Rolling Stones/MA,USA 1969 2nd Show

Regarding the Rolling Stones items, which have also started the long-awaited exhibition, the release of sound sources from the 1973 winter tour has continued. However, this time, items from the 1969 American tour will appear for the first time in a while. This tour was a great time in their live history, just like 1972 and 1973, but this time they released the Boston performance on November 29th. The show is held twice that day, but the second show has excellent sound quality and is sufficient for this release. In the middle of the 1969 American tour, it was a well-known sound source even among enthusiasts. A rare masterpiece recorded by bootlegger TMOQ team Dub. Even if it doesn’t reach the level of Oakland or San Diego, it is of a high enough level as an audience recording in 1969, and many items have been released in the past. is. This sound source was recorded by Joe Maloney, a famous taper. His sound sources have been widely distributed since the beginning of the 21st century, and the DAC label’s “SOME SATANIC TOUR” based on them is said to be the best. More than ten years have passed since the distribution and release of that sound source, and the basis for this release is the first generation copy of the Maroney sound source that newly appeared last year. The person who published it was the familiar Krw_co. In terms of sound quality, past versions are also of sufficiently high sound quality, and although this version does not have a dramatic upper feeling, the naturalness has clearly improved. In addition, the original sound source had a major drawback in that the pitch rose extremely when copied from the master, but this was also carefully adjusted upon release. However, in order to respect the high sound quality unique to Maroney, no unnecessary equalization is added. However, it is one of the earliest recordings by Maroney, who lives in Boston, and it has an attractive vintage feel that combines the 1969 era.Conversely, it is not in the area of ​​Oakland or San Diego, but the overall freshness. It is a recording that feels rougher than the original. This is a great recording that can still be listened to well, but the performance content is full of things to listen to. I think the atmosphere of the performances on the 1969 tour can be divided into “before MSG” and “after MSG”, where the recording for the live album was done, but on this day, it was a performance with a high level of perfection that could only be seen after MSG. The stage progresses inside. However, on the third verse of “Sympathy For The Devil” (the line from “Kennedy”), Mick sang the melody erratically, either because he mixed it up with the melody up to the second verse, or because the monitor wasn’t working properly. After that, I didn’t do as much shouting as I usually do, and it ended without finishing. However, as if reading the atmosphere, Taylor made a great play and knocked it down. Unlike the first half of the tour, he was also allowed to play solo, which was a unique sight after MSG. Also, there are two songs that Mick and Keith play alone, but for some reason it is very valuable that they are playing on a 12-string acoustic guitar with a pickup attached (and the atmosphere is idyllic) only on this day. This is because this performance form became a regular style on the European tour in 1970, but Boston was the only one to try it in 1969. In addition, when Mick finishes playing “Prodigal Son”, he makes a strange voice like an Indian roar, something that has not been heard in past items. In any case, wasn’t his fortune only on this day? This time, Mick starts playing the harmonica to start “Midnight Rambler”, but unfortunately, every time he plays a note, a howling sounds and he can’t start playing. This is an unthinkable trouble during the 1972 and 1975 American tours, but it is probably one of the PA troubles that could have occurred in 1969. However, the performance itself is wonderful, and the strength unique to after MSG is clear here as well. And Charlie’s bass drum play, which was outstanding in “Live With Me” on the first day of MSG, was a series of stomps from the interlude that day, but here in Boston, he was stomping hard from the end. Great job! Listen to Charlie’s amazing footwork. After all, the Stones’ performance after MSG is of a really high level, and it is realistically documented by Maroney’s famous recording that the band itself is in great shape here in Boston. By including a version with a pedigree called First Generation, it even includes a few scenes of its first appearance, making it worthy of being called the new definitive version of Boston 69. At the same time, the band’s performance, which continued the excitement of MSG even though it included some happenings (all caused by Mick lol), was truly amazing! ★Corrected pitch about 50% higher than a semitone. ★After the end of “Prodigal Son”, the sound source this time is only slightly longer. Live at Boston Garden, Boston, MA, USA 29th November 1969 (2nd Show) (66:34) 01. Intro 02. Jumping Jack Flash 03. Carol 04. Sympathy For The Devil 05. Stray Cat Blues 06. Love In Vain 07 . Prodigal Son 08. You Gotta Move 09. Under My Thumb 10. Midnight Rambler 11. Live With Me 12. Little Queenie 13. Satisfaction 14. Honky Tonk Women 15. Street Fighting Man Mick Jagger – Lead Vocals, Harmonica Keith Richards – Guitar , Backing Vocals Mick Taylor – Guitar Bill Wyman – Bass Charlie Watts – Drums Ian Stewart – Piano