U.K./Kanagawa,Japan 2012 3 Days Complete

The first and second days of Wetton, Jobson, and Bozzio’s UK-Japan performance in June 2012, which deeply moved progressive rock fans across Japan, and the final show, which was held in the Kanto area after traveling through Osaka. Introducing a 6-disc set of titles that completely record the three days of the performance, each with ultra-high quality audience recording. On the first day, after the tour ended, Pet Sounds Production remastered and uploaded the highest level ultra-high quality sound source to the internet. And on the second and final day, we received an extremely high-quality sound source directly from Taper. Unlike online sound sources, the sound sources from these two days are valuable takes that have not been circulated among traders at all. On the first day, the musical tones were recorded clearly, and the sense of separation and punch of the sounds was at the highest level. In terms of balance, the vocals are far away compared to the instruments, but no one will complain about the sound quality. A masterpiece sound source that will have you listening to it and thinking, “It can be recorded so well and so well.” On the second day, the sound quality was so high that it felt strange to listen to it again. The sound quality is superb. However, I think the overall sound is better on the first day. And the amazing thing is the last day. This is on par with the first day, or even better. Everything sounds in an optimal balance, and the overall balance of sound is also top-notch. The set is the same on the first and second days, but on the last day, the third song, Nothing To Lose, moves to the encore, and in the middle you can listen to a duet performance of Fallen Angel by John and Eddie. The second and final days are high-quality takes recorded with the same taper, but the impression of the sound is quite different, so even if the same equipment is used, the sound quality and sound image can change so much depending on the recording position. You can feel it. Anyway, the closeness and direct feeling of the sound on the final day is strange, and the texture of this sound can never be reproduced with line recording, and it can be said to be the art, magic, and alchemy that can only be achieved with microphone recording. To be honest, such amazing UK recordings are rare even in the world. A collection of spectacular, ultra-high quality recorded sound sources. It is a set that you can clearly see that the performance gradually improves as the days go by. Kawasaki 14th June 2012 TRULY PERFECT SOUND(from Internet sound source) Remastered Kawasaki 15th June 2012 TRULY PERFECT SOUND(from Original Masters) Kawasaki 21st June 2012 ULTIMATE SOUND(from Original Masters) 14th June 2012 Disc 1(70:49) 1. Alaska 2 . Night After Night 3. Nothing To Lose 4. MC 5. Thirty Years 6. Rendezvous 6:02 7. Carrying No Cross 8. Kimitachi Saikodayo 9. Keyboard & Violin Solo 10. Drum Solo Disc 2(45:39) 1. MC 2. As Long As You Want Me Here 3. Danger Money 4. In The Dead Of Night 5. By The Light Of Day 6. Presto Vivace And Reprise 7. Caesar’s Palace Blues 8. The Only Thing She Needs 15th June 2012 Disc 3(69:29) 1. Alaska 2. Night After Night 3. Nothing To Lose 4. MC 5. Thirty Years 6. Rendezvous 6:02 7. Carrying No Cross 8. Kimitachi Saikodayo 9. Keyboard & Violin Solo 10. Drum Solo Disc 4(47:20) 1. MC 2. As Long As You Want Me Here 3. Danger Money 4. In The Dead Of Night 5. By The Light Of Day 6. Presto Vivace And Reprise 7. Caesar’s Palace Blues 8 . The Only Thing She Needs 21st June 2012 Disc 5(69:28) 1. Alaska 2. Night After Night 3. MC 4. Thirty Years 5. Rendezvous 6:02 6. Carrying No Cross 7. Kimitachi Saikodayo 8. Keyboard & Violin Solo 9. Drum Solo Disc 6(54:12) 1. MC 2. Fallen Angel 3. Danger Money 4. In The Dead Of Night 5. By The Light Of Day 6. Presto Vivace And Reprise 7. Nothing To Lose 8 Caesar’s Palace Blues 9. The Only Thing She Needs John Wetton – Bass, Vocal Eddie Jobson – Keyboards, Electric Violin Terry Bozzio – Drums, Percussion