Tears for Fears/OH,USA 1990 Pre-FM Master

“THE SEEDS OF LOVE”, which discovered Olita Adams, was also a big hit, and TEARS FOR FEARS went on a world tour together in 1990. The ultimate quality board of that classic sound board is now available. What is recorded in this work is “February 12, 1990 Cleveland performance”. This is the super best stereo sound board recording. The biggest point of this work is that it is completely official quality… no, it’s even better than that, and it’s super quality, and that’s the music itself that should be ranked alongside the masterpiece studio albums. However, in order to understand the content, the position of the show is important first. The official video “GOING TO CALIFORNIA” is also left from “SEEDS OF LOVE TOUR”, so let’s take a look back at the schedule at the time, including that.・January 6th – 15th: UK #1 (7 performances) ・January 18th – 27th: South America (4 performances) ・January 31st – February 25th: North America #1 (17 performances) ←★ Coco★・March 2nd – April 28th: ​​Europe (38 performances)《“CIRCLE OF ONE” released on May 14th》》・May 6th – June 22nd: North America #2 (27 performances)←※ Official video: June 27th + 30th: UK #2 (2 performances) [The highest peak of the classic soundboard that even surpasses the official version] This is 1990’s TEARS FOR FEARS. “THE SEEDS OF LOVE” was released in September 1989, but the tour started after the new year. We did a circuit mainly in Europe and North America, stopping at Olita’s “CIRCLE OF ONE” along the way. The timing of both the official “GOING TO CALIFORNIA” and this work in North America is very different, and this work was the 9th concert of “North America #1” which is the beginning. This show is also known for being broadcast on the radio, and its air check has become a staple that has produced countless already-released groups. This work is also a sound board for broadcasting, but it is the ultimate version of a different dimension from the previous ones. It has been converted into a CD using the latest digital equipment from the pre-FM broadcast master itself. The recording time is longer than all previous releases, and the show is completely recorded, but what is more than that is the sound itself. Since it is generated from the official production master, there is not only dubbing deterioration, but also reception noise and even slight sound vibration. The accuracy of the transfer is also extremely high, with no hiss or scratches at all. It is a super superb stereo sound board where the sound blown into the master tape flows out from the speakers as it is. In fact, this work even exceeds the official work. As mentioned above, there is “GOING TO CALIFORNIA”, but this work is definitely better. “GOING TO CALIFORNIA” is a masterpiece that requires no questions asked, and there are no flaws in the audio. However, when compared to this work, the detail of the sound is not good enough, and the ensemble feels lumpy. In contrast, this work is delicate in its vibe, down to each instrument and note, and even when the instruments overlap, they do not blend together, creating a three-dimensional sound space. The vocalization by Roland Orzabal and Curt Smith plus Olita Adams is at a breathing level, and the guitar and synths are clear from the touch to the nuances of the fading sound. Each piece sparkles like a silk thread, but never mixes together, weaving together a tapestry. [TEARS FOR FEARS’s masterpiece, a historical super masterpiece] This super-best disc that goes beyond the official version depicts the heyday trilogy “THE HURTING,” “SONGS FROM THE BIG CHAIR,” and “THE A full show packed with super famous songs from “SEEDS OF LOVE”. Let’s organize it here while comparing it with “GOING TO CALIFORNIA”. Change (3 songs)・Change/Pale Shelter/Mad World Shout (5 songs)・I Believe/Head Over Heels/Broken/The Working Hour (★)/Everybody Wants to Rule the World/Shout Seeds of Love (6 songs) Song + α)・Woman in Chains／Advice for the Young at Heart／Famous Last Words／Badman’s Song／Sowing the Seeds of Love／Year of the Knife Others (2 songs)・I’ve Got to Sing My Song／All You Need Is Love *Note: Songs marked with “★” cannot be heard in the official video “GOING TO CALIFORNIA”. …and it looks like this. Of the 14 original songs played, 11 were single hits, including “I’ve Got to Sing My Song”, which would be included in Olita’s “CIRCLE OF ONE”, and Beatles songs. They also performed a cover of “All You Need Is Love.” It is a treasure trove of the best songs you can hope for from them, including “The Working Hour” that cannot be heard on “GOING TO CALIFORNIA”. Truly a masterpiece. This is a treasured album where you can experience a full show from the heyday with a quality and number of songs that is better than the official masterpiece “GOING TO CALIFORNIA”. The horizon on which this work stands is not at the level of bootlegs. That is why it stands alongside the historical masterpieces “SONGS FROM THE BIG CHAIR” and “THE SEEDS OF LOVE”… No, it is no exaggeration to say that it is the best masterpiece of TEARS FOR FEARS itself. Ultra-high quality stereo soundboard recording of “February 12, 1990 Cleveland Performance”. The quality of the CD, which was made directly from the pre-FM broadcast master, is the highest ever, and the sound is super beautiful, surpassing even the official live work “GOING TO CALIFORNIA”. The vocalization of Roland Orzabal and Curt Smith with the addition of Olita Adams is on a breathing level, and the guitars and synths each sparkle like silk threads, weaving together a tapestry without ever blending together. “The Working Hour”, which cannot be heard in the official video, is also shown, and it is no exaggeration to say that it is TEARS FOR FEARS’ masterpiece. Live at Public Hall, Cleveland, Ohio, USA 12th February 1990 STEREO SBD(PRE-FM MASTER) Disc 1(54:14) 1. Women of Ireland (Taped Intro Instrumental by Andy Davis ex The Korgis) 2. I Believe 3. Head Over Heels / Broken 4. Change 5. Pale Shelter 6. Woman in Chains 7. Advice for the Young at Heart 8. Mad World 9. The Working Hour 10. Famous Last Words/When the Saints Go Marching In Disc 2(49 :09) 1. I’ve Got to Sing My Song 2. Badman’s Song 3. Band Introduction 4. Sowing the Seeds of Love 5. All You Need Is Love 6. Everybody Wants to Rule the World 7. Year of the Knife 8 Shout STEREO SOUNDBOARD RECORDING Roland Orzabal – rhythm guitar, vocals Curt Smith – bass, vocals Oleta Adams – piano, vocals Neil Taylor – lead guitar Andy Davis – keyboards Jim Copley – drums Carol Steele – percussion Will Gregory – saxophone Adele Bertei – backing vocals Biti Strauchn – backing vocals