Rolling Stones/PA,USA 1999 ALD Audio Ver.

It has been decided to release a masterpiece video of “NO SECURITY TOUR 1999” produced by overseas enthusiasts. This work contains the “Philadelphia performance on March 15, 1999”. “NO SECURITY TOUR” was “34 North American leg performances + 10 European leg performances = 44 performances”, but this Philadelphia performance is the 18th concert. This work is a masterpiece that allows you to enjoy such a show with the best view + sound board. This concert has been known for its mono ALD sound source for a long time, but overseas enthusiasts synchronized it with an 8mm audience shot. The quality is an exquisite product that could only be achieved because of the passion of the fans. It is a single camera shot from the front of the stage, but the image beauty is almost a professional shot. There is not even a trace of the audience’s shadow, and only the stage occupies the entire screen. Although the angle of the opening “Jumping Jack Flash” is not fixed, it is stable during the song, and almost the entire show is projected without any camera shake. It is precisely because of this scene that the ALD sound board is particularly suited to it. The key points are the absence of an audience and clarity. In fact, there are also loud cheers mixed in between songs, but they are also unclear in their location, and they disappear when the performance begins. And the musical tones/vocals are super direct and super clear, with no sense of distance at all. In addition, the roughness that is characteristic of ALD is transformed into rawness. If this was an official sound board, I might have felt uncomfortable with the gap with the 8mm scene, but in the case of this work, it is so natural that it makes you think, “This is the original shape.” Another element that supports this natural feeling is the thorough synchronization by overseas enthusiasts. Despite the image and sound that even the slight movements of Mick’s mouth and Keith’s hands can be seen, there is no discrepancy at all. A deep, deep love oozes out from the precise work. The nuance of the video work created in this way is a world of only “raw Stones and myself”. There were no other spectators, and the image was like, “If I were a distant camera crew and I was listening to earphones while filming, it would probably look like this…” That’s what it felt like. The highlight of the video is what makes the “camera crew feel” even more special. While keeping Mick in the center of the screen, the highlights of each member are not missed. Moreover, the panning is also very smooth and solid. It’s not just a good mood, but it even gives the impression of being recorded while thinking, “I have to record this,” “I can use this image…”. The ALD used is something that has been known for a long time, and there are cuts between songs and from the middle of “Start Me Up” to the beginning of “Brown Sugar”. It’s the same with filling in that part with audience recording. However, the addition of the 8mm superb view has evolved into an indescribable masterpiece. The sheer synchronization is wonderful, but even more than that, the “compatibility between the original materials” is outstanding. It’s direct and beautiful, and it looks like a pro shot, but it’s also vivid. This video work has even created such a “new sensation”. Please enjoy it to your heart’s content. Live at First Union Center, Philadelphia, PA. USA 15th March 1999 AMAZING SHOT!!!(with ALD Audio synced) (117:55) 1. Jumping Jack Flash 2. Bitch 3. You Got Me Rockin’ 4. Respectable 5. Honky Tonk Women 6. Moonlight Mile 7. Saint Of Me 8. Some Girls 9. Paint It Black 10. Band Introductions 11. Before They Make Me Run 12. ef In The Night 13. Out Of Control 14. Route 66 15. When The Whip Comes Down 16. Midnight Rambler 17. Tumblin’ Dice 18. It’s Only Rock And Roll 19. Start Me Up 20. Brown Sugar 21. Sympathy For The Devil COLOR NTSC Approx.118min.