Description
“LIVE AID” is the biggest event of the 20th century…no, the biggest event in the history of human music. Introducing a 4-disc set of the finest professional shots that vividly brings back that day that colored the summer of 1985. [Video beauty of a transcendental master by a recording enthusiast] We have introduced many professional shots of “LIVE AID” so far, but this work is different. This event was broadcast live all over the world, but this work is the Japanese broadcast version. Moreover, it is a blockbuster that follows the entire scene over 4 DVDRs and about 8 hours. However, it is not a complete broadcast. The main broadcast was a long one, lasting about 16 hours, but this work is a selection of only “Western music” from that time. CMs inserted directly into the show, chatting with talent in the station’s studio, Japanese musicians on stage, etc. are eliminated as much as possible (although you can see some members of the Heisei Board of Education). The scene where I thought at the time, “Okay, let’s show a live performance with outside sauce!” has been removed, and now we can look back on that hot day with only delicious scenes. The biggest point of this work is the reality of “July 13, 1985″, and the quality of depicting it is also excellent. At our store, we have archived a number of music programs with the super best masters provided by domestic record enthusiasts, and this work is also the latest. Since then, this maniac has pursued high-end equipment and environment, and is a real man who pays close attention to the state of preservation of his masters. Its quality has been proven in many masterpiece programs, but this work is one of the special ones. Currently, recording masters of “LIVE AID” have been reported from all over the world, but the quality of this work is outstanding. Despite the era when there is no digital broadcasting, it is a visual beauty that even comes close to the official DVD. [“That day” can be brought back to life only because of Nippon Broadcasting System] It was like a miracle that “July 13, 1985” was depicted with such quality. Not only SANTANA and the reunion LED ZEPPELIN, which were not included in the official DVD, but also many famous songs from each band / artist that cannot be seen on the official DVD are included, and the feeling of the live broadcast at that time is irresistible. Initially, it started at 12:00 noon in the UK, but at that time it started at 20:00 at night in Japan. The real-time feeling of STATUS QUO and BLACK SABBATH being broadcast during prime time brings back memories of summer 34 years ago. Furthermore, the contents are unique to Japan Broadcasting at the time. The telop that solicits donations only has a 9-digit phone number, and there are currently no banks accepting donations (Fuji Bank, Mitsubishi Bank, Sumitomo Bank, Dai-ichi Kangyo Bank). Even more powerful are the unique Japanese subtitles that introduce each band/artist. For example, Paul McCartney said, “Last year, the movie “Ya! ‘Hero’ is also sung by him.’ Mick Jagger also says, “This year, he will release his first solo album, She’s the Boss, and break new ground.”But what’s even more poignant is that he says, “He hasn’t set foot on Japanese soil yet.” One sentence: “Not there.” Although I remember the vertical history of each band, when I traverse it, I get a strong sense of “Ah, this is what it was like back then.” Even more intense is LED ZEPPELIN, whose reunion also shocked the world. The ticker that plays during the heart-pounding moment of the century reads, “Robert Plant with Phil Collins (omitted), whose relationship began after Phil Collins played drums in “Portrait at 11 O’Clock”.” Well, it was certainly a composition where a plant appeared on Phil’s stage, and it was not officially called ZEP. Well, maybe the Japanese side didn’t know… Just when I thought that, a caption introducing Jimmy Page played. Hey, you know Paige is going to appear, right? I feel like lecturing the staff from 33 years ago for about an hour, telling them to talk about the greatness of ZEP and the importance of their reunion… [A real-time feeling where the chaotic simultaneous translation was happening at the same time as the huge event] This alone is enough to fill me up, but this work is still relentless. Simultaneous interpretation explodes with destructive power that exceeds that of a caption. This is already a mess. For example, ZEP. Phil Collins says in English, “Let me introduce you to my friends. Robert Plant, Jimmy Page, John Paul Jones Tony Thomson!” The translation that overlaps with the words is “These are the members of the band. Robert Powers and John Thompson.”