W.A.S.P./Germany 1992

W.A.S.P. in the early 90’s, when Blackie Lawless was alone and produced the famous concept album “THE CRIMSON IDOL”. Introducing that precious super-excellent live album. What is recorded in this work is “October 2, 1992 Bonn performance”. It is a transcendental audience recording. “THE CRIMSON IDOL Tour” is unique in W.A.S.P. history. Both Chris Holmes and Frankie Vannelli have resigned, and activities will cease after the end of the program. In 1996, when they hit the road again, they both returned and there was a bit of a reunion. In other words, it was a tour that was separated from the context before and after, and was carried out with a complete Blackie solo system. Of course, the content features the masterpiece “THE CRIMSON IDOL”. Officially, only a few takes of MONSTERS OF ROCK were left as bonus tracks, but this work is a full live album that can be the best “official replacement” to heal that thirst. First of all, let’s look back at the tour overview that was a singular point in history and check the show’s position. [June “THE CRIMSON IDOL” released in Europe] ・July 26th – August 7th: North America #1 (4 performances) ・August 15th – 22nd: Europe #1 (4 performances) ← *Official boat truck August 29th-September 12th: North America #2 (8 performances) September 26th-November 9th: Europe #2 (30 performances) ←★Coco★・November 11th-14th: Japan (4 performances) Performance) This is W.A.S.P. in 1992. Even though it was a tour, there were many mini dates of about 4 performances, and “Europe #2″ was the only one that felt like a tour that repeated moves and stages every day. The Bon performance was the 5th performance, and was held about a month before the last performance in Japan. It’s a superb audience recording that makes you want to line it up.In fact, it’s hard to believe that this moment, while listening to the actual sound, is actually an audience recording. BONN 1991” is a masterpiece that has been published saying that he recorded it himself, so it is definitely a guest record, but even so… You may be thinking, “It looks amazing.” It’s easy to understand the sound of this work. Just imagine the best FM broadcast. Yes, that’s the sound. What is depicted in that miracle sound is a full show where the aesthetics of Blackie, who created that wonderful “THE CRIMSON IDOL”, spill out.If you remember the Japanese performance, you will understand. However, it is not a reenactment of the “THE CRIMSON IDOL” story, but a regular concert format. Let’s summarize the contents here. Classics (9 songs) Majinden: L.O.V.E. Machine / Hellion / On Your knees / I Wanna. Be Somebody・Last Command: Wild Child/Blind In Texas・Electric Circus: I Don’t Need No Doctor・Headless Children: The Real Me/The Headless Children Crimson Idol (5 songs)・The Invisible Boy/ Chainsaw Charlie (Murders in the New Morgue)/The Idol/The Great Misconceptions Of Me/I Am One…and so on. The official live take of MONSTERS OF ROCK mentioned above was only 7 songs, but this work is a full set that is more than twice as many. The suite “The Great Misconceptions Of Me” also depicts the height of dramaticism for 11 minutes, which exceeds the original. “THE CRIMSON IDOL” is one of the best HR/HM concept albums, along with QUEENSRYCHE’s “OPERATION: MINDCRIME” and SAVATAGE’s “STREETS A ROCK OPERA.” It is an unavoidable masterpiece that allows you to experience the tour at its finest. In fact, even if it is an audience recording, this new masterpiece will serve as an “official replacement” regardless of that. A new masterpiece that serves as an official replacement for the “THE CRIMSON IDOL” era. This is a superb audience recording of “October 2, 1992 Bonn Performance”. It is a masterpiece collection of WHITE LION that has attracted worldwide attention, but its sound is completely FM broadcast grade. It’s not “somewhat like a radio,” but “just like that.” The show is a splendor that revives the legendary Japanese performance, and is an amazing new excavation that allows you to experience the best and full “THE CRIMSON IDOL Tour”, which was officially only available in 7 songs. Live at Biskuithalle, Bonn, Germany 2nd October 1992 ULTIMTE SOUND Disc 1(55:57) 1. The Titanic Overture 2. The Invisible Boy 3. The Real Me 4. L.O.V.E. Machine 5. Chainsaw Charlie (Murders In The New Morgue) 6 Wild Child 7. The Idol 8. The Headless Children 9. The Great Misconceptions Of Me Disc 2 (33:09) Encores 1. Audience 2. Hellion 3. On Your knees 4. I Don’t Need No Doctor 5. I Am One 6. I Wanna Be Somebody 7. Blind In Texas Blackie Lawless – lead vocals, rhythm guitar Doug Blair – lead guitar Johnny Rod – bass, backing vocals Stet Howland – drums, backing vocals