Steve Miller Band/IL,USA 1982

The “HOT OFF THE HEADS PRODUCTION” series releases the best masters every day and captivates enthusiasts all over the world. The latest edition, a transcendent live album that will be the best masterpiece, is now available. Some of you may be thinking, “HOT OFF… what?” This is also known as the “COVID-19 QUARANTINE RELEASE!” series. This is a superb master series that has been released to help overcome the hardships caused by the worldwide restrictions on going out due to the new coronavirus (initially, it was only written as “COVID-19 QUARANTINE RELEASE!”, In recent releases, it seems that they have started calling themselves “HOT ​​OFF THE HEADS PRODUCTION”). If you’ve been watching the updates over the past few weeks, you’ve probably already noticed that this series is full of top-notch masters that will really blow your mind. Mike Millard’s original master series has also become a hot topic as a trend in 2020, and it is as amazing as that legendary master. It can even be said that this series is superior in terms of the impact of super close contact and the number of masters released for the first time. Among the most shocking series of 2020, this work is worthy of being called the masterpiece that has finally appeared! The main character of such a masterpiece is STEVE MILLER BAND. It is a vacuum-packed transcendental audience recording of the “Chicago performance on September 23, 1982” which returned to its golden age with the hit of “ABRACADABRA”. In fact, the sound is unprecedented. Up until now, we have described the uniqueness of the series as “zero sense of distance,” “super close contact,” “ultra detail,” and “excellent sense of stability,” and this work is at its “extreme”. The exposed core is like a sound board… If you were to take 100 steps and become an audience, you would think it was an outdoor venue with zero reverberation (although in reality it is a hall with a capacity of 5000 people), so there is no reverberation component. Of course, the details that are not spoiled are unusually fine, the attack and groove of the bass are on a vibe level, and the vocals are at a breath-taking level. As for the guitar, you can feel the number of vibrating strings in the lightly strummed cut, and yet it shines with a lustrous luster from the beginning of each note to the moment it goes silent. I have handled countless recordings of many bands, but I am amazed that such a sound is possible with spatial recording (even from the 80’s!). Totally non-standard. It is a transcendent sound that can forcefully change the perception of the audience recording itself. This is another exquisite full show, with a beautiful sound that will melt your eyes and ears and melt your heart. Speaking of Steve Miller in 1982, the traditional official live album “…LIVE!” is also left, but the Chicago performance of this work is two days before that. I thought it was a full show like a complete version of that masterpiece, but the content is actually completely different. Let’s compare here. 60’s and others (7 songs)・SAILOR: Living in the U.S.A.／Gangster of Love (★)／Gangster of Love・BRAVE NEW WORLD: Space Cowboy (★)・Others: Look On Yonder Wall (★)／Blues Song (★ )/Sweet Home Chicago (★) 70’s (9 songs)・FLY LIKE AN EAGLE: Take the Money and Run/Mercury Blues/Wild Mountain Honey (★)/Fly Like an Eagle/Rock’n Me・BOOK OF DREAMS: Swingtown (★) / Winter Time (★) / Jungle Love / Jet Airliner 80’s (7 songs)・CIRCLE OF LOVE: Get on Home (★) / Heart Like a Wheel (★) / Macho City (★)・ABRACADABRA: Give It Up (★) / Keeps Me Wondering Why (★) / Cool Magic (★) / Abracadabra *Note: Songs marked with “★” cannot be heard on the official version “…LIVE!” …and it looks like this. The “★” mark stands out more than usual, but that’s to be expected. Of the 23 songs played in this work, only 9 songs overlap with the official work “…LIVE!”. The 14 songs are completely different repertoires. Of course, it’s nice to be able to listen to at least one famous song. It would be great even if it were an expanded version of “…LIVE!”, but it is full of even more listening responses. At first, I was going to write, “A full live album that is a different version of the Daimyo album “… LIVE!”, but I decided against it. It’s not great, but it’s far from that. In any case, a shockingly superb sound and a fulfilling full show. This is it. A masterpiece of Covit-19 recording. Such a wonderful sound is at a level that I have never heard before. This is the highest quality AUD sound source we have ever handled. This is what blows my mind. Of course, not only the sound but also the content is great! ! Live at Arie Crown Theater, Chicago, IL, USA 23rd September 1982 ULTIMATE SOUND Disc 1(59:54) 1. Swingtown 2. Living in the U.S.A. 3. Look On Yonder Wall 4. MC 5. Space Cowboy 6. Take the Money and Run 7. Gangster of Love 8. Blues Song 9. MC 10. Give It Up 11. Get on Home 12. Mercury Blues 13. MC 14. Wild Mountain Honey 15. Winter Time 16. Keeps Me Wondering Why Disc 2 (51 :36) 1. Band Introduction 2. Heart Like a Wheel 3. Macho City 4. Band Introduction 5. Fly Like an Eagle 6. Cool Magic 7. Rock’n Me 8. Gangster of Love 9. Jungle Love 10. Abracadabra 11 Band Introduction 12. Jet Airliner 13. Sweet Home Chicago Steve Miller – guitar, vocals Kenny Lee Lewis – guitar John Massaro – guitar Norton Buffalo – harmonica Gerald Johnson – bass Gary Mallaber – drums, percussion Byron Allred – keyboards