Description
From blues rock in the late 60’s to hard rock in the early 70’s. The best professional shots of two prestigious groups that are living witnesses of such an era have been decided to be released. The main characters of this work are TEN YEARS AFTER and WISHBONE ASH. Both are the pride of Britain, which pioneered a new era with “guitar” as its keyword. The two groups participated in the 25th anniversary concert of the “Marquee Club”, another British rock legend. Both such commemorative concerts were also released as official video works at the time, but this work is not a copy of that. This is a unique version that was aired on the famous Japanese program “Golden Western Music Live” in 2007. Our store has been delivering “golden Western music live” with the best masters recorded by domestic core enthusiasts, and this is the latest release. As before, the best broadcast by a certain broadcasting association has been converted to DVD with a digital recording master with zero deterioration. While the quality is comparable to the official version, you can also enjoy the program’s unique Japanese subtitles and commentary parts by celebrities in a fresh and different version. [February 23, 1983: WISHBONE ASH] This program is a coupling broadcast of two groups, and the first half is WISHBONE ASH. At that time, John Wetton was replaced by Trevor Bolder. You can enjoy a mid-term show where the combination of Andy Powell & Laurie Wisefield has reached maturity. The stage was a passionate performance by those who were currently challenging the scene. It’s a shame that “Open Road” and “No More Lonely Nights” that were seen in the official version are not included, but the new songs at the time, “Can’t Fight Love”, “Engine Overheat”, “Underground” of “NUMBER THE BRAVE”, etc. The precious mid-term numbers are delicious. Of course, the classics of the golden age such as “The King Will Come” and “Phoenix” will also be performed, allowing you to fully enjoy the exciting melodies of the original twin lead. [Commentary corner that brings out the essence of British rock] There is a commentary corner unique to the program before and after the show, and this is also a highlight of this work. “Golden Western Music Live” invites celebrities to introduce the show, and the guide for this episode is Mr. Tatsuki Tachikawa, who has worked on a wide range of projects other than music, including movies and stage plays. Actually, there are many times when idols or comedians provide commentary, but this time it was an authentic band, so the commentary was genuine. It is wonderful that the story is easy to understand and has its feet on the ground, rather than strange episodes or story telling. It perfectly expresses the charm of British rock in the 1970s, and by extension, the charm of this work. Let’s write a little bit here. “The marquee is about the size of a live house in Japan, but WISHBONE ASH’s live performance takes place there.You can’t do something like this without real talent.At today’s rock concerts, the lighting and art are too flashy. People say a lot of things about how much of it was tape and how much of it was lip-syncing, but when you watch this live show, you can clearly see that “this band is amazing.” Moa saw them live and highly praised them, and invited them to accompany them on tour as the opening act. That’s how WISHBONE ASH became popular, and I remember clearly seeing their true potential recently. There are really fewer bands like this now, but I think again that it would be great if there were more bands like this.”That’s a perfect statement. And, because there are marquee live performances by WISHBONE ASH and TEN YEARS AFTER before and after this, it becomes even more persuasive. On the marquee stage with no frills or show-offs, the two performers created excitement just by playing, without any flashy actions. The sound stirs emotions, and emotions heat up the performance. The energy of the performance makes you sweat without running around. Because Mr. Nao Tachikawa is a living witness, his calm speaking style and deep sense of reality, as well as the actual live scenes, sharply bring out the essence of British rock. [July 1, 1983: TEN YEARS AFTER] After such commentary, the second half is TEN YEARS AFTER. They disbanded in 1974, but reunited for one night only to celebrate the 25th anniversary of “Marquee Club”. The four original members stood on the stage at the legendary club. Their show is the complete opposite of WISHBONE ASH. While WISHBONE ASH was a selection that appealed to the current progress, TEN YEARS AFTER seems like a time warp to the golden age. While focusing on “I May Be Wrong But I Won’t Be Wrong Always” from “UNDEAD” and “I’m Going Home” which includes standards, the newest song is “Love Like A Man” from “CRICKLEWOOD GREEN”. ” is the thoroughness. It is a shame that “Woodchoppers Ball” and “Slow Blues” have been cut as in the WISHBONE ASH edition, but the performance is so tight that it is hard to believe that it was only for one night, and the interplay exchange is hot anyway. It is a video that looks like a 1970 show with 80s quality. WISHBONE ASH and TEN YEARS AFTER expanded the possibilities of the guitar at a time when history was rapidly changing. This is a video work where you can enjoy the passionate performance of two such famous bands at a legendary club with the finest multi-camera professional shots. Both the band and the venue are pure British legends, and Naoki Tatsuo speaks about their charm in profound words.This is a wonderful masterpiece video. A piece that perfectly depicts the charm of British rock. Marquee, London, UK 23rd February & 1st July 1983 Special concerts to celebrate the 25th Anniversary of the Marquee Club in 1983 Broadcast Date: 30th June 2007 (89:57) 1. Introduction WISHBONE ASH Marquee, London, UK 23rd February 1983 2. Can’t Fight Love 3. Living Proof 4. Underground 5. King Will Come 6. Phoenix 7. Engine Overheat Andy Powell – Guitar, Vocals Laurie Wisefield – Guitar, Vocals Steve Upton – Drums Trevor Bolder – Bass 8. MC(Wishbone Ash ) 9. MC(Ten Years After) TEN YEARS AFTER Marquee, London, UK 1st July 198310. Love Like A Man 11. I May Be Wrong But I Won’t Be Wrong Always 12. Good Morning Little Schoolgirl 13. Help Me 14 . I’m Going Home 15. MC Alvin Lee – Guitar, Vocals Leo Lyons – Bass Ric Lee – Drums Chick Churchill – Keyboards PRO-SHOT COLOR NTSC Approx.90min.
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