… Hey hey. hey hey. “Who is that?” It was so deadly that even the will to rush in was wiped away. To be honest, at the time I was so excited to witness the moment of the century that I missed it, but those who noticed it must have been disappointed. “If you don’t know anything, just shut up!” is the only way to say it. The female interpreter turns around and says, “Simultaneous interpretation is difficult,” after seeing the clumsy translation. In this broadcast, a male MC is simultaneously interpreted by a male translator, and a female MC is simultaneously interpreted by a female translator, and this woman is an expert. In this work, she appears in the Madonna version, and you can hear the wonderful translation. In Pette Midler’s introduction, she brilliantly bypasses the sarcasm about the star Madonna, “Why do I have to introduce this girl?” and naturally speaks words that men would hesitate to use, such as “bra” and “virgin.” In addition, Madonna herself delivers a refreshing and moving MC without hesitation. Let’s transcribe it a bit. “Let me take this opportunity to thank you all. As you all know, today’s concert is full of stars performing. But the important thing, I think, is that you It’s not about who you are, it’s about why you’re here. I’m so glad you’re all here. Can you all hear me? Who’s here after 33 years? A wonderful MC that pierces my heart, even though I was always focused on who was co-starring with whom. Instead of waiting for Madonna to finish saying it, she simultaneously translated it without interjecting “ah” or “um”. With David Bowie, this difference in ability causes chaos. Before the show, foreign announcers (male and female) are talking, but it doesn’t really seem like a conversation. The male interpreter gives up after saying, “I’m sending you a concert starring David Bowie…” but the female interpreter considers the words about the significance of the show to be important and ignores them. “Well, for example, we held a concert for poor children in Brixton,” he continued. Moreover, even in the scene where the members are introduced, the male interpreter keeps getting their names wrong. Matthew Seligman as “Sullivan,” Claire Hurst as “Cairn Purston,” and Thomas Dolby as “Thomas Robin.” It’s still better to have a vestige of his real name, and Neil Conti blurts out the name “Office” and the non-existent name “Endina” on backing vocals. THE WHO is where that live broadcast feeling explodes. The show is about to start, but it’s hard to get started, probably because the equipment isn’t ready. In order to save time, the scene switches to a Japanese studio, but due to the sudden situation, they try their best to connect with a rambling story. “My Generation” starts off with a bang, but then all of a sudden! The screen went black with a noise. Apparently the power to the balloon on the London side had gone out, and if the Philadelphia announcer on the screen was in a panic, so was the Japanese interpreter who was translating the words at the same time. The whole world was in a panic, saying things like, “Oh no…” “London has gone somewhere”, “Let’s go to SANTANA…”, “Oh, I’m going to change my plans and go to London”. Then, just when I thought everything was finally back to normal with “Love, Reign O’er Me,” the MC said, “This is everyone’s favorite song!” and then a commercial breaks out in the middle of the song. cut off. Japan, the US, and the UK are all making mistakes. This scene truly encapsulates the fun of this work. On the other hand, Bob Dylan was involved in an incident at JFK Stadium in the United States. While he served as a starter on the American side, he suffered the biggest hardship of his life due to monitor malfunction. The situation would have been better if they had used an electric acoustic guitar like CSN&Y, but it completely backfired on them to go on stage with an acoustic guitar set up to be picked up by a microphone, which is typical of Dylan. I don’t think it added fuel to the fire that Keith Richards and Ronnie Wood also had acoustic guitars (they were also in the mode of picking up live sounds). Even if you look at the video, it is clear that the three people cannot hear their performance satisfactorily, and two people other than Dylan repeatedly put their ears on their acoustic guitar. The bad things overlap, and at the end of “Blowin’ in the Wind,” Dylan’s guitar strings break when he solos to Keith. It was wonderful that Ronnie noticed this and lent him his guitar, but unfortunately his acoustic guitar was tuned open for slide. Dylan doesn’t realize this, and even though he can’t hear himself very well, he just plays normal chords (of course the notes are off). Finally, Ronnie receives Dylan’s guitar from the staff and plays while holding his head as he sees that the strings are still broken. What was supposed to be an emotional finale turned out to be a disaster. “July 13, 1985” was the day when the biggest event of the century was taking place simultaneously between “Wembley Stadium (UK)” and “JFK Stadium (USA)”. This is a blockbuster professional shot that allows you to watch the live performance of all 43 groups for about 8 hours. The world-wide broadcasting incident, as well as Japan’s unique subtitles and interpretation, are full of the times. This is a 4-disc set that allows you to relive that day in real life. “LIVE AID” is once again attracting attention due to the QUEEN movie “Bohemian Rhapsody.” However, even without the movie, it would still have been the biggest event of the 20th century. No, the 1980s was the era when popular music was at its peak in human