Tina Turner/Osaka,Japan 3.27.1988

In 1988, Tina Turner brought the brilliance of her peak that she had built with “PRIVATE DANCER” and “BREAK EVERY RULE” to Japan. The best original recording of the scene vacuum-packed will be released for the first time in the world! What is infused into this work is the “March 27, 1988: Osaka Castle Hall” performance. It is a transcendental audience recording. Speaking of Tina in 1988, it is also memorable for jumping into Mick Jagger’s show, who was visiting Japan at the same time. Let’s first look back at the schedule at the time, including the situation around that.・March 20th-22nd: Yokohama Stadium (3 performances) ◎March 23rd: Tokyo Dome (guest appearance at Mick’s show) ・March 24th + 25th: Nippon Budokan (2 performances) ・March 27th Sun: Osaka Castle Hall ←★This work★ March 29th + 30th: Osaka Castle Hall (2 performances) This is the 1988 performance in Japan. It was a grand tour that took in major venues in East and West Japan, including Yokohama Stadium, Nippon Budokan, and Osaka Castle Hall. In the Kanto area, Mick jumped into Mick’s Tokyo Dome performance (on the second day) and performed “Brown Sugar” and “It’s Only Rock ‘n Roll,” but perhaps as a reciprocation, Mick appeared on Tina’s first day in Osaka. Jump in. This work is a monumental concert in which such a surprise was realized. This work, which records such a show, is truly the best sound with “super”. This is an original recording that was given to the world for the first time by the recorder, but the recorder is not free. A legendary master who was active mainly in the 80’s. He is a person who has left many historical recordings representing the time, such as Eric Clapton, Jeff Beck, PINK FLOYD, etc. Of course, Mick’s solo and THE ROLLING STONES’ first visit to Japan are also the works of this person, and this work is a Tina Turner edition that can be said to be its sister edition. This person is said to be a master even more than the famous Kinney, and the sound of this work is enough to prove it. Anyway, extremely clear and direct. Although the realistic handclaps and tones have the feel of an audience, the sound of the hall is so subtle that it can only be felt by listening with headphones, and the atmosphere is crystal clear. The core that penetrates through the middle has a completely zero distance feeling, and there is no cloudiness or turbidity in the details or the outline of each note. The deep bass resonates in your stomach without sounding too loud, the midrange has plenty of response, and the highs extend beautifully all the way. Vintage wine shines more when poured into a polished crystal glass than it is, and this work is also a recording of that shining light. What is depicted with such brilliant sound is Tina’s full show at her peak. Speaking of her in the 80’s, the traditional official live album “TINA LIVE IN EUROPE” comes to mind, but this work is the Japanese version of it, and it is an even more delicious full show. In order to explain the meaning, let’s organize the set while comparing it with the official version. Private Dancer (7 songs)・I Can’t Stand the Rain／Better Be Good to Me／Private Dancer／What’s Love Got to Do With It／Let’s Stay Together／Show Some Respect／Steel Claw (★) Break Every・Rules (5 songs)・What You Get Is What You See/Break Every Rule/Typical Male/Two People/Paradise Is Here Others (6 songs)・Ike & Tina Turner: Proud Mary/Nutbush City Limits・Others: Addicted to Love/We Don’t Need Another Hero (Thunderdome)/It’s Only Love/Honky Tonk Women (★) *Note: Songs marked with a “★” cannot be heard on the official version of “TINA LIVE IN EUROPE.” …and it looks like this. The show is roughly a condensed version of the two big hits “PRIVATE DANCER” and “BREAK EVERY RULE”, interspersed with numbers and covers from the Ike & Tina Turner era. Although it is not as diverse as “TINA LIVE IN EUROPE”, which was collected from multiple performances and had a volume of more than one performance, the experience of the show through it is tremendous. And the most delicious one is “Honky Tonk Women.” It’s also a rare song that Tina rarely sings, but that’s not the point. As mentioned above, Mick, who was visiting Japan for the first time, jumped in and participated. You will be able to listen to a gorgeous co-starring duet. Moreover, this is also a listening point unique to the audience. The familiar intro begins without any explanation, leaving you wondering, “Huh? What kind of song is that?”, and when Mick appears, surprise, understanding, and surprise erupt all at once. And, while enjoying the two singing voices with soundboard-level quality, you can fully enjoy the sense of reality as the individual women’s parts boil from the bottom of their stomachs. Because it is this night, because it is a guest record, and because it is the transcendental sound of a legendary master, it is a song that overflows and overflows with the real pleasure. Exactly “TINA LIVE IN JAPAN”. This is a miraculous live album where you can enjoy the gorgeous Japanese performance of the heyday with the best sound, and also experience co-starring with Mick. It’s hard to believe that such a masterpiece has remained unknown for 33 years. There is no doubt that there are still shocking music records hidden in the earth…a new excavation that makes you feel the dynamism of recording history. Superb audience recording of the “March 27, 1988: Osaka Castle Hall” performance. This is an original recording by a master who is a legend in the history of Japanese Western music, and is being shown for the first time in the world, and the sound is of the highest quality. Anyway, the crystal clear and zero distance direct feeling is intense. The show can be said to be the Japan version of “TINA LIVE IN EUROPE”, and they also performed “Steel Claw” and “Honky Tonk Women”, which cannot be heard on the official traditional version. In particular, Mick Jagger, who was visiting Japan at the same time, jumps in and performs a gorgeous duet. Live at Osaka-Jo Hall, Osaka, Japan 27th March 1988 TRULY PERFECT SOUND(from Original Masters) Disc 1 (48:32) 1. Intro. 2. What You Get Is What You See 3. Break Every Rule 4. I Can ‘t Stand the Rain 5. Typical Male 6. Two People 7. Better Be Good to Me 8. Addicted to Love 9. Private Dancer 10. We Don’t Need Another Hero (Thunderdome) 11. What’s Love Got to Do With It Disc 2 (40:54) 1. Let’s Stay Together 2. Band Introduction 3. Proud Mary 4. Show Some Respect 5. Steel Claw 6. It’s Only Love 7. Nutbush City Limits 8. Honky Tonk Women (★with Mick Jagger) 9. Paradise Is Here