Yes/Chile 1994

Canandaigua 1994 (hereafter 2CD) is an “official substitute” board that allows you to listen to the full show of the Trevor Rabin era on a superb stereo soundboard. The DVD also presents a full pro shot that can be an “official substitute”. This work is a television broadcast of the “September 20, 1994 Santiago performance”. It is said to be a direct digitalization of the original master before the broadcast, and is a multi-camera pro shot known as the representative video of “TALK TOUR 1994”. The quality is exactly official class. In fact, the freshness and image quality are so amazing that it would not be strange to make it official as it is, and it is one of the best masterpieces not only in the tour but also in the three “90125 YES” tours. However, if you ask “Does it seem like a completely official work?”, it is a little different. I don’t know because there is no data on the local broadcast, but it is very vivid, whether it was a live broadcast or because it is the original broadcast. For example, at the start of the show. In an edited broadcast or official work, the performance would start early, but in this work, the time from the blackout to the appearance of the members is longer. The “gap” that makes you feel like the members are just heading to the stage right now gives a real-time feeling. Furthermore, the mix that prioritizes “live performance” also feels like a live broadcast. The cheers are carefully mixed in the first song, but as the show progresses, there are no cheers during the performance and it becomes only “live performance”. In the video, the audience is very excited during the song, but it feels a bit unnatural that you can’t hear the voices, but the subtlety and beauty of the musical sounds overflows. With edited video, the balance between musical sounds and enthusiasm can be carefully considered, but in this work, elements that may interfere with the “live performance” are eliminated. This is what makes it feel like a live broadcast. In this way, this work is somewhat unsuitable for the realism of the scene, but the realism of the performance is perfect. The finish is especially pleasing because the concert itself depicted in this work is so wonderful. The final performance of the “TALK TOUR 1994” was in Japan, but South America was just before that. That’s why the performance was as polished as it could be, and it’s definitely the final destination of “90125 YES”. The highly polished rock world that the talented Trevor Rabin, who was also the band leader, aimed for is in full swing, and the ensemble is catchy yet calculated down to each phrase and chorus. Moreover, because they have been through a lot, they are precise but without any risk and are presented with a great sense of stability. In addition, it comes with bonuses such as “Perpetual Change” and Jimi Hendrix’s cover “Purple Haze”, which cannot be heard on the main press 2CD at the beginning of the tour. YES in the Rabin era, which was not able to leave its true value in the official version. However, its true form is worthy of being called “one of the pinnacles of YES history”. It was full of advanced, fun, and yet beautiful rock. This work allows you to witness the end of the tour with a special multi-camera pro shot, while the beginning of “TALK TOUR 1994” can be heard on the best stereo sound board with 2CD. Live at Centro Cultural Estacion Mapocho, Santiago, Chile 20th September 1994 PRO-SHOT 1. Intro 2. Perpetual Change 3. The Calling 4. I Am Waiting 5. Rhythm Of Love 6. Hearts 7. Real Love 8. Tony Kaye Piano Solo 9. Changes 10. Heart Of The Sunrise 11. Make It Easy 12. Owner Of A Lonely Heart 13. Rabin Piano Solo 14. And You And I 15. I’ve Seen All Good People 16. Walls 17. Endless Dream 18. Roundabout 19. Purple Haze Jon Anderson – Vocal Trevor Rabin – Guitars Chris Squire – Bass Tony Kaye – Keyboards Alan White – Drums PRO-SHOT COLOR NTSC Approx. 147min.