U2/Italy 2.5.1985

Clapton’s super masterpiece “BOLOGNA 1985” is also whispered to be “the best masterpiece of the 1980s audience”. Have you experienced it yet? A sister work that will inherit that shock and become “the super masterpiece U2 edition” is now available. This work is recorded in “Bologna performance on February 5, 1985”. It is a super-class audience recording. Speaking of 1985, it was the “THE UNFORGETTABLE FIRE” era, when he got a foothold for the breakthrough with his participation in BAND AID and appearance at Live Aid. First of all, let’s look back on the schedule at that time and check the position of the show. 1984 August 29th – September 24th: Oceania (19 performances) (October 1st: “THE UNFORGETTABLE FIRE” released) October 18th – November 21st: Europe #1 (21 performances) (November 24th + 25th: BAND AID sessions) December 1st – 16th: North America #1 (10 performances) 1985 January 23rd – February 10th: Europe #2 (13 performances) ←★Here★ February 25th – May 4th: North America #2 (40 performances) May 25th – July 7th: Europe #3 (8 performances) ←※DUBLIN 1985 July 13th: Appeared at Live Aid August 25th: Appeared at Lark By The Lee Festival This is U2 in 1984/1985. Live Aid was a special performance just before the end of the world tour, but this work was about half a year before that. It was the 10th concert of “Europe #2”. This work recorded at such a show is a superb audience with “super”. Not only is it the same recording artist collection as the Clapton edition, but the venue is actually the same. The sound is very similar, the air feeling is extremely clear, and the performance sound is extremely thick and wonderfully on. There is no mistake with the sound board in terms of tone, but I want to mistake the direct feeling and details. In the commentary of the Clapton edition, it was praised as “a level that blows away a bad sound board” and “There was a taper on par with Mark Millard in Italy”, but it applies to this work exactly as it is. That said, there is also a personality that is completely different from the Clapton edition. That is the enthusiasm of the audience. In 1985, Clapton was already a big name, but U2 was a young and up-and-coming band, and 1985 was also their first time in Italy. The performance is hot with ambition, and the audience is greeted with fierce enthusiasm. If you write it like this, you might think that it is a “noisy and harsh recording,” but that is not the case. Although there are screams and whistles from all over, it is a balance that is overrun by the extremely thick performance sound, and the chorus that the whole venue sings follows Bono’s singing voice firmly. The relationship between the master and servant is not blurred at all, and only the heat of the scene is transmitted super realistically. Such a scorching and clear superb sound depicts a full show of young warriors whose fresh dedication tightens the chest. When it comes to “THE UNFORGETTABLE FIRE Tour,” the masterpiece “DUBLIN 1985 (Wardour-258)” by the prestigious Kinney is a standard in our shop, but this work is similar but different because the legs are different. Let’s organize it by comparing it here. ? (6 songs) MLK/The Unforgettable Fire/Wire/A Sort Of Homecoming/Bad/Pride (In The Name Of Love) Others (11 songs + α) Boy: I Will Follow/The Cry/The Electric Co. Irish October: October/Gloria WAR (Fight): Seconds/Sunday Bloody Sunday/New Year’s Day/40 Single: 11 O’Clock Tick Tock/Trash, Trampoline And The Party Girl (★) Cover: Knockin’ On Heaven’s Door (★) *Note: The “★” marks are songs that were not heard on Kinney’s masterpiece “DUBLIN 1985 (Wardour-258)”. …And so on. The selection of famous phrases included in “The Electric Co.” and “Bad” is different, but even more than that, “Trash, Trampoline And The Party Girl” and Bob Dylan’s cover “Knockin’ On Heaven’s Door”. Both are not medleys or fragmentary phrases, but are played one by one. What is particularly surprising is the chorus of “Trash, Trampoline And The Party Girl”. Of course, it is not that rare worldwide, but the scene of this work is the first Italian tour, and at that time there was no way to know the situation of other countries’ live performances. Despite that, the whole venue is singing the single B-side songs. Of course, the other representative songs are needless to say. It is also a document album that allows you to feel how much U2 was wanted at that time. Taper, an unknown Bologna master who is even said to be “Italian Miller”. This is a live album created by the original master. The sound quality is very similar to the shocking Clapton edition, but the hot and burning show is even more so. You can’t stop recording the audience because you suddenly come across such a secret. A new masterpiece that is a collector’s delight. A superb audience recording of the “February 5, 1985 Bologna performance”. The sound is very similar to Eric Clapton’s super masterpiece “BOLOGNA 1985”, with the same venue and same recording artist collection. The air is extremely clear, and the performance sound is extremely thick and wonderfully on. It is comparable to the Clapton edition, which was praised for “blowing away a bad soundboard” and “there was a taper on par with Mark Millard in Italy”. Moreover, the heat of the youthful live performance is more than the Clapton edition. It is a cultural heritage album that allows you to experience the scene just before the break. Teatro Tenda, Bologna, Italy 5th February 1985 TRULY PERFECT SOUND Disc 1(45:48) 1. 11 O’Clock Tick Tock 2. I Will Follow 3. Seconds 4. MLK 5. The Unforgettable Fire 6. Wire 7. Sunday Bloody Sunday 8. The Cry / The Electric Co. 9. A Sort Of Homecoming 10. Knockin’ On Heaven’s Door Disc 2(47:47) 1. Bad 2. October 3. New Year’s Day 4. Pride (In The Name Of Love) 5. Trash, Trampoline And The Party Girl 6. Gloria 7. 40