history. In other words, “LIVE AID” was the largest music festival in human history. This is a masterpiece that allows you to experience the events of the century in real time. Wembley Stadium, London, UK / JFK Stadium, Philadelphia, USA 13th July 1985 Disc 1(125:05) 1. Coldstream Guards “Royal Salute” Status Quo 2. Rockin’ All Over The World 3. Caroline The Style Council 4. You ‘re The Best Thing 5. Big Boss Groove The Boomtown Rats 6. I Don’t Like Mondays 7. Drag Me Down Mistakenly Called Rat Trap Men At Work Australian Satellite Radio 8. Overkill Ultravox 9. Reap The Wild Wind 10 . Dancing With Tears In My Eyes 11. One Small Day Cuts off in the middle and is shown in the studio Joan Baez Interpreter Excellent female interpreter Excellent 12. Jack Nicolson Introduction 13. Amazing Grace B.B. King Satellite broadcast from the Netherlands 14. Why I Sing The Blues / Don’ t Answer The Door Billy Ocean 15. Caribbean Que en 16. Loverboy Black Sabbath 17. Children Of The Grave 18. Iron Man 19. Paranoid Elvis Costello 20. All You Need Is Love Sting & Phil Collins 21. Roxanne 22. Against All Odds (Take a Look at Me Now) 23. Message In A Bottle 24. In The Air Tonight 25. Long Long Way To Go Four Tops 26. It’s The Same Old Song 27. Reach Out I’ll Be There 28. I Can’ t Help Myself (Sugar Pie, Honey Bunch) Bryan Ferry (with David Gilmour) 29. Sensation 30. Boys And Girls 31. Slave To Love 32. Jealous Guy PRO-SHOT COLOR NTSC Approx.125min. Disc 2(126:13) 1. Sheena Easton Introduction Judas Priest 2. Living After Midnight Paul Young 3. Come Back and Stay 4. That’s The Way Love Is (with Alison Moyet) 5. Every Time You Go Away Amazing Performance Bryan Adams 6. Summer of ’69 U2 7. Sunday Bloody Sunday” 8. Bad The Beach Boys 9. California Girls 10. Help Me, Rhonda 11. Wouldn’t It Be Nice 12. Surfin’ U.S.A. Dire Straits 13. Money for Nothing (with Sting) 14. Sultans of Swing Queen 15. Roland Smith & Dionne Warwick Introduction 16. Bohemian Rhapsody 17. Radio Ga Ga 18. Hammer to Fall 19. Crazy Little Thing Called Love 20. We Will Rock You Mick Jagger & David Bowie 21. Dancing In The Street Simple Minds 22. Introduction 23. Ghost Dancing 24. Don’t You (Forget About Me) David Bowie 25. TVC 15″ ★Interpreter intro messed up 26. Rebel Rebel 27. Modern Love 28. Heroes ★Interpreter messed up Pretenders 29 . Stop Your Sobbing 30. Back on the Chain Gang The Who 31. Introduction Unable to start playing. The Japanese studio can be seen endlessly. 32. My Generation Cut in the middle, something terrible is happening, panic all over the world 33. Pinball Wizard 34. Love, Reign o’er Me This time we get cut off by a commercial 35. Won’t Get Fooled Again The ending is amazing PRO- SHOT COLOR NTSC Approx.126min. Disc 3(124:25) Santana 1. Primera Invasion 2. Open Invitation Elton John 3. Introduction 4. I’m Still Standing 5. Bennie and the Jets 6. Rocket Man Member introduction Interpretation waived 7. Don’t Go Breaking My Heart (with Kiki Dee) 8. Don’t Let the Sun Go Down on Me (with Wham!) 9. Can I Get a Witness Madonna 10. Bette Midler Introduction 11. Holiday 12. Into the Groove 13. Love Makes the World Go Round (with Thompson Twins and Nile Rodgers) Freddie Mercury & Brian May ★Freddie is spelled incorrectly as “FREDIE” 14. Is This the World We Created…? Mixed lines. Paul McCartney (with David Bowie, Bob Geldof, Alison Moyet & Pete Townshend) 15. Let It Be Mic Off Band Aid 16. Bob Geldof Introduction 17. Do They Know It’s Christmas? Neil Young 18. Sugar Mountain 19. The Needle and the Damage Done 20. Helpless The Power Station 21. Get It On Kenny Loggins 22. Footloose Thompson Twins 23. Hold Me Now 24. Revolution (with Madonna, Steve Stevens & Nile Rodgers) REO Speedwagon 25. Can’t Fight This Feeling Eric Clapton 26 Introduction From the introduction of two foreign female MCs, the Japanese studio is also shown 27. White Room 28. She’s Waiting 29. Layla Phil Collins 30. In the Air Tonight Led Zeppelin 31. Introduction 32. Rock and Roll 33. Stairway to Heaven PRO- SHOT COLOR NTSC Approx.124min. Disc 4(95:16) Crosby, Stills, Nash & Young 1. Daylight Again/Find the Cost of Freedom Duran Duran 2. A View to a Kill 3. Union of the Snake 4. Save a Prayer 5. The Reflex Patti LaBelle 6. Imagine 7. Forever Young Daryl Hall & John Oates 8. Out of Touch 9. Maneater 10. Get Ready (with Eddie Kendricks) 11. Ain’t Too Proud to Beg (with David Ruffin) 12. The Way You Do the Things You Do (with Eddie Kendricks & David Ruffin) 13. My Girl (with Eddie Kendricks & David Ruffin) Mick Jagger 14. Lonely at the Top 15. Just Another Night 16. Miss You 17. State of Shock (with Tina Turner) 18. It’s Only Rock ‘n Roll (with Tina Turner) Bob Dylan with Keith Richards & Ronnie Wood 19. Jack Nicolson Introduction 20. Ballad of Hollis Brown 21. When the Ship Comes In 22. Blowin’ in the Wind USA for Africa 23. Lionel Richie Introduction 24. We Are the World Sponsored by the Ministry of Foreign Affairs Bonus Track 25. Live Aid Recap (MTV Special) Domestic broadcasts are rare. Valuable with subtitles PRO-SHOT COLOR NTSC Approx.95min. PRO-SHOT COLOUR NTSC Approx.470min.(TOTAL)
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