The Who/IL,USA 1982 & more

THE WHO in 1982 was heading towards the end, although they restarted with the addition of Kenny Jones. A much-talked-about live album that conveys the scene has been decided to be released. This work includes “December 9, 1982 Rosemont Performance”. This is a superb audience recording that records one act of the so-called “Farewell Tour”. The biggest point of this work is the shocking sound quality, but first of all the show position. This tour is packed with masterpiece soundboards, including the official works “WHO’S LAST” and “LIVE FROM TORONTO”. This is a good opportunity to organize your collection by date. [“IT’S HARD” released on September 4th]・September 10th + 11th (2 performances in Birmingham)・September 22nd – October 20th (North America #1a: 19 performances)・October 21st “PORTLAND 1982″・October 23rd: Oakland performance ・October 25th “OAKLAND 1982 2ND NIGHT” ・October 27th-31st (North America #1b: 3 performances) – about a month later – ・November 27th – December 7th Sunday (North America #2a: 8 performances)・December 9: Rosemont performance ←★Coco★・December 10-14 (North America #2b: 4 performances)・December 16 “TORONTO 1982 1ST NIGHT”・December 17th “LIVE FROM TORONTO (Official)” *Representative soundboard version only. This is THE WHO in 1982. The traditional edition “WHO’S LAST” is not listed because it is a compilation of multiple performances, but I think you can understand that it is a treasure trove of soundboards in addition to that. The North American tour was broadly divided into two parts, and the Rosemont performance of this work was the 9th concert of “North America #2”. This work, which has broken into such a rich sound board area, is a masterpiece audience that is not a little stylish. In fact, this work was announced by “HOT OFF THE HEADS PRODUCTION,” which is currently making the world of collectors excited. Until the other day, we introduced it as “COVID-19 QUARANTINE RELEASE!”, and as the name suggests, it is a treasured master series released to help survive the restrictions on going out due to the new coronavirus. Over the past few weeks, masterpieces from various bands/artists have been released at a furious rate, and their individuality is super clear and super tight. Far beyond the common sense of the 80’s audience, a collection of masters who go “like a sound board” on the ground. This work is THE WHO edition of such a popular series. And, this work also has a clear sound that further enhances its reputation. As expected, THE WHO is a large venue, so it’s not “zero distance”, but the strength of the core and fine details are truly a new masterpiece. Even the faint sound of the hole is clear, and Kenny’s every stroke and Roger’s vocals seem to shine brightly. What’s more, the performance is so clear and the sense of scale is so amazing that I’m surprised. In fact, the applause and cheers are ridiculously far away, but it’s because they’re so far away that you can clearly see the huge swells writhing from left to right. A combination of clear and vivid music and a huge on-site spectacle. The show drawn with such a sound is a full show that seems to run towards the end. As mentioned above, it is a tour with a rich harvest of sound boards, but the standard is still the official work. Here, let’s organize the set while comparing it with the most recognized traditional edition “WHO’S LAST”. 60’s/70’s Classics (16 songs)・TOMMY: Pinball Wizard/See Me, Feel Me・WHO’S NEXT: Behind Blue Eyes/Baba O’Riley/Won’t Get Fooled Again・QUADROPHENIA: I’m One (★) / Drowned (★) / 5:15 (★) / Love, Reign o’er Me・WHO ARE YOU: Sister Disco (★) / Who Are You Others: I Can’t Explain / Substitute / Long Live Rock / Naked Eye (★) / Summertime Blues 80’s numbers (6 songs)・FACE DANCES: The Quiet One (★)・IT’S HARD: Dangerous (★) / Cook’s County (★) / Eminence Front (★) / Athena (★) / Cry If You Want (★) *Note: Songs marked with “★” cannot be heard on “WHO’S LAST”. …and it looks like this. In addition to the 80’s numbers that were ignored in “WHO’S LAST,” there will also be a large selection of classics. In particular, “I’m One”, “Cook’s County”, “Athena”, and “Cry If You Want” are delicious repertoires that cannot be heard even with the official work “LIVE FROM TORONTO”. Anyway, this is THE WHO’s masterpiece by the hot topic “HOT OFF THE HEADS PRODUCTION”. No matter how 1982 was the soundboard rich harvest zone, there is no reason to leave such a masterpiece in the dark. A two-disc set of exquisite quality, with a sense of scale, realism, and beauty that can only be achieved by audience recording. Live at Rosemont Horizon, Rosemont, IL, USA 8th December 1982 PERFECT SOUND★Recently popular new sound sources Disc 1(53:50) 1. Intro 2. I Can’t Explain 3. Substitute 4. MC 5. Dangerous 6 . MC 7. Sister Disco 8. MC 9. The Quiet One 10. MC 11. Cook’s County 12. MC 13. Eminence Front 14. Behind Blue Eyes 15. Baba O’Riley 16. I’m One 17. Drowned Disc 2 (65:27) 1. Audience 2. Athena 3. Cry If You Want 4. Who Are You 5. Pinball Wizard 6. See Me, Feel Me 7. 5:15 8. Love, Reign o’er Me 9. Long Live Rock 10. Won’t Get Fooled Again 11. Naked Eye 12. Summertime Blues 13. Outro Roger Daltrey – Vocals, Harmonica, Guitar Pete Townshend – Guitar, Vocals John Entwistle – Bass, Vocals Kenney Jones – Drums Tim Gorman – Keyboards, Vocals