Sheryl Crow/Osaka, Japan 1995

Sheryl Crow’s “THREADS”, which is said to be her last album, is also attracting attention. Introducing a live album where you can experience her first visit to Japan with the best sound. This work includes “April 16, 1995: Shinsaibashi Club Quattro Performance”. This is a superb audience recording where you can experience the whole story. Speaking of Crow at the time, she made a sensational debut with “TUESDAY NIGHT MUSIC CLUB” and won three awards at the 37th Grammy Awards: Best Record of the Year, Best New Artist Award, and Best Female Pop Vocal Performance Award. He made his first visit to Japan with such force that he was able to make a flying bird fall. However, their first visit to Japan was a little different from the image they had at the time of their debut. Let’s start with the schedule.・April 13th: Shinjuku Liquid Room ・April 14th: Shinjuku Liquid Room ・April 16th: Shinsaibashi Club Quattro ←★This work★ ・April 17th: Nagoya Club Quattro A total of 4 performances. It was extremely small compared to Crow, who was shaking the entire world. This work is a transcendental audience recording recorded at the Osaka performance of such a club tour. In fact, the sound is full of the feeling of a closed room. There is no sense of distance between the performance and the singing, the guitar sounds right in front of you, and the bass and the vibe delicately undulate. Audience-likeness tends to appear in the sound of the drums, but in this work the snare is thick and the bass drum also resonates. If you are that close, you tend to get scared by fortissimo, but this work is different. If the cutting of a modest acoustic guitar is clear, even a band can play it powerfully without any hesitation. The outstanding stability continues. And the best part is Crow’s singing voice. You can feel her presence so close that you can almost reach it if you stretch out your hand, and not only one word of the lyrics, but even the intonation and breath of each word are so close to her. When you whisper, you can feel your breath slipping through the wire mesh of the microphone, and even when you bark forcefully, the natural beauty of your voice remains unwavering. It is exactly the close sound of being in the same room and seat. There is a reason why it was only recorded. In fact, this work is the work of a master who made a series of famous recordings in Osaka in the late 1990s. We introduce many original collections by this person, and among female singers, Celine Dion’s “OSAKA DOME 1999” and Mariah Carey’s “OSAKA DOME 2000” are very popular. Even those works were very well received, with people saying, “You can’t believe it’s a dome!”, but the club recordings were even more amazing. A master doesn’t choose a Kobo brush, and a master doesn’t choose a venue. This work is also proof of that sound. The show drawn with such intimate sound can be said to be a live voice version of the shocking debut work “TUESDAY NIGHT MUSIC CLUB”. All songs except “No One Said It Would Be Easy” and “We Do What We Can” will be performed, and “All I Wanna Do”, which is in the midst of a huge hit, will be played twice: the blues version and the regular version. Of course, it’s not just the “TUESDAY NIGHT MUSIC CLUB” number. “Coffee Shop” was later released as a live take on the limited tour edition, “Love Is A Good Thing” and “Hard To Make A Stand” were included in the second album, and “I Feel” was the coupling single. There are plenty of unreleased songs (at the time) such as “Happy”. They also performed delicious cover songs such as LED ZEPPELIN’s “D’yer Mak’er”, DEREK AND THE DOMINOS’s “Keep On Growing”, and Bobby Mitchell’s “I’m Gonna Be A Wheel Someday”, which were also featured on the tribute album. He will do it for you. 33-year-old Sheryl Crow made the world look back upon her debut. This is a masterpiece of a live album where you can feel her up close. It is an album that is at the same level as a masterpiece even if it was recorded anywhere in the world, but it is irresistible because it is the first time it came to Japan. Truly a one-of-a-kind book. Live at Shinsaibashi Club Quattro, Osaka, Japan 16th April 1995 ULTIMATE SOUND(from Original Masters) Disc 1 (51:56) 1. Intro 2. Leaving Las Vegas 3. Love Is a Good Thing 4. Can’t Cry Anymore 5. Run, Baby, Run 6. Hard to Make a Stand 7. Keep On Growing ★Derek & The Dominos Cover 8. Solidify 9. The Na-Na Song Disc 2 (49:18) 1. All I Wanna Do (Blues Version) Unreleased Alternative Ver. 2. Coffee Shop 3. Strong Enough 4. D’yer Mak’er ★Led Zeppelin Cover 5. What I Can Do for You 6. All I Wanna Do 7. I Shall Believe 8. I ‘m Gonna Be a Wheel Someday 9. Band Introductions / I Feel Happy Sheryl Crow – vocals, guitars, keyboards Todd Wolf – Lead Guitar Roy Scott Brian – keyboards, guitars Jennifer Condos – bass Wally Ingram – drums