Whitesnake/Osaka,Japan 6.30.1981 Upgrade

An unexpected sequel has been born to the new excavated live album “OSAKA 1981 1ST NIGHT” that has fascinated white snake collectors all over the world. This time, it’s the world’s first release of the world’s shocking high-quality sound!! …I’m sorry for suddenly blowing the meter away. However, I can’t settle down just like this. After all, this work is the first public release master in Japan that has never been released before, but the person who worked on it is not an ordinary person. Superlative recordings of various bands/artists are coming out one after another, but the Jeff Beck edition is the original cassette of the super famous recording that has been talked about as a legend, and the first appearance of THE POLICE edition is “ He was highly praised as “Beyond Official” and “Japan’s Mike Millard”… Anyway, it is a collection of extremely high quality recordings. The collection is not only general, but also HR/HM related. Among them, WHITESNAKE’s “TOKYO 1980 1ST NIGHT” and “OSAKA 1981 1ST NIGHT” were released the other day and caused a shock. The latter was a new masterpiece that was a long-known legendary recording that was significantly upgraded with Omoto cassette, and this work is a sequel to that. It is a superb audience recording of the “June 30, 1981: Osaka Festival Hall” performance that was recorded by the same master taper. It may not be clear from the text, so check the schedule to see where the show is.・June 22nd “ASAKUSA ROCK!” ・June 23rd: Asakusa International Theater ・June 25th “DRAGONSNAKE” (Nakano: additional performance) ・June 26th: Nakano Sunplaza (additional performance) ・June 27th “NAGOYA 1981”・June 29th “OSAKA 1981 1ST NIGHT”・June 30th: Osaka Festival Hall ←★This work★ [Unreleased master of the legendary master known to the whole world for the first time] This is the performance in Japan in 1981 . At our store, we have archived the best recordings from various places by title, but Osaka is the final two performances. This work was Chiakiraku (= Classic Shiroja’s last performance in Japan) the day after the previous work “OSAKA 1981 1ST NIGHT”. Moreover, on this day it is so rare that it cannot be compared. The previous work “1ST NIGHT” was known for the already released “IAN’S BIRTHDAY PARTY”, but on the second day in Osaka, tapes with poor sound were only being traded in small quantities among core collectors. Until today, 40 years after the show, it was common sense that “If you want to listen to Osaka in 1981, it’s the first day.” This work completely overturns such common sense. After all, the sound is better than the previous work “OSAKA 1981 1ST NIGHT”! No, the previous work is the best recording that competes for the top of “COME AND GET IT Tour”. In 1981, the “apex audience recording” was strictly selected because there was no sound board, but the top battle until yesterday was “NAGOYA 1981” vs “OSAKA 1981 1ST NIGHT”. It has surpassed that “1ST NIGHT”. The sound of this work can be said to be between the two great peaks “NAGOYA 1981” and “OSAKA 1981 1ST NIGHT”. In general, it is very similar to its sister work “1ST NIGHT” (which may be natural since it is the same venue, same equipment, and same recording artist), with a subtle hall sound that has an elegance, and a bright PA output sound that is glossy. It gives dynamism. However, at its core, this work is more powerful and has a more direct feeling. Probably only the first day was released because there was a special called “Ian Paice’s Birthday”, but if this recording had seen the light of day at that time, it would have continued to reign as “the pinnacle of 1981”. [A full show on the final day with both sound and performance exceeding the previous day’s performance] The show depicted with such sound is a full show of the British blues rock paradise “COME AND GET IT Tour”. The set itself is the same as the previous work “1ST NIGHT”, but let’s organize it here just in case. WHITESNAKE・Snakebite: Ain’t No Love In The Heart Of The City/Come On・Trouble: Belgian Tom’s Hat Trick (★)・Love Hunter: Walking In The Shadow Of The Blues/Love Hunter・Fool For Your・Loving: Sweet Talker/Ready an’ Willing/Fool For Your Loving ・Come and Get It: Don’t Break My Heart Again (★)/Till The Day I Die (★★)/Would I Lie To You ( ★★) / Wine, Women an’ Song (★) Others・DEEP PURPLE: Mistreated/Soldier Of Fortune (★)・Others: Thank You Osaka (★) *Note: “★” indicates the official version “LIVE… A song that cannot be heard on “IN THE HEART OF THE CITY/LIVE AT HAMMERSMITH”. In particular, songs marked with “★★” are exclusive to this tour. …and it looks like this. Of course, even though the set is the same, the performance is completely different. Both are great performances that are hard to rank, but this work is even more powerful and energetic. After all, it’s the last day of the Japan tour, so there’s no need to worry about how things will go tomorrow. It’s a passionate performance that blows you away from the beginning and continues to show off until the end. Perhaps because Japan’s next tour is scheduled to take place in North America, the champion has no leeway at all, and the challenger is bursting with excitement. “COME AND GET IT Tour” is the pinnacle of British blues rock, but without a soundboard, the “top odin” has been pursued. This work is a new masterpiece that became the most powerful as soon as it was released. Together with “1ST NIGHT”, you can fully experience two days in Osaka. They are the unparalleled beauty sisters, and are a young challenger competing with “NAGOYA 1981” for the title of “King of British Blues Rock.” June 30, 1981: Osaka Festival Hall Performance ” best audience recording. Unreleased master by the same person who made the legendary recording “OSAKA 1981 1ST NIGHT”, this is an amazing debut live album that surpasses even that masterpiece. Along with “NAGOYA 1981 (Zodiac 253)”, this is a new masterpiece that competes for the top of the “COME AN’ GET IT Tour”, which is the pinnacle of British blues rock but does not have a soundboard. Live at Festival Hall, Osaka, Japan 30th June 1981 TRULY PERFECT/ULTIMATE SOUND(from Original Masters) Disc 1 (76:26) 1. Introduction 2. Walking In The Shadow Of The Blues 3. Sweet Talker 4. Ready an’ Willing 5. Don’t Break My Heart Again 6. Till The Day I Die 7. Lovehunter 8. Micky Moody Guitar Solo 9. Lovehunter (reprise) 10. Mistreated 11. Soldier Of Fortune 12. Keyboard Solo 13. Belgian Tom’s Hat Trick 14 Drum Solo 15. Belgian Tom’s Hat Trick (reprise) Disc 2 (44:20) 1. Band Introductions 2. Ain’t No Love In The Heart Of The City 3. Would I Lie To You 4. Fool For Your Loving 5 Come On 6. Thank You Osaka 7. Wine, Women an’ Song 8. Band Introductions Incl. Lie Down, Gimme Some Lovin’ 9. Wine, Women An’ Song (reprise) 10. We Wish You Well David Coverdale – Vocals Bernie Marsden – Guitar Micky Moody – Guitar Neil Murray – Bass Jon Lord – Keyboards Ian Paice – Drums