Rolling Stones/MA, USA 2019

The Stones’ latest tour release following two nights in Chicago, will be released in Foxboro on July 7th, one performance later. It was obvious from the album Chicago that had already been released, but this tour was postponed at the last minute due to Mick’s emergency hospitalization! The performance clearly shows that the group’s morale has increased due to the restart. Interestingly, the high level of the sound source released from this tour seems to be in response to the Stones’ good condition. Each of the two days in Chicago had great sound quality, but the audience recording that captured the Foxboro show that we will deliver this time is also of stunning recording quality. That’s not all. While both of Chicago’s songs were based on sound sources that were circulating on the internet, this time they were recorded by a local taper and sent directly to us for release. That point alone is enough to warrant the attention of enthusiasts, but the sound quality is truly wonderful. First of all, from the opening, you will be approached with a spectacular sound image, and the “Street Fighting Man” intro that follows will convince you of the exceptional quality. In addition to the power of the on-sound image, the sound quality is also attractive, with a firm and thick sound quality that is different from the two days in Chicago. The Stones have been doing well since the first day of the tour, and we were able to see how they continue to improve with each round. However, this is a phenomenon that was glimpsed during the two days in Chicago, but since it was recorded from an arena in a large venue in America, and in this case from the standing area on Keith’s side, the sound sometimes fluctuates between songs, and depending on the song. It can’t be helped that conversations around you are captured. For example, during the Acoustic B Stage’s “Play With Fire,” which was one of the highlights of the day, there was a sprinkling of conversation. It seems that hidden gems by the Stones from the 60s, which can be sung in chorus in some places, were not well received in Foxboro. However, when “Dead Flowers” came on, the audience suddenly became more excited, and it was interesting to see how the extreme difference in the reaction conveyed the unique sense of presence that Foxboro has to offer. Also, Keith Corner tends to have toilet time in America, but when he announces the name of the song “Slipping Away”, the audience is sure to burst into laughter as he exclaims, “This is a good song!” The appeal of this sound source is that you can enjoy such conversations in a balance without being sarcastic, and it is a rare sight in America. And speaking of this day, Keith again made a masterpiece mistake, but the performance before that was generally good. Moreover, Gary Clark Jr., who opened the show, will also appear and join the performance. Not only does he share vocals with Mick, but he also performs a guitar solo next to Ronnie. The repertoire chosen for the collaboration was the blues cover “Ride ‘Em on Down,” which was a truly accurate selection. Furthermore, “You Can’t Always Get What You Want”, which plays an important role in getting the band’s engine to full throttle, has been rearranged so that it will be played at the end of the B stage. But after all, speaking of Foxboro this time, it’s all about the mistake Keith made in “Midnight Rambler” (lol). However, the whole performance is very hot, and it is no worse than the two days in Chicago. Rather, I think Keith did it because it was such a hot performance. Mick started the song with a nice atmosphere, saying, “Today is our 29th show in Boston, thank you everyone for coming to see us so many times!” After the excitement of the first half subsided, Mick started singing to Robert.・Johnson’s “Hellhound On My Trail”. Up until this point, the performance had been completely fixed, but at that point, Keith suddenly thought of something and started playing the ending phrase (or it could be interpreted as going back to the intro, haha)! You can see the scene on YouTube in a smart phone video with a good angle, but the sound quality here is also good, and you can clearly feel the atmosphere where the entire band is in a state of “Eeeeee!” just by the sound alone. interesting. Keith immediately stopped playing and the song returned to normal, but Keith made another mistake that will remain in the history of Stones live performances. The impact of such happenings is often overlooked, but “She’s So Cold” was performed at Foxborough as a fan-voted song, and it was quite a success. And this exclusive audience has very good sound quality throughout, but when it comes to “Miss You” it conveys the power of the performance with a sound image full of tremendous clarity and direct feeling. That’s why we have released the best sound source that allows you to vividly experience the big happenings of “Midnight Rambler”! ★Original sound source obtained directly from the local taper (seats are in the standing area on Keith’s side at PIT2)★This is an unprecedentedly high-quality recording. It is a very popular title that is sure to become one of the representative pieces of the tour. Live at Gillette Stadium, Foxborough, MA, USA 7th July 2019 TRULY PERFECT/ULTIMATE SOUND(from Original Masters) Disc 1 (71:02) 1. Intro. 2. Street Fighting Man 3. It’s Only Rock ‘n Roll 4. Tumbling Dice 5. She’s So Cold 6. Ride ‘Em on Down (with Gary Clark Jr.) 7. B-stage S.E. 8. Play With Fire 9. Dead Flowers 10. Sympathy for the Devil 11. You Can’t Always Get What You Want 12. Honky Tonk Women 13. Band Introductions 14. Slipping Away 15. Before They Make Me Run Disc 2 (62:19) 1. Miss You 2. Paint It Black 3. Midnight Rambler 4. Start Me Up 5. Jumping Jack Flash 6. Brown Sugar 7. Gimme Shelter 8. Satisfaction