Whitesnake/Scotland,UK 1984

This work that we will deliver this time is not a 4-person lineup, as there are many, but a 6-person lineup. Moreover, the Glasgow performance on March 1st is known as the “only 6-person soundboard.” This is one of the most famous recordings in the history of Shiroja, which has produced many bootlegs such as “NO HIBERNATION”, “GAMBLER COME BACK”, “CRYING IN GLASGOW”, etc., but the previous recordings are plagued by noise and skipped warps. There was also. However, this time it’s a big decision board that blows away all the past titles! The previously released “GAMBLER 1984” was also talked about as “no noise or sound dropout!”, but this time we discovered a master of the low generation more than that. After 30 years, the ideal live album for a “six-person band” has finally been realized! The proof is better than theory, if you pick up this album, you’ll be surprised by the official barefoot sound from the moment you play it. Isn’t it? Even in the gift CDR “GAMBLER 1984” that shook the industry, there is no strange feeling of equalization that could not be erased, and the sound is more natural and professional. A texture that truly embodies the real thrill of FM sound sources. This sound is at a level that cannot be achieved by remastering the previous release! The sounds that I had been listening to while mentally correcting skips and equalization now hit my ears directly. Finally, I finally got to listen to the 6-piece WHITESNAKE in official quality sound… It has been announced that the much-talked-about official DVD “LIVE IN ’84” will also include a CD titled “BEST OF BOOTLEGS,” but the songs “Here I Go Again” and “Fool For Your Loving”. Yes, in this work, you can listen to the super confident Sykes version, which will later be remade with Adrian Vandenberg and Steve Vai’s guitar, on the soundboard! In “Here I Go Again,” Galley and Sykes trace the original solo as twins, and in “Fool For Your Loving”, Sykes and Galley share the style, so it’s not Sykes’ solo solo, but Sykes plays here and there. Full of unique obbligato. “Ah, Sykes was destined to join the White Snake after all…” The sense of conviction is exploding. In this way, it is unique to the sound board that the division of Sykes / Galley, which was not clear in the audience recording, can be clearly conveyed. Although there are some songs like these two where Galley takes the solo, Sykes takes the lead for most of the songs. Unlike the Galley/Mickey Moody era, it is also clear that WHITESNAKE at that time was shifting to a band ensemble with a clear division of rhythm/lead guitar roles like the SCORPIONS and AC/DC. Even better than the reborn past songs are the new songs from the famous album “SLIDE IT IN.” As mentioned earlier, “SLIDE IT IN (US MIX)” was made with extremely unnatural work, and it was a half-hearted result with a large amount of Mickey Moody’s guitar remaining. However, the version you can hear in this work is an arrangement that was put together with Sykes from the beginning. In other words, this work is also the only line recording that conveys the “new 6-piece “SLIDE IT IN”.In fact, in “US MIX” Murray had no choice but to play calmly in order to fit into the finished product. The bass has regained its original shine, and the distribution of the twin guitars has been carefully considered to reflect Sykes’ individuality. The significance of the sound source, the content of the performance, and the sound quality. Originally, this work should have been included in the deluxe edition of “SLIDE IT IN”… In this way, this work is full of value beyond “rare lineup live” and “high quality sound board”. A piece that captures the moment when WHITESNAKE underwent the biggest change in its history, and allows you to listen to a dream ensemble that was not realized on the official album. That’s why we desperately needed a professional soundboard sound quality that could serve as an official replacement. The “4-person lineup” had a number of official videos and soundboards, and the “5-person lineup” included TV footage from Stockholm (which was recently made official). This work is the highest peak of the “six-person formation” that was the only one missing. Of course, I would not recommend Sykes to anyone who considers him the “root of all evil.” However, for those who are excited by the words “the real Sykes version of “SLIDE IT IN”” and “the missing link to “SERPENCE ALBUS”, please give it a listen! It will be released in a perfect specification that will be comparable to the album “LIVE IN ’84”! Live at Apollo Theatre, Glasgow, Scotland, UK 1st March 1984 STEREO SBD(UPGRADE!!!) (48:48) 1. Gambler 2. Guilty Of Love 3. Ready An’ Willing 4. Love Ain’t No Stranger 5. Here I Go Again 6. Crying In The Rain 7. Soldier Of Fortune 8. Ain’t No Love In The Heart Of The City 9. Fool For Your Loving STEREO SOUNDBOARD RECORDING David Coverdale – Vocal John Sykes – Guitar Mel Galley – Guitar Neil Murray ? Bass Cozy Powell – Drums Jon Lord ? Keyboards