Rolling Stones/Unreleased Sessions 1979-1983

Here is a compilation titled “Foxes In The Boxes Vol. 1” in 2015, which includes rare studio session sound sources that appeared for the first time from the JEMS sound source master that was suddenly released online. This title includes recording sessions from 1979 to 1983 for Emotional Rescue and Under Cover, as well as Keith’s solo recordings, all of which have been released for the first time in unreleased or upgraded versions. It has become a hot topic among Stones fans around the world due to its content and high quality. Anyway, the sound quality is all at the official level, so it is a sequel to that “Static In The Attic”, and the content is even rarer than that, especially “Neighbors” is an ultra-rare version that has never been distributed until now, and it is an early version. Although it is a take, the degree of completion is high. In addition, songs such as “Keep It Cool” are a prototype of “Out of Control”, but it is surprising that they were outtakes from “Under Cover”, and their cool and jazzy performance is something else. The beauty of things. Anyway, the splendor of the full-length content and the high degree of perfection of the outtakes set it apart from other session sound source items, so it is a must-have item for fans. The details of each track are as follows. (1. Neighbors 2. Let’s Go Steady Again) “Neighbors”, which was later included in “TATTOO YOU” from the 1979 “EMOTIONAL RESCUE” session, is the complete first appearance sound source. Like the previous rough mix sound sources, Keith’s guitar, which was turned off in later albums, is sounding from the beginning, but Mick’s vocal take is completely different from before, and the singing is completely different. In addition, Keith’s “Let’s Go Steady Again” has improved quality compared to what was previously heard on songs such as “STATIC IN THE ATTIC”. (3. Tried To Talk Her Into It) The following is the “UNDERCOVER” session sound source, and this is a quality-up version of the outtake heard on “CHAIN ​​SAW MASSACRE”. Moreover, the piano and pedal steel played by Ronnie were added, making it a different mix that evolved from there. (4. Keep It Cool) An outtake that was only known by the song name on the Complete Works site until now. It’s a slow Mick-based number, and although it plays for nearly 10 minutes, it feels loose, which is typical of Stones outtakes. (5&6. Can’t Find Love) Mick is composing a song while playing the guitar, and Charlie plays along with it on the drums, giving it a Mick-like pop melody. (7. Eliza) Compared to the rough tracks up to this point, this is an aggressive song with a more complete performance, and is an outtake that was previously credited as “Eliza Upchink” on Complete Works etc. Although Mick’s vocals are a little off, if they evolve they are a must-listen to the performance that could be included in the album. (8. High School Girl) An unfinished number by Keith, Mick, and Charlie. (9. Stop That) Outtake that was previously credited as “Chain Saw Rocker” in “CHAIN ​​SAW MASSACRE”. The quality has been improved, the mix has been adjusted, and the performance is highly complete. (10&11. All I Have To Do Is Dream 12. Piano Fragment) An upgraded version of the sound source recorded by Keith alone at the piano in May before the start of the 1981 tour. It is more natural and clear than what was previously heard on “LEARNING THE GAME” and “A STONE ALONE”, and “All I Have To Do Is Dream” is recorded in a different take that could not be heard there. Furthermore, “Piano Fragment” is an excerpt from “Oh, What a Feeling”. 01. Neighbors/02. Let’s Go Steady Again/03. Tried To Talk Her Intro It/04. Keep It Cool/05. Can’t Find Love 1/06. Can’t Find Love 2/07. Eliza/08. High School Girl/09. Stop That/10. All I Have To Do Is Dream (false start)/11. All I Have To Do Is Dream (full take)/12. Piano Fragment [Unreleased Emotional Rescue, Undercover and Keith Richards Solo Sessions] ◇Emotional Rescue Sessions: Compass Point Studios, Nassau, Bahamas, January-February 1979　and Pathé Marconi Studios, Paris, France, June-October 1979 ◇Undercover Sessions: Pathé Marconi Studios, Paris, France, November 1982-mid-March 1983 and The Hit Factory, New York, NY, early May-early August 1983