U2/Tokyo,Japan 11.25.1989 Another Seat Ver.

This work includes “November 25, 1989: Tokyo Dome Performance”. This is a completely different audience recording. In fact, the person who recorded this work was also a master. The performance will be held for two consecutive days at Tokyo Dome, and the second day will also be introduced as a CD called “LOVE RESCUE ME.” This work is “the first day edition by the same recording artist” as such a masterpiece. In fact, this work is also a famous recording far away from the dome. The sound is thicker than the main 2CD, but that’s because the main part has a very clear outline. The performance sound of this work is also powerful enough to reach through the atmosphere, the vocals can be clearly heard down to every word of the lyrics, and the bass, which tends to be spoiled in dome recordings, is clearly separated. You can enjoy both the sharp attack sound and the vibe that creates a groove. It’s a spectacle. The sea of ​​loud cheers spread far and wide, and the waves wriggle in response to Bono’s every move. To avoid misunderstandings, this work is not a recording that is difficult to listen to due to the loud cheers (at all!). The solid performance sound and Bono’s powerful singing voice dominate everything. However, you can clearly feel the enthusiasm of the crowd as if the stage sound was burning from below. Speaking of the moment when Bono shouts “Osu, Tokyo!” in “Where The Streets Have No Name”… Furthermore, the performance itself is a spectacle. Speaking of U2, it is characterized by a unique refreshing and expansive sound, but it fills the space of the dome and becomes even more gigantic. You can feel the effect throughout the song, for example “With Or Without You”. While the synths weave a beautiful world, a very clear bass moves the song forward, and Bono’s earnest vocals intertwine. The breadth of the world greatly enhances the uplifting feeling of the melody, enveloping the whole body. Then, a wave of loud cheers filled the stage with excitement at the melody… Audience recording is sometimes thought of as a substitute for listening to live performances without a soundboard, but that is not the case. The finest audience recording conveys a three-dimensional sense and scale of the scene that can never be experienced with official or soundboards, and even scales up the music itself. This work is a sample of that. It is a sonic evidence that proves that U2’s music itself is suitable for audience recording. November 1989 saw U2 take over the world. 30 years later, the time has finally come to experience a complete reproduction of “THE JOSHUA TREE.” ★This is a recording from the stands, but this is also a great recording that is a must-listen. Live at Tokyo Dome, Tokyo, Japan 25th November 1989 TRULY PERFECT SOUND(from Original Masters) Disc 1 1. Opening 2. Where The Streets Have No Name 3. I Will Follow 4. I Still Haven’t Found What I’m Looking For 5. MLK 6. With Or Without You 7. God Part II 8. Desire 9. All Along The Watchtower 10. All I Want Is You 11. Van Diemen’s Land 12. The Star Spangled Banner/Bullet The Blue Sky 13. Running To Stand Still 14. People Get Ready Disc 2 1. Angel Of Harlem 2. When Love Comes To Town with B.B. King 3. Love Rescue Me with B.B. King 4. Pride (In The Name Of Love) 5. 40