Rolling Stones/Uruguay 2016

Out-of-print DVDs found at overseas factories are back in stock. Another release has been decided from the highly popular “AMERICA LATINA OLE TOUR 2016”. This work is also an audience shot from South America in 2016. This is a multi-camera video work that allows you to experience the “February 16, 2016 Montevideo Performance (Uruguay)”. First of all, let’s check the position with the three titles and the schedule at that time.・February 3rd: Chile performance ・February 7th-13th: Argentina (3 performances) ・February 16th: Uruguay performance　←★This work★ ・February 20th-March 2nd: Brazil (4 performances) )・March 6: Peru performance・March 10: “BOGOTA 2016”・March 14: “MEXICO CITY 2016 1ST NIGHT”・March 17: “MEXICO CITY 2016 2ND NIGHT”・March 25: Cuba performance This is the overall picture of “AMERICA LATINA OLE TOUR”. Last week’s three titles were the final trilogy, but the Uruguay performance of this work was the fifth concert out of a total of 14 performances. This video was also produced by the same maniac as the athlete’s trifecta. Right side, left side, center, recent close-up, medium-distance, long-distance, ultra-long-distance, screenshot… countless videos, an extremely wide variety of viewpoints backed by a huge amount of sources, and editing details that change rapidly. difference. Just one song is enough to convince you that it took an unimaginable amount of time and effort, and it’s a masterpiece that goes on and on. And, perhaps because this work was in the early stages of the show, there seemed to be a lot of material that had appeared before production, and the finish has evolved. The luxury of connecting cuts is the same as “BOGOTA 2016”, but this time the quality of each cut is higher than “BOGOTA 2016″. The quality is not perfect as the photographer has no connection to each of them, but the top angle image quality is super clear like an official product, and this time there are a lot of screenshots, and the average value is also above. The same goes for the sound. Although the recording itself changes depending on the song, the high-quality sound part is overwhelmingly long, and there are no explosive scenes like last time. It is a quality that allows you to look at the entire show even more comfortably. Building on the blessings of these materials, editing techniques have also evolved. He uses a huge number of cuts lavishly, but perhaps because he has mastered the length to enjoy one cut, it doesn’t feel as hectic as in “BOGOTA 2016,” and the timing of transitions has become more natural. Especially for high-quality shots, I use them for longer periods of time. That said, the passion that makes the screen scream, “I want to see this!” is still alive and well. For example, in “Out Of Control”, high-quality overall shots and screenshots are mainly used, but mobile images that capture Mick’s actions up close are also inserted. This mobile image has poor image quality and not enough frames, but it creates a stop-motion-like effect that is really cool. In “Wild Horses,” the faces of the audience who are gazing at the mood are fully shown, and in “Paint It Black,” the long-distance angle shows off the full spectacle of the singalong and light show. Even when it comes to each angle, the parts with “zooming movements” are carefully selected to create a sense of dynamism. It would have been possible to pick up only top quality cuts from each material, but that is not what the creators of this work have in mind. It’s delicious to say, “I want to see this!” which shows the psychology of the fans. It’s obvious that he watched each video with excitement, and selected only those scenes that made him think, “Wow, this is amazing!” and “This is so cool, after all.” One show is put together with just that passion. If the enthusiastic South American audience was enthusiastic, the Stones also performed passionately. The fans who recorded it and the producers who put it together are also passionate. It is a heart-warming video that brings together all that passion. Although the multi-camera editing audience shot seems to be well-established now, 2016 is still in its infancy. Because he is just trying his hand at it, you can feel his forward-looking energy as if he is trying to explore all possibilities. Live at Estadio Centenario, Montevideo, Uruguay 16th February 2016 MULTI-CAM MIX Disc 1(61:21) 1. Intro. 2. Opening 3. Start Me Up 4. It’s Only Rock ‘n Roll 5. Tumbling Dice 6. Out Of Control 7. She’s So Cold 8. Wild Horses 9. Paint It Black 10. Honky Tonk Women 11. Band Introductions 12. Slipping Away 13. Can’t Be Seen Disc 2(70:53) 1. Midnight Rambler 2. Miss You 3. Gimme Shelter 4. Brown Sugar 5. Sympathy For The Devil 6. Jumping Jack Flash 7. You Can’t Always Get What You Want(with Coro Rapsodia De Uruguay) 8. Satisfaction COLOR NTSC Approx.132min.