Queen/Tokyo,Japan 1985 Japanese Re-Broadcast version

The highest peak professional shot that symbolized Freddie’s last Japan tour has been further upgraded. Introducing a new excavation beta master that is longer and more beautiful than before! [TV broadcast version with more natural sound than the official DVD] This work was filmed at the “May 11, 1985: National Yoyogi Stadium” performance. This is a multi-camera professional shot from the famous program “Young Music Show” that conveyed the scene. Of course, this show is also familiar with the official work “WE ARE THE CHAMPIONS: FINAL LIVE IN JAPAN”, but among enthusiasts it has been said that “the broadcast version is better”. This work updates the highest peak of the broadcast version. The main point of this work is the new excavation master that updates the previous version, but we must first start with the premise of why the broadcast version is better (if you know, please skip this). The key lies in the audio mix. In fact, the official product version did not have a good reputation among enthusiasts from the beginning. The supporting keyboard was louder than Brian May’s guitar, the drum sound was strange, and Roger Taylor’s vocals were hard to hear… Official was just the name, and it made me want to say, “What is this?” Of course, the general public who think that’s the only thing that exists accepts it as “that’s the way it is”, but maniacs are different. In fact, it was broadcast on FM radio and TV in 1985, and since it was broadcast there shortly after the live performance, it was a natural mix before the official side messed with it. Maniacs who know this have declared that the TV broadcast version (although shorter than the official version) is the best. [A new beta master who has raised the highest peak all at once] And this time, a new master has been discovered that will update the highest peak of the TV broadcast version. This week, the 1979 TV pro shot “BUDOKAN 1979 TV BROADCAST: DEFINITIVE MASTER” will be released at the same time, but this work was also provided by the same enthusiast. This is the latest version digitized directly from the treasured Beta Master. The 1979 edition is a shocking work with scenes that were not seen in the previous version, but even if this work is not that long, it is the longest to date. The program eye-catches at the beginning and ending are also recorded for a few seconds longer. Moreover, the broadcast itself is different. The previous version was the first broadcast, and the time signal “3:00” was displayed at the start of the program. On the other hand, this work is a rebroadcast version that was aired at the end of 1985. The time signal will also display “4:15″. Of course, these points are just proof of the new master. Its true value lies in the quality that pervades the entire story. This is already super beautiful. The previous version was also very beautiful, but this time the colors are even more vivid and the details are even more detailed. Of course, it is not enhanced by digital processing. The beauty of the image was achieved purely with recording equipment and master freshness, which is why even the fine outlines are not distorted and remain natural and vivid. Ghost is more intense. In this video, Freddy is wearing a white costume, but until now, the outline floating in the darkness was blurred, and Freddy dragging a ghost looked as if he had astigmatism. However, the outline of this work is clean and clear. Strictly speaking, since it is an analog recording, ghost components are not zero, but the feeling of astigmatism is eliminated, and the world appears as vivid as if you were wearing glasses that were properly adjusted. What’s more noticeable is the telop group. As those who have experienced the previous version may know, this broadcast also features subtitles that are not present in the official version. The intro of each song includes the song title with a hand-drawn design logo, and Japanese translations of the lyrics are also played for “Under Pressure”, “Is This The World We Created?”, “Bohemian Rhapsody”, and “We Are The Champions”. The members’ name captions also display their zodiac signs, and you can also see the sense of the times when this was important information. You can enjoy many such telops with beautiful images without blur. [Freddie’s last Japanese professional shot] Once again, this broadcast was edited to fit around a 50-minute time frame, with 8 songs: “Somebody to Love,” “Killer Queen,” “Impromptu,” “Now I’m Here,” and “Love of My Life,” “Hammer to Fall,” “I Want to Break Free,” and “Jailhouse Rock” were cut. In that sense, it is not as good as the official version. However, the mix is ​​still so natural that enthusiasts around the world declare that “TV broadcasting is the best,” and the sound itself is superb. This work is a new excavation master that has raised the top of such a broadcast version. The last Japanese professional shot left by Freddie. Its highest peak version. Live at Yoyogi National Gymnasium, Tokyo, Japan 11th May 1985 PRO-SHOT(UPGRADE) *Taken from the original Sony Beta video master Broadcast Date: 28th December 1985, 4:15-5:05PM (Re-broadcast version) (49: 58) 1. Machines ★4 seconds longer intro 2. Tear It Up 3. Tie Your Mother Down 4. Under Pressure 5. Seven Seas Of Rhye 6. Keep Yourself Alive 7. Liar 8. It’s A Hard Life 9. Is This The World We Created? 10. Another One Bites The Dust 11. Crazy Little Thing Called Love 12. Bohemian Rhapsody 13. Radio Ga Ga 14. We Will Rock You 15. We Are The Champions 16. God Save The Queen ★The last video 8 seconds longer PRO-SHOT COLOR NTSC Approx.50min.