Description
URIAH HEEP in 1975, who welcomed John Wetton and returned to the fantasy world. The storyteller recording that conveyed the scene has been decided to be released. The recording that was recorded in this work is “Preston performance on December 2, 1975”. It is the legendary audience recording. First of all, let’s explore the position of this work while taking a bird’s-eye view of the activities at that time. February: Gary Thain replaced by John Wetton February 20: Mannheim performance Spring “RETURN TO FANTASY” production May 22-June 29: Europe (24 performances) June 13 “RETURN TO FANTASY” released July 31-September 6: North America #1 (23 performances) ← ※ DKRC appearance September 26-November 2: North America #2 (24 performances) November 25-December 14: UK (15 performances) ★ Here ★ December “HIGH AND MIGHTY” production begins This is URIAH HEEP in 1975. Around the time of the album release, they toured continental Europe, and then focused on North America. The Preston performance of this work was the sixth concert of the “UK” leg, which returned to their home country in triumph. This vacuum-packed recording of such a show is a famous recording that was once released normally by the Sirene label. It was incredibly clear for the time, and the fresh sound penetrated my heart. The audience recording was only vivid, and the musical tones cut straight through the space without any obstructions. The sound depicted is the revival show that sent “RETURN TO FANTASY” to 7th place in the UK. Although the final songs of the show, “Bird Of Prey”, “Love Machine”, and “Look At Yourself”, are not included, there are still plenty of masterpieces unique to that time. Let’s summarize the contents here. Return to Fantasy (4 songs) Devil’s Daughter / Shady Lady (★) / Prima Donna (★) / Return To Fantasy Classics (7 songs) Devils and Wizards: Rainbow Demon / Easy Livin’ Others: Stealin’ / Suicidal Man / July Morning / Gypsy / Sweet Lorraine *Note: ★ marks exclusive songs that were only performed during the John Wetton era. …And so it goes. “Devil’s Daughter” and “Return To Fantasy” were also featured during the Bernie Shaw era, but “Shady Lady” and “Prima Donna” were unique to those days. And even though they were new songs, they were so exciting! In “Prima Donna,” Wetton gets the crowd going with the “rock ‘n’ roll!!” barrage. It’s full of the atmosphere of the UK, in the midst of their biggest hit. “WONDERWORLD” also features “Suicidal Man.” Up until the John Sloman era, they played it occasionally, but after that, it was sealed away as a repertoire. Other rare and delicious songs include the masterpiece “Rainbow Demon” and the heavy “Suicidal Man”. In particular, “Rainbow Demon”, revived with Wetton’s bass and chorus, is the best even without the rarity. URIAH HEEP and John Wetton, characterized by their catchy melody and thick chorus work. In fact, they were a very compatible combination. At the time, there was a plan to promote Wetton to lead vocals after David Byron was expelled, and if that had happened, rock history might have changed. This work is a valuable cultural heritage that allows you to be present at such a wonderful show that it makes you fantasize. A legendary recording from the John Wetton era has been released. With this famous recording, you can enjoy a number of delicious rare songs that were only available at that time, such as “Shady Lady”, “Prima Donna”, and “Suicidal Man”. Guildhall, Preston, England 2nd December 1975 TRULY AMAZING SOUND 1. Intro 2. Devil’s Daughter 3. Stealin’ 4. Suicidal Man 5. Shady Lady 6. Prima Donna 7. Rainbow Demon 8. July Morning 9. Return To Fantasy 10. Easy Livin’ 11. Gypsy 12. Improvisation 13. Sweet Lorraine David Byron – Vocals Mick Box – Guitar John Wetton – Bass & Vocals★ Ken Hensley – Keyboards, Guitar & Vocals Lee Kerslake – Drums
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