Rolling Stones/MA,USA 1969 2Shows

A 2CD coupling recording of Mick Taylor’s first 1969 US tour Chishu Raku’s November 30th daytime and nighttime performances at the Boston Garden. The highlight is the first show, which will be recorded for the first time on CD, and is a rare sound source that was recently discovered. Two performances are held on this day, day and night, but as you can see from the opening narration, this sound source is unusually performed by a female taper. The sound quality is at a reasonable level for something from this period, and although the sound has a bit of reverberation, it can be said to be quite enjoyable for ears used to booting. There are some parts where the microphone turns off, perhaps because the direction of the microphone has deviated from the stage side, but it’s endearing. It appears that two songs from the acoustic set, which had not been confirmed to have been played in previous records, were actually played; “PRODIGAL SON” was recorded on tape, and another song, “YOU GOTTA MOVE” was also recorded. A small amount of the last part is included. The second show of DISC2 uses the same sound source as those that have been released on CD so far, and like DISC1, it is made from a new high-spec 24-bit 96kg transfer, so you can listen to it with clearer sound quality than ever before. Masu. This is one of the best sound quality/balance among the sound sources of this tour, where the two guitars are clearly captured. The performance is also tight and cohesive, which is typical of the latter half of the tour. All sleeves use shots from the Boston performance. At the previous performance location MSG, the performance was recorded by engineer Glyn Johns, but if you look at the shots from this Boston performance, you can see that the model of microphone used for sound collection was different from MSG. Masu. It is a well-established theory that the Stones always record live on the last day of a tour and leave a multi-sound source, but was this performance really recorded live because the conditions such as miking were different from MSG? The Altamont recordings performed at MSG and Charity have been used in movies and albums, but not a single song recorded in Boston has yet appeared. I think Boston 69, who listens to this while inferring such circumstances, is also a maniac.