W.A.S.P./Germany 1984

In 1984, W.A.S.P. made a shocking debut with a strange form of LA metal. Introducing a new excavated live album that will give you the ultimate experience of the European scene rocked by the shockwaves. This work was recorded at “Frankfurt performance on September 28, 1984”. This is the real audience recording. This work is not just a pop-up live album. The treasured collection of the famous recording artist “G. Mann” who is currently shocking heavy metal collectors around the world. This taper has been releasing sound sources that first appeared in 1984 one after another, and titles such as MOTLEY CRUE’s “MONSTERS OF ROCK NUREMBERG 1984” and ACCEPT’s “MONSTERS OF ROCK 1984” released at the same time are also by this person. the work. Now, it was also W.A.S.P.’s first performance in West Germany that such a master was present. First, let’s check the show’s position from the schedule at that time. 1984《August 17th “W.A.S.P.” released》・September 18th-26th: UK (8 performances)　←※LIVE AT THE LYCEUM ・September 28th-October 13th: Europe (11 performances)←★ Coco★・October 18th-23rd: First visit to Japan (5 performances)・November 9th: London performance・November 24th-December 28th: ​​North America #1 (22 performances) 1985・January 9th Sunday – March 29th: North America #2 (58 performances) / July 3rd – 5th: North America #3 (3 performances) [“THE LAST COMMAND” released on November 9th] This is the shocking debut work “W.A.S.P.” released The steps since then. The tour started in the UK for the first time and will move on to continental Europe. The flow continued into the legendary first visit to Japan. From this tour, the super masterpiece press DVD “LIVE AT THE LYCEUM, LONDON” that reprinted the official video has reigned as a classic, but the Frankfurt performance of this work will be held four days later. It was the first day of the “Europe” leg, and it was also about three weeks before landing in Japan. This work, which was recorded at the scene in Germany for the first time, is an audience recording with a realistic atmosphere at the scene. Unfortunately, unlike ACCEPT, it is not as good as the press class, and the hole sound is thicker, but the core that cuts through the middle is very powerful. The sound of the hall does not give a sense of distance, but rather gives a deep dynamism to the performance, and it is the type that approaches you with great force. The location was a theater with a capacity of about 1,400 people, and it was so realistic that when you close your eyes, you can see the space. The show depicted with the on-site sound is worthy of being called a live performance version of the debut work. As you can see below, there is no need to analyze the set. The setlist is intense, playing all of the album’s 10 songs except for “B.A.D.,” and placing “Animal (Fuck Like A Beast)” from their legendary debut EP at the finale. Of course, although it is aggressive and tough, the melody is catchy as it does not pass through thrash metal/hardcore, and it has an extremely pop feel that is straight from Alice Cooper/KISS. The audience at the scene where it was hit with tremendous tension was also excited, but it was amazing that there was no up-close voice. Even though the excitement of 1,400 people was scorching the stage, it did not interfere with the extremely loud performance sound. It’s wild and tough, has dramaticism, and is catchy to the last. Come to think of it, W.A.S.P. may have sounded too German-friendly. This is a piece where you can witness with real sound the first night when they and the West German scene met. The DVD “LIVE AT THE LYCEUM, LONDON” is the best introduction to that time, but for those who were knocked out by that masterpiece, this is a new excavation site experience board that is perfect. Newly discovered audience recording of “September 28, 1984 Frankfurt Performance”. This is a treasured collection of the famous recording artist “G.Mann”, who is currently a hot topic, and the sound of the hall does not give a sense of distance, giving the performance a rich dynamism and coming close to you. The show could be called a live version of the debut album, and while playing all 10 songs on the album except for “B.A.D.”, they also played “Animal (Fuck Like A Beast)” from the legendary debut EP for the last big finale. The heinous set list of placement is intense. This is a documentary album that allows you to experience the historic first night of the invasion of Europe. Volksbildungsheim, Frankfurt, Germany 28th September 1984 PERFECT SOUND(62:46) 1. Intro (The End) 2. On Your Knees 3. The Flame 4. Hellion 5. L.O.V.E. Machine 6. Sleeping (In the Fire) 7. Tormentor 8 School Daze 9. The Torture Never Stops 10. I Wanna Be Somebody 11. Animal (Fuck Like a Beast) Blackie Lawless – Lead Vocals, Bass Chris Holmes – Guitars Randy Piper – Guitars, Vocals Steve Riley – Drums