Description
The Japanese performance of the “Vertigo Tour” that attracted the envy of the whole world. The matrix album that tells the whole story is born! This work is permanently preserved in this work, “December 4, 2006: Saitama Super Arena performance”, the final day of the tour in Japan. It is a matrix sound source of the best audience recording + IEM interception that captures the whole story. However, it is not just a matrix sound source! Please see the details below! This is really amazing! Many people may have guessed from the new sound experience title by [AI technology x IEM matrix], but this work is the latest bullet of the latest AI remix series “Remaster & Remix” that has been highly praised. AI remix has allowed us to experience a different dimension of finish with sound boards and audiences, but its awesomeness is also a matrix … no, it is a big explosion in the matrix! It is. If you have experienced the previous “Remaster & Remix” titles, you may know that this series is not so-called “generative AI” even though it is AI technology. There were no parts or performances that were made by anyone, and the music was 100% played by U2. It was broken down into multi-tracks by AI and reconstructed with a remix. It is extremely powerful, as it can straighten out FM soundboards broadcast with a rough mix, or rearrange a dumpling-like audience in one take. This time, it is the matrix edition. There are two sources used: the best audience recording known as the best master, and the treasure IEM sound source provided by Core Collector. It is broken down into 14 tracks “(drum x 4 parts + guitar + bass + vocals) x 2 sources” and reconstructed after mastering to match each instrument. This method is the same as the conventional “Remaster & Remix” series, but it is extremely compatible with the matrix. (Depending on the author’s skill) A normal matrix is, in principle, just layering flat sound sources. It was natural that the core of the IEM would pop out of the audience recording. However, this work does not have that sense of incongruity at all. The sounds of the audience recording and the IEM are intertwined on an instrumental level, and the ensemble is reconstructed in three dimensions. It blends so naturally that there is no sense of “combining,” and it combines a direct feeling and a wide feeling, as if the live venue is constructed in the brain. There is no “guide shaker sound” that was a fate! “AI technology x Matrix” showed an unexpected compatibility, but the fact that U2 is the main character is also exquisite. No matter how AI technology is, it is not an all-purpose magic, and there are suitability and unsuitability for demixing audience recordings. Depending on the characteristics of the recording, it is not uncommon that demixing cannot be done or the expected effect is not achieved. However, U2 is quite compatible in that respect. As one of the biggest names of the time and with a high awareness of sound, the audience recording is also of quite high quality. In particular, this work was a famous recording that has been said to be “the best!” since its release, so it was a great match with AI technology. Even more effective was the IEM sound source! It can be said that this title’s greatest strong point! The biggest point is the “shaker sound”. As U2 collectors may know, their IEMs come with a rattling shaker sound, which sounds instead of a click sound to keep the tempo. The shaker sound was also recorded in the source IEM of this work, but this work succeeded in removing only the shaker sound using AI technology! It was completely removed without any effect on the performance sound, achieving a finish that is no different from using a perfect soundboard. In addition, the mix stage that combines all those materials is also extremely precise. The positioning of each instrument is reproduced exactly as in the official live work (The Edge’s guitar is placed on the left channel), and the sound and balance are carefully adjusted. It was completed after repeated attempts and many prototypes. A great performance that shocked U2 collectors all over the world The new era matrix sound depicts a great Japanese performance that surprised the whole world. First of all, the set is unique. Speaking of the “Vertigo Tour”, the three official videos “VERTIGO 2005: LIVE FROM CHICAGO”, “VERTIGO: LIVE FROM MILAN” and “U2 3D” are famous, so let’s organize them by comparing them. 2000s (7 songs) All That You Can’t Leave Behind: Elevation/Beautiful Day Atomic Bomb Dissection: City Of Blinding Lights/Vertigo (2 takes)/Sometimes You Can’t Make It On Your Own (＊) 18 Singles: The Saints Are Coming (★＊)/Window In The Skies (＊) Classics (14 songs) Joshua Tree: I Still Haven’t Found What I’m Looking For/Bullet The Blue Sky/Where the Streets Have No Name/With or Without You Acton Baby: One/The Fly/Mysterious Ways Others: Out Of Control (★)/Angel Of Harlem (★)/The First Time (★＊)/Bad (★)/Sunday Bloody Sunday/Miss Sarajevo/Pride (In The Name Of Love) *Note: Songs marked with “★” are songs that could not be heard in the three official videos. The “*” marks are limited songs only available during the “Atomic Bomb Dissection New Book” era. … and so on. There are some replacements of representative songs, but there are also many precious songs that are only available during this period. In particular, “The Saints are Coming”, which was a hot topic in collaboration with GREEN DAY, and “The First Time”, which was performed live for the first time on this tour, are extremely rare songs that were not even included in the three major official videos. You can enjoy them with a completely new sound board sound. What fascinated the world more than such rare songs was the wonderful performance itself. Anyway, Bono is in top form! He was not very good in the aforementioned official “LIVE FROM CHICAGO” (or, to be honest, it was tough), but in Japan, his voice came out in a funny way and he was flying with his own enthusiasm. In particular, the final day of this work’s Japan tour has been highly praised by overseas enthusiasts as “the greatest performance of the tour”. The final day of the “Vertigo Tour” visit to Japan, which has become a legend at the global level. This is a new masterpiece that permanently preserves that great performance with a different dimension of matrix sound. A miraculous musical work created by “Best AUD x Treasured IEM x Latest AI Technology”. Even without the guide shaker sound is a big miracle! The best matrix sound source of “December 4, 2006: Saitama Super Arena Performance”. A new dimension of masterpiece that matrixed the best master of the best audience that has been acclaimed since then and the IEM sound source of the core mania’s treasure with the latest AI technology. The sound that was decomposed into 14 tracks and reconstructed has a different dimension of three-dimensionality from the conventional matrix, and the click (shaker) sound that was destined to be completely removed. You can enjoy Bono’s full show that attracted the envy of fans all over the world. Saitama Super Arena, Saitama, Japan 4th December 2006 Remaster & Matrix of Audience & In Ear Monitor Recording UPGRADE Disc:1 (70:10) 1. The Killers – When You Were Young 2. Arcade Fire – Wake Up 3. City Of Blinding Lights 4. Vertigo 5. Elevation 6. Out Of Control 7. I Still Haven’t Found What I’m Looking For 8. Beautiful Day 9. Angel Of Harlem 10. The First Time 11. Sometimes You Can’t Make It On Your Own 12. Bad 13. Sunday Bloody Sunday 14. Bullet The Blue Sky Disc:2 (60:29) 1. Miss Sarajevo 2. Pride (In The Name Of Love) 3. Where The Streets Have No Name 4. Bono Speech 5. One 6. The Fly 7. Mysterious Ways 8. With Or Without You 9. The Saints Are Coming 10. Window In The Skies 11. Vertigo 12. The Go-Betweens – Streets Of Your Town
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