Description
“THE RHAPSODY TOUR” finally came to Japan. Since the live album of all performances has been released, original recordings that convey the Osaka performance are also available! This work includes “January 28, 2020: Kyocera Dome Osaka Performance”. It is an exquisite full audience recording that conveys the whole story. All the performances were made into live albums at once with the West Japan version “OSAKA DOME 2020” and “NAGOYA DOME 2020”, but at the same time, we are offering a series of separate recordings by the same recording artist. Here, let’s focus on this unique series and organize it by schedule. ・January 25th “SAITAMA SUPER ARENA 2020 DAY 1” ・January 26th “SAITAMA SUPER ARENA 2020 DAY 2” ・January 28th: Kyocera Dome Osaka ←★This work★ ・January 30th: Nagoya Dome *Note: Only live albums by the same recording artist. That’s all 4 performances. As the first report, we introduced two works, “SAITAMA SUPER ARENA 2020 DAY 1” and “SAITAMA SUPER ARENA 2020 DAY 2”, and this work is a sequel to the live album by the same recording artist. Of course, it is a completely different recording from “OSAKA DOME 2020”. This work is also wonderful this time… Or should I say, audience recording that exceeds the two Kanto performances. “OSAKA DOME 2020” also had a sound quality that exceeded the Kanto edition, but if this work, which is in a completely different position, exceeds the two Kanto performances, the sound output itself may have been exceptional in Osaka. Moreover, this work may even exceed the same Osaka version. The special edition has a tremendous direct feeling because it is in the front 4th row, and although it is not as good as expected in that respect, on the other hand, the taste of this work shines. Anyway, it’s wonderfully clear, and even the details of the outline are very clear. The atmosphere is crystal clear, the minute details of the performance sparkle, and Adam’s vibrato stretches out clearly. Is it the strength of the core or the brilliance of the details? It’s the best sound that can’t be beat. What is depicted with such brilliant sound is a full show that has become even tighter with increased skill. Let’s organize the set here. 70’s (17 songs) – Scary Princess: Keep Yourself Alive / Doing All Right (◆) – Queen II: Seven Seas of Rhye – Sheer Heart Attack: Now I’m Here / Killer Queen / In the Lap of the Gods… Revisited ・A Night at the Opera: I’m in Love With My Car (◆) / Love of My Life (★) / ’39 (★) / Bohemian Rhapsody ・ Splendid Lace: Somebody to Love / Teo Torriatte (Let Us Cling Together) (★) / Tie Your Mother Down・Dedicated to the World: We Will Rock You/We Are the Champions・Jazz: Don’t Stop Me Now/Bicycle Race 80’s/90’s (11 songs)・The Game: Another One Bites the Dust/Crazy Little Thing Called Love/Dragon Attack・Hot Space: Under Pressure・The Works: Hammer to Fall/I Want to Break Free/Radio Ga Ga・Mr. Bad Guy: I Was Born To Love You・Kind of Magic: Who Wants to Live Forever・The Miracle: I Want It All・Innuendo: The Show Must Go On *Note: “★” indicates Brian’s acoustic set, “ ◆” is Roger’s vocal song. …and it looks like this. In fact, the set is the same for all performances in Japan this time (the position of “I Was Born To Love You” is different only on the first day of Tamaari, but the selection is the same). However, their performance sounds much more sophisticated. The 2019 tour ended in the fall, and this Asian tour will be restarted for the first time in about 4 months. There were two performances in Korea before Japan, and Osaka, which is located in the Kanto region, was the fifth performance. No matter how experienced you are, the more you play in the early stages, the more you get used to it, and in Osaka, you just got used to the set and started to get going. Including “Teo Torriatte (Let Us Cling Together)” and “I Was Born To Love You,” which are only played in Japan, you can immerse yourself in the full show with plenty of fulfillment. “THE RHAPSODY TOUR” has been eagerly awaited throughout Japan. Even before I woke up from the afterglow, I was able to experience all the performances with great sound. A separate edition with the ultimate sound was born for the 2nd performance in Kanto, but in western Japan, the battle to decide the top has just begun. Under such circumstances, this work is also a superb live album that has become a top candidate. A large-scale event that allows you to truly enjoy the “now” that feels like the heyday has returned. Live at Kyocera Dome, Osaka, Japan 28th January 2020 TRULY PERFECT SOUND(from Original Masters) Disc 1 (65:34) 1. Intro 2. Innuendo 3. Now I’m Here 4. Seven Seas of Rhye 5. Keep Yourself Alive 6. Hammer to Fall 7. Killer Queen 8. Don’t Stop Me Now 9. Somebody to Love 10. In the Lap of the Gods… Revisited 11. I’m in Love With My Car 12. Bicycle Race 13. Another One Bites the Dust 14. I Want It All 15. Brian MC 16. Teo Torriatte 17. Love of My Life 18. ’39 19. Doing All Right Disc 2 (70:17) 1. Crazy Little Thing Called Love 2. Under Pressure 3. Dragon Attack 4. I Was Born To Love You 5. I Want to Break Free 6. You Take My Breath Away 7. Who Wants to Live Forever 8. Guitar Solo 9. Tie Your Mother Down 10. The Show Must Go On 11. Radio Ga Ga 12. Bohemian Rhapsody 13. Ay‐Oh 14. We Will Rock You 15. We Are the Champions 16. God Save the Queen
Reviews
There are no reviews yet.