Rolling Stones/NC,USA 2021 Multicam & more Jewel Version

The multi-camera audience work of the 2021 version of “NO FILTER Tour”, whose tremendous production is causing a great reputation, is the second release! This work contains “Charlotte performance on September 30, 2021”. This is the audience shot. Currently, “ST. LOUIS 2021: MULTICAM” is a big standard when it comes to the latest tour footage, but this work should be called the Charlotte version. The first day of the St. Louis performance, which attracted the attention of the whole world, had a large amount of footage and recordings, but it quickly calmed down after that. Since there were no masterpiece-level records of either the footage or the recordings, it was thought that “the multi-camera footage will be Oaz for a while…”, but the second performance appeared more than half a month late. The reason for the delay is obvious when you watch this work. It is not difficult to imagine that it took a long time to create a tremendous production that is not inferior to “ST. LOUIS 2021: MULTICAM”. A huge variety of angles are used, from super close-ups that even professional cameras would be surprised by, to spectacular distant views that are almost aerial shots, and screen shots that are themselves multi-layered, and they switch more and more within one song. Moreover, the selection, timing, and even the switching are all elaborate. I don’t know what the producer does (bitter smile), but I wonder if he’s a video professional… It’s a transcendental editing technique that even inspires such delusions. Furthermore, it can be imagined that this work was more difficult than “ST. LOUIS 2021: MULTICAM”. The reason is the sound. As some of you may know, there is no continuous recording at the Charlotte performance. It’s also a situation where enthusiasts all over the world can’t wait and are connecting the fragmented footage to make a live album. This is also a big bottleneck in video editing. Normal multi-camera editing is based on continuous recording, and the video is applied to it. If the fragmented video was patched together with the audio instead of continuous recording, the sound quality would change every few seconds, and it would no longer be a musical work. However, the Charlotte performance does not have a recording as a foundation. It has to be handmade from there. In fact, the work is a daunting task that can be seen from the sound. In fact, the sound quality of this work changes from song to song, and it is never a continuous recording. However, each song is not per angle, but is played through with the best sound, and each sound is carefully mastered and brought closer. Even if the angle changes rapidly, the sound is stable and you can immerse yourself in the live performance. Such obsessive editing depicts a show that has changed since the first day. Let’s organize the contents here. Fixed songs: Tumbling Dice, 19th Nervous Breakdown, You Can’t Always Get What You Want, Living In A Ghost Town, Start Me Up, Honky Tonk Women, Miss You, Midnight Rambler, Paint It Black, Sympathy For The Devil, Jumping Jack Flash, Gimme Shelter, (I Can’t Get No) Satisfaction Daily songs: Keith Corner: Before They Make Me Run (★), Slipping Away, Other: Street Fighting Man, Let’s Spend the Night Together (★), Troubles a’ Comin (★), Let It Bleed (★) *Note: The above is based on the set information up to the Minneapolis performance (10/24). The “★” mark indicates songs that will be appearing for the first time in 2021. …And so on. Songs that were only on the first day, such as “Wild Horses”, “It’s Only Rock ‘n Roll”, “Under My Thumb”, and “Happy”, have been dropped, and songs that can be said to be semi-standard in 2021, such as “Let’s Spend the Night Together”, “Troubles a’ Comin” and “Slipping Away” have appeared. A set that can be said to be the “foundation of 2021” has been completed. “Let It Bleed” has also only been played at the Charlotte performance. Most of them were played two years ago, with the exception of THE CHI-LITES’ cover “Troubles a’ Comin”. It was first performed at a private show prior to the tour, and this day was the second time it was performed live. After such a full show, the venue’s setup and TV news (precious latest pro shot material is also used) are also recorded as bonus footage, making this a work that will fill you up. Even so, it is impressive that the quality has been achieved so far without any through recording or video. Although it is a multi-camera audience that can be enjoyed without any worries, it is a masterpiece that makes you feel the power of the excavation situation. Audience shot of the “Charlotte performance on September 30, 2021”. It is a multi-camera edited work produced by an overseas enthusiast, and its precision of production is intense. A huge variety of angles are used, from super close-ups that even professional cameras would be surprised by, to spectacular distant views that are almost aerial shots, screen shots, etc., and they switch more and more within one song. Moreover, the selection, timing, and even the switching production are all elaborate. Although no full recordings of the Charlotte performance have been excavated, the audio for each song is seamlessly connected. This is a stunning latest full-length video work that is the fruit of the passion of enthusiasts. Bank of America Stadium, Charlotte, NC, USA 30th September 2021 AMAZING SHOT!!! (137:46) 1. Introduction 2. Street Fighting Man 3. Let’s Spend The Night Together 4. Words For Charlie 5. Tumbling Dice 6. 19th Nervous Breakdown 7. Troubles A’ Comin 8. Let It Bleed 9. You Can’t Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Women 13. Band Introductions 14. Before They Make Me Run 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumping Jack Flash 21. Gimme Shelter 22. Satisfaction 23. A Last Bow Bonus Tracks 24. Stage Set Up 25. News Footage 26. WCNC Report 27. FOX46 Report I 28. FOX46 Report II COLOR NTSC Approx.138min.