Rolling Stones/France 6.13.1982 New Source

“FRANKFURT 1982”, which includes the Rolling Stones’ 1982 Frankfurt 3 Days, has become a huge hit, but at the same time, many enthusiasts were rediscovering the charm of the 1982 tour, which had ceased to be released for a long time. It seems that. It is true that the definitive Leeds item officially appeared, but by then the iconic 1982 cover “Chantilly Lace” had long since disappeared, and it is true that the so-called 1982 feel was lacking. . The same song was also played at Wembley Stadium, where the Stones performed in their home country. In other words, for enthusiasts, the period when “Chantilly Lace” was being played is special. In this respect, “FRANKFURT 1982” also served as a document from the song’s final performance to the disappointment of falling in the set list. As if inspired by this release, an audience recording that captured the Paris performance on June 13th appeared a few weeks ago. At the same time as it was the first day of the performances in the France area, which were held three times in total, these days were all well-regarded as there were good sound sources. The most famous of these is probably the audience recording on the 14th the next day, but there is also a pretty good sound source on the 13th, which is the first day, and it was released 20 years ago as “DEMAIN LE SOLEIL”. However, the sound source that appeared this time is an audience recording by a different taper. In terms of the closeness of the sound image and the direct feeling, the VGP sound source (hereinafter referred to as the previously released sound source) has the upper hand, but since the performance was closer, you can hear even the voices of the surrounding audience. I had the problem of taking things too directly. Also, the voice of Keith, who served as the backing chorus for “Let’s Spend The Night Together”, was originally distorted and (lol) there was also a feeling that it was too direct as it sounded even more distorted. In that respect, the sound image of this sound source is not as close as the previously released version, but the sense of distance is rather effective, and the overall balance of the performance is much better here. Furthermore, there is no harshness or surrounding noise that is typical of cassette recordings made in outdoor stadiums like previously released records, and instead, when the performance begins, there is a steady eruption of applause and clapping (but it quickly stops lol). I think there are many enthusiasts who like the recording condition. In other words, in terms of being able to listen to the energetic performance of this day, which is typical of the 1982 European tour, without stress, I declare that it is better than the previously released version. In other words, although it is a closer sound image than Frankfurt 3 Days, it is a sound image with a sense of distance than the previously released version. In addition, the cuts in the recording of this sound source are mostly limited to between songs, and the only part that is not recorded is the part immediately after the start of the performance of “Under My Thumb” from the BGM “Let’s go on the A train” before the Stones appeared. Masu. Therefore, when releasing this limited press CD, those missing parts will be compensated for with the previously released edition. As you will understand if you listen to it, I have made every part very smooth and connected. Therefore, the sound source changes at the beginning of the “Under My Thumb” intro, but here the texture changes completely and the surrounding noise subsides. Instead, the detailed hand clapping of the example occurs, but you will certainly feel that it was recorded in a much calmer environment and has a milder sound quality than the previously released version. And as I mentioned a little at the beginning, the Stones including Mick were in great condition on this day as well. Listening to this, I think the two weeks from this day to Frankfurt were the climax of the 1982 European tour. I can’t help but think so. The sense of speed and leisure that is different from the previous year shines from beginning to end, and it feels like you are rushing through to the encore all at once. In fact, these two weeks include Gothenburg, which was famous as the highest quality audience recording in the analog era, and the example Wembley Stadium. The compatibility between such a speedy performance and the sense of realism that is unique to this recording is outstanding, and at the end of the live performance, during “Jumping Jack Flash,” when Keith and Ronnie’s usual inciting song with their dull voices ended, it was met with applause. The scene where the clapping begins along with the performance gives you a sense of realism. On the other hand, when “Chantilly Lace” started, the audience, who had been clapping for all the other songs, became silent (bitter smile), and I think it was this lackluster response that led to the failure of the set later on. It’s also quite a documentary that captures the scene. However, ironically, because the surroundings were quiet throughout this song, I was able to listen to “Chantilly Lace”, the highlight of 1982, thoroughly (the previously released version had some fluctuation in the sound image with this song).Excellent. There is also the advantage of audience recording. In fact, the performance of the same song on this day was wonderful, and I would like it to be reevaluated as a repertoire that takes advantage of the 1982 formation with two saxophonists. After all, Europe should be able to hear this song in 1982. Following the very popular Frankfurt tour, this time we are also discovering a new excellent audience recording that conveys the charm of the same tour! Hippodrome D’Auteuil, Paris, France 13th June 1982 TRULY AMAZING/PERFECT SOUND(NEW SOURCE) Disc 1 (68:22) 1. Take The ‘A’ Train ★Complete all 2. Under My Thumb ★0:00 – 0: 08 Compensation 3. When The Whip Comes Down ★3:45 – 4:10 Compensation 4. Let’s Spend The Night Together 5. Shattered 6. Neighbours 7. Black Limousine 8. Just My Imagination 9. Twenty Flight Rock 10. Going To A Go Go 11. Chantilly Lace★3:48 – Compensation until the end 12. Let Me Go ★0:00 – 0:18 Compensation 13. Time Is On My Side 14. Beast Of Burden 15. Let It Bleed Disc 2 (62: 11) 1. You Can’t Always Get What You Want 2. Band Introductions 3. Little T & A 4. Tumbling Dice 5. She’s So Cold ★3:51 – Compensation until the end 6. Hang Fire ★0:00 – 0 :15 Compensation 7. Miss You 8. Honky Tonk Women 9. Brown Sugar 10. Start Me Up 11. Jumping Jack Flash ★6:29 – Compensation until the end 12. Satisfaction ★0:00 – 0:12 / 5:56 – Compensation until the end