work is “the front row, right in the middle”. There is no audience in the field of vision, and the champion Yngwie is right in front of you. The tremendous close-up feeling is completely from the camera pit’s perspective, and it is much more appropriate to call it a “stake of the people involved”. What makes me even more confused is the camera work. Naturally, Yngwie continues to be placed in the center of the screen, but it is strangely smooth. If you are in the front seat, it is natural that there will be some shaking, but it is stable and there is no disturbance in the slightest. It is as stable as a professional shot. However, on the other hand, what is not professional is that the position does not move. If you’re a professional, you can move around anywhere in the camera pit, but in this work, the camera position doesn’t move a single step from the center, and the camera follows the moving Yngwie by swinging it from side to side. Well, whether it was the audience in the front row who took the picture or the camera crew who got permission, the result is a feeling of “full experience of the super special seat”. Although the best seats for a live show vary depending on your preferences, there’s no doubt that “the front row, right in the center” is a position that everyone envies (only those who are very particular will be disappointed here). What’s more, it’s good that this work has a low zoom. If you feel like it, you can zoom in to the nostrils, but if you follow Yngwie who moves violently at such a distance, it will be chaotic and difficult to see. This work abandons such adventures and chooses stability. And this contributes to the “sense of experience”. There is no way that the naked eye at the scene has a zoom function, so the position is fixed and you can see what you want to see by swinging your head left and right. This work allows you to experience the view from the front seats in real life. The latest Yngwie full show is depicted in the real view of such a super special seat. In order to find out what’s happening now, let’s check out the schedule that restarted after the pause due to the COVID-19 pandemic. 2021 March 20: Las Vegas performance June 26: Serbia performance {“PARABELLUM” released on July 23} July 24-August 14: North America #1 (6 performances) ←★Here★ November 6-December 18: North America #2 (26 performances) ←※GLENSIDE 2021 2022 March 11 + 13: UK (2 performances) This is the 2021/2022 schedule that has been announced so far. Like other bands, Yngwie was forced to suspend activities from March 2020, but resumed activities in Las Vegas a year later. The Houston performance of this work was the fourth concert of “North America #1”, which should be called a warm-up immediately after the release of the album. Recently, Yngwie has been performing in a recital format where he stands alone on stage in addition to the usual band format, but this work is in band format. The songs sung by Nick Marino, such as “Rising Force” and “Seventh Sign”, are mostly instrumental versions with the vocal microphone off (you can hear the singing faintly), but the essential guitar, Yngwie’s own vocals, and the rhythm section are perfect. He plays the set of mainly instrumental songs with a pleasant feeling. Among them, the new one is the “PARABELLUM” number. He will perform four songs, “Relentless Fury”, “(Si Vis Pacem) Parabellum”, “Wolves At The Door”, and “Presto Vivace In C# Minor”. In particular, “Presto Vivace in C# Minor” and “Overture” were dropped after this, so they are delicious repertoires that cannot be heard even on “North America #2″‘s latest live album “GLENSIDE 2021”. It’s a shame that Marino’s vocals are hard to hear, but Yngwie doesn’t care about that either. This is a masterpiece of an experiential video that allows you to enjoy such a latest full show “in the front row, right in the middle”. It’s been a long time since it’s been difficult to come to Japan solo like before, but this work is a great one to heal that dryness. A superb audience shot of the “Houston performance on July 31, 2021”. The view taken from the front row, right in the middle, does not include the audience at all, and the champion Yngwie is right in front of you. The tremendous sense of closeness is completely from the camera pit’s perspective, and it would be much better to call it a “stake of the people involved”. The experience of the show is also outstanding because it is so close that there is no need to zoom in flashily. This is a powerful video that allows you to fully experience the latest stage, including new songs from “PARABELLUM,” from a super-price seat that everyone envies. The Warehouse Live, Houston, TX, USA 31st July 2021 AMAZING SHOT!!!! (89:07) 1. Intro 2. Rising Force 3. Top Down, Foot Down 4. Soldier 5. Relentless Fury 6. Into Valhalla 7. Like an Angel (For April) 8. (Si Vis Pacem) Parabellum 9. Badinerie 10. Paganini Violin Concerto No.4 in D Minor 11. Adagio in G minor 12. Far Beyond the Sun/Star Spangled Banner 13. Seventh Sign 14. Overture 15. Evil Eye 16. Wolves At The Door 17. Smoke on the Water 18. Trilogy Suite Op: 5 19. Presto Vivace in C# Minor 20. Blue 21. Fugue / Guitar Solo / Drum Solo 22. You Don’t Remember, I’ll Never Forget 23. Black Star Yngwie Malmsteen – Guitar Nick Z. Marino – Keyboards, Vocals Emilio Martinez – Bass Brian Wilson – Drums COLOR NTSC Approx.89min.