Description
JEMS has released the best Millard recording at the perfect time when Rod Stewart is about to perform in Japan for the first time in a long time! He recorded Rod’s stage with the best sound quality from the late 1970s to 1982, the best example of which was “LONG BEACH ARENA 1982 MIKE MILLARD FIRST GENERATION TAPES”, but Millard stopped recording concerts after that. In 1988, he started going to concerts again and resumed recording, and at that time he started a tour with Rod’s album “OUT OF ORDER”. Not only was it a tour of a huge hit album, but during this period, not only was it blessed with professional shot footage from Philadelphia and Buenos Aires, but the UXBRIDGE masterpiece “COULD EVER PLEASE ME” was also released for the audience recording of the 1989 tour. “COULD EVER PLEASE ME”, recorded in Boston on August 5, 1989, was a wonderful sound source with the best audience, but this time it was a mirrored recording. The best audience recording even surpasses that. It is captured with an exquisite balance that is typical of mirrored, and the recording state that literally sucked in plenty of the air of the day is wonderful. The audience’s chorus that occurs in the promised “Tonight’s the Night” and “Maggie May” is also captured with an exquisite balance without covering the performance. And above all, Rod’s singing voice is very close. This is a big point for the audience album that captured his stage, and at the same time, it is a quality that explodes with the Miller style. In addition, the song selection and composition of the tour from 1988 to 1989 were changed frequently, and the composition is different from “COULD EVER PLEASE ME” about a week later. While the finale there was “Passion,” this day ended with a mature atmosphere, finishing with Otis Redding’s “Try A Little Tenderness.” In the first place, “OUT OF ORDER” itself was a big hit as a masterpiece that pursued an adult rock sound, but Millard recorded the tour that reflected that on stage with the best sound quality. When it was first released, there was a confusion that was uncharacteristic of JEMS, such as “Infatuation” being recorded double, and “I Ain’t Superstitious,” which was not performed on this day, being credited (the song was not performed until August of the tour), but this is based on the re-uploaded version that corrected these mistakes. In this way, the first appearance of Rod in the late 1980s for the first time in a long time is enough to make enthusiasts go wild, but the guitarist is the nostalgic Stevie Salas. In “Passion,” the scene where his guitar roars is captured with superb quality. Above all, this mirrored recording will be the best gift for Rod enthusiasts at this time when his first visit to Japan in a long time has come! Hollywood Bowl, Los Angeles, CA, USA 31st July 1989 TRULY PERFECT SOUND Disc:1 (53:02) 1. Intro 2. Tonight I’m Yours (Don’t Hurt Me) 3. Infatuation 4. Tonight’s the Night (Gonna Be Alright) 5. Young Turks 6. Some Guys Have All the Luck 7. The First Cut Is the Deepest 8. Sweet Little Rock & Roller 9. (Sittin’ On) The Dock of the Bay 10. Sweet Soul Music 11. Lost In You Disc:2 (77:36) 1. Intro 2. Hot Legs 3. Baby Jane 4. My Heart Can’t Tell You No 5. Da Ya Think I’m Sexy 6. Crazy About Her 7. Stay With Me 8. Passion 9. Forever Young 10. Every Picture Tells a Story 11. Reason To Believe 12. You Wear It Well 13. Maggie May 14. You’re in My Heart (The Final Acclaim) 15. Twistin’ the Night Away 16. Try A Little Tenderness Rod Stewart – vocals Jeff Golub – guitars, backing vocals Stevie Salas – guitars, backing vocals Carmine Rojas – bass, backing vocals Tony Brock – drums Chuck Kentis – keyboards Jimmy Roberts – saxophone Nick Lane – Rick Braun – trumpet, keyboards
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