Description
“Nagoya in 1981”, where the new masterpiece was born, also happened to be the setting for “the best conventional masterpiece”. Moreover, this is not just a low-grade album. In a sense, it is also a tenacious piece that has not yet lost to the new champion. Therefore, this work is inspired by the “June 27, 1981: Nagoya City Public Hall” performance. This is the best audience recording. I said earlier that “I haven’t lost to the new champion,” but the point is “a direct feeling.” Normally, it is so powerful that I would like to call it “like a sound board” without any questions asked, but the extremely thick core that roars from this work and the close contact that you can’t even tell the recording position are outstanding. Even though it has taken over the throne in terms of overall points such as beauty and delicacy, it is still overwhelming in terms of “sound board feeling” and is a unique work that is unrivaled by others. Moreover, this “sound board feeling” shines when combined with the fact that “there is no sound board at all in “COME AN’ GET IT Tour””. If you want to enjoy it side by side with masterpiece soundboards such as “DEFINITIVE NAGOYA 1980”, “LINEHUNTER”, and “LIVE…IN THE HEART OF THE CITY COMPLETE” (even though there is a bit of a feeling of lumpiness in the deep bass), this work is better. There is an affinity. The live performance itself depicted with such a line-like sound is also wonderful. The best songs from “SNAKEBITE” to “COME AN’ GET IT” are lined up in a row, and the performances are at the height of maturity. I didn’t mention the set list in the main commentary, so let’s organize it here. WHITESNAKE・Snakebite: Ain’t No Love In The Heart Of The City/Come On・Trouble: Belgian Tom’s Hat Trick (★)・Love Hunter: Walking In The Shadow Of The Blues/Love Hunter・Fool For Your・Loving: Sweet Talker/Ready an’ Willing/Fool For Your Loving・Come and Get It: Don’t Break My Heart Again (★)/Till The Day I Die (★★)/Would I Lie To You ( ★★) / Wine, Women an’ Song (★) Others・DEEP PURPLE: Mistreated/Soldier Of Fortune (★)・Others: Thank You Osaka (★) *Note: “★” indicates the official edition “LIVE… A song that cannot be heard on “IN THE HEART OF THE CITY/LIVE AT HAMMERSMITH”. In particular, songs marked with “★★” are exclusive to this tour. …and it looks like this. What I’m especially happy about is the new song from the time, which Classic Shiroja never recorded on the soundboard. Still, “Don’t Break My Heart Again” and “Wine, Women An’ Song” were played during the Cozy era, but “Till The Day I Die” and “Would I Lie To You” were never played on later tours. none. There is no line recording regardless of the member, and this work is definitely the “best soundboard replacement in history”. Although in terms of total overall score, the title has been handed down to the three sisters from the “DEFINITIVE MASTER” series, it still has a tremendous impact with its close contact. This is a great masterpiece of a unique live album. Live at Nagoya-shi Kokaido, Nagoya, Japan 27th June 1981 ULTIMATE SOUND(from Original Masters) Disc 1(68:47) 1. Intro. 2. Walking In The Shadow Of The Blues 3. Sweet Talker 4. Ready An’ Willing 5. Don’t Break My Heart Again 6. Till The Day I Die 7. Lovehunter 8. Micky Moody Guitar Solo / Lovehunter(Reprise) 9. Mistreated incl. Soldier Of Fortune 10. Jon Lord Keyboard Solo 11. Belgian Tom’s Hat Trick 12. Ian Paice Drum Solo Disc 2(41:00) 1. Ain’t No Love In The Heart Of The City 2. Would I Lie To You 3. Fool For Your Loving 4. Come On 5. Thank You 6. Wine , Women An’ Song 7. Member Introduction 8. Gimme Some Lovin’/Wine, Women An’ Song(Reprise) 9. We Wish You Well
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