Rolling Stones/IN,USA 1975

The sound source of the first day of the Rolling Stones’ 1975 Detroit performance will be released for the first time, but the sound source of the Bloomington performance held the day before Detroit was adopted. Although this sound source has been circulating among traders for some time, it is also a super maniac sound source that has only been popular among sound source collectors. The sound quality is that of a typical B-class vintage audience recording, with a distant sound image and a dumpling-like balance throughout. In addition, “Gimme Shelter” was not recorded, and “You Can’t Always Get What You Want” was cut. Indeed, it is a convincing sound source that no item has been released so far. Adding to that, it gave the impression that it was difficult to hear, but as a result of equalizing the hiss characteristic of vintage audiences, the edges of the sound made a whirling sound as if you were underwater. It is said that it has become. The point is that maniacs applied equalization and distributed it. This strange feeling of being underwater is typical of equalization in the early 21st century, and unfortunately it was widespread at the time. So this time we fixed that old-fashioned equalization. Through this, the stress was overcome, and the unnaturalness that had reached the point where it was “disgusting” to listen to was dispelled. The sound source was carefully prepared so that it could be heard by a vintage audience. The sound image was originally recorded from a distance, and after Keith sings “Happy,” the sound image becomes even fuzzy, so no matter how you try, it’s definitely an item for sound source enthusiasts. Probably. Still, it is much easier to listen to than the version that has been circulating quietly in the CD-R trade world for many years. In addition, the pitch is also well adjusted. I think it’s in a condition that enthusiasts can fully enjoy. And although this day is not as bad as the first day in Detroit, the chaotic nature of the 1975 tour is still there. After all, in “If You Can’t Rock Me”, even though Mick delayed the timing of singing, Keith did not try to match it, so the performance and singing were out of sync. Not only in this scene, but throughout the entire movie, Mick runs through with a wildness typical of 1975, and his screams in “Midnight Rambler” are clearly the sense of recklessness that can only be expected from the same year. It is true that the reality of audience recording for sound source enthusiasts has not changed this time, but it seems that most collectors have never had their hands on 75 Bloomington, even though they knew of the existence of the sound source. There is no omission by thoroughly restoring the problematic condition. A valuable sound source that fills in the missing link of the 1975 American tour. Live at Assembly Hall, Indiana University, Bloomington, IN, USA 26th July 1975 Disc 1 (61:13) 1. Intro 2. Honky Tonk Women 3. All Down the Line 4. If You Can’t Rock Me 5. Get Off of My Cloud 6. Star Star 7. Ain’t Too Proud to Beg 8. You Gotta Move 9. You Can’t Always Get What You Want 10. Happy 11. Tumbling Dice 12. It’s Only Rock ‘n Roll 13. Band Introductions Disc 2 (53:50) 1. Fingerprint File 2. Wild Horses 3. That’s Life 4. Outa-Space 5. Brown Sugar 6. Midnight Rambler 7. Rip This Joint 8. Street Fighting Man 9. Jumping Jack Flash