Roger Waters/Sweden 1984 Upgrade & more

Roger Waters 2nd day performance in Stockholm, the first performance location since his 1984 solo tour, stage at The Istadion on June 17th, and the first performance in London, which was the next performance. , the stage at Earl’s Court on June 21st is completely recorded with the finest stereo audience recording. The master of the Stockholm performance was recently uploaded on the internet in conjunction with the first generation of the same master as the previously released press CD. However, as you can see by listening to the cheers of the audience, the left and right channel phases are reversed from the previously released version. Perhaps the master whose phase was reversed as the generations were repeated was used for the already released version. The master of this board is a genuine first generation according to the person who uploaded it, so the phase of this board is the original one. In addition, the master of the Earl’s Court performance was also uploaded on the internet by the same person at the same time, but this is a surprising first appearance master that is different from the previously released version. According to the person who uploaded it, it is a second generation cassette master converted to DAT. Both performances are recorded with wonderfully clear, well-balanced, and powerful sound, with almost no difference in sound quality or sound image. The first day of the Earl’s Court performance recorded here was the only day on this tour where there was no encore, so there are two fewer songs included (the previously released version includes the encore of the second day of Earl’s Court). It was patched). The Stockholm performance that can be heard on Low Gene rather than the previous release, the Earl’s Court performance that can be heard on the first Low Gene Master, this coupling is a high quality title that is suitable for collecting along with the press sound board title. What is noteworthy about the Stockholm performance that you can listen to with this clear sound quality is that Eric Clapton uses a Gibson Les Paul from the opening as it is the beginning of the tour. You can enjoy playing it with a completely different tone from the Blackie Strat you hear in the press title. And Wish You Were Here does not use guitar synthesizers like they did on their later American tour. Moreover, if you listen closely, you can clearly hear Clapton singing in the chorus part of the hook. At this point, Clapton was also cooperating with the chorus. Clapton’s play is wonderful throughout, but the biggest thing to listen to on this day is 4:41 AM (Sexual Revolution) in the second part “The Pros And Cons Of Hitch-Hiking”. The obbligato and solo he listens to here clearly shows Clapton’s greatness and essence 100%. This play can be said to be one of the best on this tour. On the other hand, the Earl’s Court performance seems to use Blackie Strat throughout. In the opening number, Clapton plays using his specialty wah-wah pedal from the middle of the solo. At this point in the early stages of the tour, they were probably trying out various approaches through trial and error. On this day, Pete Townshend of The Who, a friend of Clapton’s, saw this performance and said, “It’s true that Clapton is God.When Eric started playing, even the color of the air changed.” As shown in his words, the performance is comparable to the Stockholm performance. When I comment like this, it seems like I’m neglecting the main character, Roger, but I’m most impressed by how the Floyd numbers he wrote and the numbers on his first solo album have been given a new lease of life by Clapton, and are now shining brightly. It seems that the person who was satisfied was none other than Roger himself. I would like you to understand more deeply the whole picture of Roger Waters’ solo tour, which was presented with perfect perfection from the beginning of the tour, with this board. Isstadion, Stockholm, Sweden 17th June 1984 TRULY PERFECT SOUND(Upgrade) Earls Court Exhibition Hall, London, UK 21st June 1984 PERFECT SOUND(New Master) Live at Isstadion, Stockholm, Sweden 17th June 1984 Disc 1(65:46) 1. Set The Controls For The Heart Of The Sun 2. Money 3. If 4. Welcome To The Machine 5. Have A Cigar 6. Wish You Were Here 7. Pigs On The Wing Part 1 8. In The Flesh 9. Nobody Home 10 Hey You 11. The Gunners Dream Disc 2(55:08) The Pros And Cons Of Hitch Hiking 1. 4:30 AM (Apparently They Were Traveling Abroad) 2. 4:33 AM (Running Shoes) 3. 4:37 AM (Arabs With Knives And West German Skies) 4. 4:39 AM (For The First Time Today Part 2) 5. 4:41 AM (Sexual Revolution) 6. 4:47 AM (The Remains Of Our Love) 7. 4:50 AM (Go Fishing) 8. 4:56 AM (For The First Time Today Part 1) 9. 4:58 AM (Dunroamin, Duncarin, Dunlivin) 10. 5:01 AM (The Pros And Cons Of Hitch Hiking ) 11. 5:06 AM (Every Strangers Eyes) 12. 5:11 AM (The Moment Of Clarity) Encore 13. Brain Damage 14. Eclipse Live at Earls Court Exhibition Hall, London, UK 21st June 1984 Disc 3(63: 31) 1. Set The Controls For The Heart Of The Sun 2. Money 3. If 4. Welcome To The Machine 5. Have A Cigar 6. Wish You Were Here 7. Pigs On The Wing Part 1 8. In The Flesh 9 Nobody Home 10. Hey You 11. The Gunners Dream Disc 4(48:41) The Pros And Cons Of Hitch Hiking 1. 4:30 AM (Apparently They Were Traveling Abroad) 2. 4:33 AM (Running Shoes) 3 . 4:37 AM (Arabs With Knives And West German Skies) 4. 4:39 AM (For The First Time Today Part 2) 5. 4:41 AM (Sexual Revolution) 6. 4:47 AM (The Remains Of Our Love) 7. 4:50 AM (Go Fishing) 8. 4:56 AM (For The First Time Today Part 1) 9. 4:58 AM (Dunroamin, Duncarin, Dunlivin) 10. 5:01 AM (The Pros And Cons Of Hitch Hiking) 11. 5:06 AM (Every Strangers Eyes) 12. 5:11 AM (The Moment Of Clarity) Roger Waters – Rhythm Guitar, Bass & Vocals Eric Clapton – Lead Guitar Michael Kamen – Keyboards Andy Newmark – Drums Mel Collins – Saxophones Chris Stainton – Keyboards Tim Renwick – Guitar & Bass Doreen Chanter – Backing Vocals Katie Kissoon – Backing Vocals