Description
South America in the 1990s became a lifeline for HR/HM, who were driven to the brink of extinction, and a way to survive until the present day. Introducing a superb video collection that reveals the essence of scenes that play an extremely important role in history but are often overlooked. This work includes 10 types, 19 songs, and 1 hour and 40 minutes of superb multi-camera professional shots. This is a video collection that shows a passionate love for HR/HM, although it includes a variety of bands and live performances. If you look at this alone, you might think, “What’s this?”, but in fact, this is a video work that was very popular among collectors in South America at the beginning of the 21st century. To understand its appeal, you need to know how important “South America in the 1990s” was. This is a little off-topic, but let me tell you how long we’ve known each other… [The South American scene of the 1990s that saved HR/HM’s lifeline] As many of you may remember, the 1990s were truly a dark era. The second half was hell. This was the era when Rob Halford said, “Metal is dead,” and METALLICA said, “I want to change the name to Rocktalica.” All of the bands that come out are heavy, going beyond “heavy,” and the new releases by veterans are devoid of grooves and melodies. The sound has become full of PANTERA and grunge sounds, but the impersonators who don’t understand the essence are nowhere near as good as the original…The whole scene has fallen into such a situation. South America reached out to these HR/HM bands who had lost their way of life. Veterans who were unable to make a living in North America and Europe all toured South America, and the great hospitality they received gave them the energy to survive. Of course, Japan played a similar role, but on a completely different scale. Unlike Japan, where popularity is concentrated around a few bands, in South America, MONSTERS OF ROCK-class festivals are held multiple times in each country. What’s more, the scene was filled with a huge crowd of Latin music fans, and it was the only place on earth filled with the vitality of rock, filled with heavy sounds. In fact, I think collectors can feel that energy. For example, think back to your favorite band from the late 90s. Aren’t the professional shots and soundboards that come to mind only from South America? Of course, “broadcasting = popularity”, and South America was the only country that continued to support HR/HM to that extent. This is a long digression, but this work is a collection of professional shots produced by such South American fans. In other words, the South American fan psychology that supported that era is on full display. If you have experienced the time here, you may think that it is “90’s South American quality,” but there is no need to worry about that with this work. The videos included in this work range from 1981 to 1998, but all of them are superb masters that are far from the image of so-called “South American quality”. This also has to do with the era in which it was produced. I think many people are wondering, “Did South American broadcasting evolve all of a sudden?” That was in the late 1990s. Even though this work is an old video of the live performance itself, it seems to have been broadcast in the late 90s, and it is an official-grade video beauty. Conversely, South America was the only country that broadcast HR/HM in such large quantities at the end of the 1990s… This visual beauty was born out of the mischief of that era. Now, let’s get to the point. It is a live performance that can be witnessed with such quality, but it can be broadly divided into four types. Let’s introduce each of them. [3 types of medium-sized professional shot bars] 1997: JASON BONHAM BAND (4 songs) The 10 types of videos included in this work are quite miscellaneous, but if you look closely, you can see that there are 3 types of medium-sized shots + 1 song. It turns out that there are 7 types of units. One of those “medium length videos” is JASON BONHAM BAND. This multi-camera professional shot was taken at the “SKOL ROCK FESTIVAL” held in “São Paulo on November 15, 1997”, with completely official quality visual beauty, and includes originals as well as LED ZEPPELIN’s “Heartbreaker”, “Communication Breakdown”, ” Whole Lotta Love” can be enjoyed. South America was a region where I was not able to experience ZEP, but it is the best professional shot that my longing has turned into a craving. 