Yes/CA,USA 1975 Complete Mike Millard Master Tapes Upgrade

The astonishing Millerd Master…it’s like an SBD!! The Patrick Moraz era was a singular point in the history of YES and had a unique charm. The masterpiece recording of the absolute master has been upgraded. It will be released with a superb sound because it is the original master. This work is engraved with the “Long Beach performance on June 23, 1975”. It is a superb audience recording by the absolute master Mike Millard. Millard’s master excavation project, which has produced a series of historical masterpieces, is particularly important. Not only is it a super masterpiece as a simple live album, but it is also a new masterpiece that will be the masterpiece of the “RELAYER Tour”. Of course, when it comes to the Moraz era, the official “1975 AT Q.P.R.” and the soundboard masterpiece “THE YEARS OF DELIRIUM” are crowded, and Millard’s work “HOLLYWOOD BOWL 1975” is also a big classic. Why is this work so special in such a situation? To explain this, let’s first organize the relative positions of each work in the summary of their activities at that time. 1974 August: Patrick Moraz joins “RELAYER Tour” November 8th – December 17th: North America #1 (31 performances) ←※THE YEARS OF DELIRIUM 1975 April 15th – May 17th: UK (24 performances) ←※Official Q.P.R. June 17th – July 25th: North America #2 (32 performances) ←★Here★ August 23rd: Reading Festival appearance 1976 “SOLO ALBUMS Tour” May 28th – June 26th: North America #3 (25 performances) ←※THE YEARS OF DELIRIUM July 17th – August 23rd: North America #4 (32 performances) {Patrick Moraz leaves} This is YES during the Moraz era. The Long Beach performance of this work was one act of the main leg, “North America # 2”. This was a prolific period of famous recordings, and Millard’s two works and Dan Lampinski’s “MASTER OF DELIRIUM (Amity 187)” were also produced. Let’s focus on the schedule further. Details of “North America # 2” ・ June 17-20 (4 performances) * June 21 “HOLLYWOOD BOWL 1975” ・ June 22: Tempe performance * June 23: Long Beach performance ← ★ This work ★ ・ June 24-July 22 (22 performances) * July 23 “MASTER OF DELIRIUM (Providence)” ・ July 24 + 25 (2 performances) … and it is like this. I roughly lined up the masterpieces of the Moraz era, but each one has its pros and cons. The most famous official “1975 AT Q.P.R.” is mono and the mix is ​​unnatural, and the soundboard “THE YEARS OF DELIRIUM” is perfect in quality but not completely recorded. The apex of the full live album has to rely on audience recording. And until now, Millard’s work “HOLLYWOOD BOWL 1975” had reigned at the top, but this work is the new champion that will take the throne! In fact, the sound is overwhelming. It has been known as one of the best recordings of the “RELAYER Tour” for a long time, but this time it has been digitized directly from Millard’s original cassette. The rough dubbing marks are gone, and the fresh and lustrous sound is very beautiful. And it also surpasses Millard’s original work “HOLLYWOOD BOWL 1975”. That masterpiece also had a wonderful open-space “Hollywood Bowl” with great clarity, but it did not match the compatibility of “Millard x Long Beach Arena”, which has produced many masterpieces. The core of this work is fiercely on and even more soundboard-like. The excavated “JEMS” describes it as “If the Hollywood Bowl is SD, the Long Beach Arena is brilliant HD”, which is exactly what it sounds like. The set is familiar from “1975 AT Q.P.R.”, so I will omit it, but you can also enjoy plenty of “Your Move”, “Long Distance Runaround”, “Ritual”, and “Sweet Dreams”, which cannot be heard in the Boston performance SBD of “THE YEARS OF DELIRIUM”. The mix is ​​more natural than the official video, and the full show is a pleasure to listen to. And it is an exceptional original sound among Millard’s works… It is a full live album that is truly the best masterpiece of the Moraz era. It is an absolute work that is comparable to “RELAYER”. It is a mind-blowing, super high-quality sound! A superb audience recording of the “Long Beach performance on June 23, 1975”. The original master of absolute master Mike Millard, it is more lustrous and beautiful than the conventional master. It is a much more natural mix than the official “1975 AT Q.P.R.” and is more on-the-ball and powerful than the same Millard work “HOLLYWOOD BOWL 1975”. It is a masterpiece of a full live album that allows you to fully experience the “RELAYER Tour” that you cannot expect with an FM sound board. Live at Long Beach Arena, Long Beach, CA, USA 23rd June 1975 ULTIMATE SOUND UPGRADE!!! Disc:1 (67:03) 1. Firebird Suite 2. Sound Chaser 3. Close To The Edge 4. To Be Over 5. The Gates Of Delirium Disc:2 (68:27)1. Your Move 2. Mood For A Day 3. Long Distance Runaround 4. Patrick Moraz Solo 5. p 6. And You And I 7. Ritual 8. Roundabout 9. Sweet Dreams Jon Anderson – Vocals Chris Squire – Bass Steve Howe – Guitar Alan White – Drums Patrick Moraz – Keyboards