Sting/FL,USA 2017 S & V

Sting has also announced his first Japan tour in six and a half years. This superb live set will answer your impatient expectations. This work includes the “February 25, 2017 Miami Beach performance.” He is currently in the middle of a world tour for his new album “57th & 9th,” and this is his North American performance. First, let’s check the 2017 tour schedule. ・February 1st – March 14th: North America (25 performances) ←★Here★ ・March 21st – April 13th: Europe #1 (15 performances) ・May 2nd – 23rd: Latin America (11 performances) ・May 28th + June 3rd: Singapore + Hong Kong (2 performances) ・June 6th – 10th: Japan (4 performances) ・June 16th – 28th: ​​Europe #2 (8 performances) ・July 8th – 31st: Europe #3 (14 performances) The above is the currently announced schedule. Currently, we are in the middle of the opening “North America”, and the Miami Beach performance is the 15th concert. This work is a three-disc set with the full audience recording of the show on discs 1 and 2, and the audience shot on disc 3. [Disc 1-2: Full super-excellent audience recording] The first to appear is the latest full audience recording. This is also of incredible high quality. The recordist himself said “I recorded it”, so it is definitely an audience recording, but the quality using “Schoeps MK41” is not “like a sound board” but “like an official” and “isn’t this a direct-to-table sound board!?” The closest musical sound has no sense of distance, and is thick and super clear to the details. The deep bass of the synth is transmitted to the floor of the venue shaking, and the guitar has vivid nuances of cutting and even the whispering of the vocals is ear-class. Even the “gap” between each instrument is super vivid. It’s surprising just to hear the musical sounds up to that point, but even the cheers are official class. Although the cheers and cheers are plenty, they are far, far away from the musical sounds. I don’t know where and how they recorded it, but listening to the sound alone makes it seem as if it was recorded between the members or behind the stage. The latest show drawn with such a recent sound is also ferociously wonderful. A large number of seven new songs from the rock album “57th & 9th”, which is said to be “since SYNCHRONICITY”, are introduced, and it is really fresh. We have delivered the pro shot “BATACLAN 2016” in November 2016, but “Pretty Young Soldier” which cannot be heard there is also played. The past repertoire that supports such a group of new songs is also amazing. Not to mention the obvious songs like “Every Breath You Take” and “Roxanne,” there are plenty of “So that’s how it came!” numbers like “She’s Too Good For Me” from “TEN SUMMONER’S TALES” and “I’m So Happy I Can’t Stop Crying” from “MERCURY FALLING.” THE POLICE also lets you listen to “Spirits in the Material World” and “So Lonely.” Although it’s not a premiere song that can only be heard in this work, you can feel Sting’s seriousness in the fact that it’s not just a “new song + hit parade.” In addition, guests also appear in this work. As announced in the Japanese performance, his son Joe Sumner, who is also active in FICTION PLANE, will co-star in David Bowie’s cover “Ashes To Ashes.” [Disc 3: 2 types of superb audience shots] And disc 3 contains audience shots that show off the “spectacle” of such a show. This is not just a shot from the same day, but was released by a recordist who made the best live albums on Discs 1-2. That said, it seems that the photographer is different, and two digest videos of the show are included. The first one is a shot of Sting looking up from directly in front and up close. I don’t know if it’s the front row, but only Sting who is super close is visible. Including the super vivid image quality of the latest digital equipment, it is a visual beauty that can only be thought of as the main camera of a professional shot. Eight songs are recorded from this angle, but the highlight is the beginning. It includes the acoustic “Heading South On The Great North Road” that was performed before the opening band performed. This is a must-see and superb scene that is not even on Discs 1-2 of the main show only. The second shot that follows is also superb. This is an oblique angle from the left side of the stage, and it is also very close. It seems that it is not the front row, but it is still a masterpiece shot that shows plenty of super vivid close-ups up to the veins of the temples. Of course, although Sting is the center, the other members are not as particular as the first shot, and the other members are also captured by zoom, and the stage is a masterpiece shot that allows you to experience seven songs from the best seats. Counting down the days until the arrival in June. It is a full live album and a three-disc set of the best shots that will make such a time the best. That is why, unless it comes out in a professional shot of the TV broadcast, it is a super high quality live set that you can not expect more than this as a latest tour record or as a preparation for your visit to Japan. The Fillmore Miami Beach at Jackie Gleason Theater, Miami Beach, FL. USA 25th February 2017 TRULY PERFECT SOUND Disc 1(55:11) 1. Synchronicity II 2. Spirits in the Material World 3. She’s Too Good for Me 4. Englishman in New York 5. I Can’t Stop Thinking About You 6. One Fine Day 7. I’m So Happy I Can’t Stop Crying 8. Down, Down Down, 9. Petrol Head 10. Shape of My Heart 11. Pretty Young Soldier 12. Message in a Bottle Disc 2(47:28) 1. MC 2. Ashes to Ashes (with Joe Sumner) 3. 50,000 4. Walking on the Moon 5. So Lonely 6. Desert Rose 7. Roxanne / Ain’t No Sunshine 8. Next to You 9. Every Breath You Take 10. The Empty Chair DVD(54:11) Recorder 1 1. Heading South On The Great North Road 2. Synchronicity II 3. Spirits In The Material World 4. Shape Of My Heart 5. So Lonely 6. Desert Rose 7. Roxanne 8. The Empty Chair Recorder 2 9. Synchronicity II 10. Spirits In The Material World 11. Message In A Bottle Walking 12. On The Moon 13. So Lonely 14. Roxanne / Ain’t No Sunshine 15. The Empty Chair COLOR NTSC Approx.54min.