1998: Kenny Wayne Shepherd (3 songs) Second medium length video: Kenny Wayne Shepherd. Although the country is unknown, three songs are recorded from the live performance held at “HARD ROCK CAFE” in 1998. As with the JASON BONHAM BAND mentioned earlier, HR/HM and blues rock are inseparable. It is recorded for a long time, probably because it has a deep attachment to South American fans. 1990: ALICE IN CHAINS (5 songs) The third medium length professional shot is ALICE IN CHAINS. In Japan, they are a symbol of grunge/alternative and tend to be seen as war criminals, but worldwide they are also recognized as a metal band. Even if South American fans aren’t interested in “ALICE IN CHAINS-style bands,” they probably like ALICE IN CHAINS themselves. Here, we have recorded the live part completely from the official video “LIVE FACELIFT” of “December 22, 1990 Seattle Performance” with a South American style. [1981-1998: Professional shots of each song (7 songs)] The impact is stronger than the medium-length videos above, and what makes this work unique is the group of videos for each song. There are 7 types crowded together, but this is already a collection of hidden treasures. In addition to Glenn Hughes who suddenly brought the crowd to a boil with “Burn,” DREAM THEATER, which was at the forefront of the 90s, Steve Lukather & Vivian Campbell, and surprisingly Dave King, “Going Down” was performed. ”, WHITESNAKE’s “Love Ain’t No Stranger” after finishing their farewell tour in South America, etc. Valuable and exquisite pro shots will appear one after another. In such a situation, Ozzy in 1996 and VAN HALEN in 1981 are the ones that make you say “Oh!” The former is rare because the guitar player is Joe Holmes, and the song “Perry Mason” is also extremely rare. This is probably the No. 1 quality professional shot of the Holmes era. VAN HALEN is heavier in a different sense than its rarity. This image of Seattle in 1981 does not seem to have anything to do with South America, but the fact that it was chosen is important in itself. In fact, VAN HALEN was the first band to tour South America (after QUEEN). At that time, Brazil was still under a military dictatorship before democracy, and they showed off their free rock style. This work includes footage from 1981, not 1983. This “Unchained” is probably engraved in the minds of the fans who were looking forward to the South American performance. You can enjoy the song that opened the door to the world in the highest quality. From exciting copies of official videos to extremely valuable co-stars and historical archive footage… This work is a professional shot collection of the highest quality for each song, and it is the best rock compilation even without any notes. However, it is also true that if you think about the South American scene at the time, it becomes even more profound. The South American fans who loved the rock music packed here continued to support HR/HM during the dark days when even Rob Halford said, “I can’t do it anymore.” That is why it was able to revive in the 21st century and prosper to this day. It’s not just a great rock video, it’s a piece that lets you peek behind the scenes of historical trends. Live compilation of 90’s High Quality PRO-SHOT 1. Glenn Hughes – Burn (Monsters of Rock, Brazil 26th September 1998) 2. Dream Theater – Pull Me Under (Monsters of Rock Festival, Sao Paulo, Brazil 26th September 1998) 3. Jason Bonham Band – Heartbreaker (SKOL Rock Festival, Sao Paulo, Brazil 15th November 1997) 4. Jason Bonham Band – When You See The Sun (SKOL Rock Festival, Sao Paulo, Brazil 15th November 1997) 5. Jason Bonham Band – Communication Breakdown ( SKOL Rock Festival, Sao Paulo, Brazil 15th November 1997) 6. Jason Bonham Band – Whole Lotta Love (SKOL Rock Festival, Sao Paulo, Brazil 15th November 1997) 7. Van Halen – Unchained (Oakland, USA 21st June 1981) 8. Ozzy Osbourne – Perry Mason (Ozzfest 1996) 9. Steve Lukather & Vivian Campbell – Going Down (Leo Fender Memorial Jam Benefit ’92) 10. Gov’t Mule – If I Had Possession Over Judgment Day (from the movie “Hellhounds on My 11. Kenny Wayne Shepherd – Somehow Somewhere Someway (Hard Rock Cafe 1998) 12. Kenny Wayne Shepherd – Blues On Black (Hard Rock Cafe 1998) 13. Kenny Wayne Shepherd – Slow Ride (Hard Rock Cafe 1998) 14. Whitesnake – Love Ain’t No Stranger (Buenos Aires, Argentina 13th December 1997) 15. Alice In Chains – Man In A Box (Moore Theatre, Seattle, WA, USA 22nd December 1990) 16. Alice In Chains – Real Thing (Moore Theater , Seattle, WA, USA 22nd December 1990) 17. Alice In Chains – Love Hate Love (Moore Theatre, Seattle, WA, USA 22nd December 1990) 18. Alice In Chains – Sea Of Sorrow (Moore Theatre, Seattle, WA, USA 22nd December 1990) 19. Alice In Chains – Bleed The Freak (Moore Theatre, Seattle, WA, USA 22nd December 1990) PRO-SHOT COLOR NTSC Approx. 100 min.
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