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Queen/Sweden 1982 2Source Mix

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In contrast to the pros and cons of studio work, the “HOT SPACE Tour” was at its peak as a live act. Among them, the famous recording that conveys the scene known as “happening show” has evolved. It will be an enlarged version and will be preserved forever! What is infused into this work is “Stockholm performance on April 10, 1982”. This is the audience recording. I think collectors will realize that the “HOT SPACE Tour” was at its peak, which is the complete opposite of the general image, but that doesn’t mean the entire world tour was wonderful. In order to explain the circumstances around that, let’s first unravel the schedule at that time and also check the position of the show. [“HOT SPACE” completed in March]・April 9th ​​– May 22nd: Europe (26 performances)←★Here★《“HOT SPACE” released on May 21st》・May 29th – June 5th : UK (4 performances) – 1 and a half months later – July 21st – September 15th: North America (33 performances – 1 month later – October 19th – November 3rd: Japan (6 performances) [Miracle This is the first record of the “HOT SPACE Tour” that took place in the spring of 1982.It is a fairly orthodox flow of “Europe (+ UK) → North America → Japan”, but the one that is considered special is ” It was a miraculous spring where there were great performances day after day.There are various theories as to why this happened, but the first reason was that it was a period of physical enrichment, especially for Freddie as a vocalist. They were reaching their peak, and the number of good days was higher than on the “THE WORKS Tour,” which went on hiatus.Secondly, they welcomed a support keyboardist.Spike. Edney will be a regular participant, but the first time he brought support was on the “HOT SPACE Tour.” Fred Mandel joined in North America/Japan, and former MOTT THE HOOPLE member Morgan Fisher joined in. Not only does he no longer have to play the piano, but he is also freed from the feeling of having to go back to playing the piano. It was a virtuous cycle that created explosive tension, and the explosive Freddy increased the excitement of the audience and the other three.And the third thing was confidence in “HOT SPACE”.As you can see above, “Europe/UK”. The tour took place around the time of the album’s release, and during the pre-release tour in Europe, he showed his confidence, and after the release, in the UK, he showed his determination to bounce back from the mixed reviews. Although it seemed to be declining, at the time of “Europe/UK”, he was full of energy to open up a new chapter.The Stockholm performance of this work was also in the early stages of the tour. This is the oldest live album of the “HOT SPACE Tour” that still has sound records. The work is also the first complete version in history.The recording itself has been known for a long time, but it was an incomplete version with many cuts. Moreover, (as will be explained later) it was an unfortunate recording in which the sound cut out at important points in the show. However, recently, a new recording different from the conventional one has been discovered. Because the cut points were different, it was possible to enjoy almost the entire view of the show by combining them (however, only the intro of “Now I’m Here” was missing from both sound sources. Even if it is 99.99%… It’s not 100%, so it’s “almost.”) There are some enthusiasts who think the same thing, and the complete combination version is actually a hot topic on the internet, but this one was not very good. The connections are messy and sloppy, and I have no intention of matching the sounds. The tone and phase were out of sync, and it felt like it was just “just connected.” This is where this work appeared. The two sound sources were traced back to their original origins and carefully re-edited. As expected, it was a separate recording, so I wouldn’t go so far as to say “I can’t understand the switching at all,” but it achieves a natural finish that feels like it “changed before I knew it.” We have elevated it to a musical piece that allows you to immerse yourself in the full show without feeling any discomfort. The reason why I am especially happy about the reborn semi-complete version is because the show itself is a series of happenings and surprises. It’s fresh from the beginning, such as the initial performance of the new songs “Action This Day” and “Staying Power” and the dismantling of the medley that has been a regular occurrence since their debut, but as the show progresses, it becomes more and more thrilling. For example, “We Will Rock You” near the middle. This position is unusual, but it was actually not planned. While Freddie was enjoying the call and response, the audience naturally started singing “We Will Rock You”, and Roger also jumped on board and suddenly started singing. Normally, it would have ended in a mess, but with Freddie’s count of “Two, three, four!!”, it connects beautifully to “Fat Bottomed Girls”. You can hear the miraculous coolness that comes from being a live band at its peak. And “Love Of My Life” shows the full benefit of the full version. In the conventional recording, the guitar solo was cut just as it was getting exciting, and I was frustrated and wondered, “Why, here…”, but this work is perfect even after that. You can seamlessly enjoy the finale, which concludes with a moving chorus. Speaking of Brian, it’s “Save Me” right after that. While the audience chanted “Mustapha! Mustapha!”, he ignored them and forcibly started “Save Me.” However, perhaps because Brian wasn’t ready, the piano didn’t play. While quoting the lyrics, Freddie yells, “It didn’t start off so fucking well!” ). Furthermore, the approximately 10-minute long “Liar” was played, and the extremely rare “Not Fade Away” was performed as an intro to “Crazy Little Thing Called Love”… It has long been famous as a “show that you can’t miss a moment,” but the number of “moments” is increasing in large numbers. Among the peak “HOT SPACE Tour” that is not known to the general public, it is a happening show that only enthusiasts knew about. This is the birth of a semi-complete version that has greatly increased its real pleasure. A full live album that marks the beginning of a miraculous spring and is a collector’s treasure. Panoramic audience recording of the “April 10, 1982 Stockholm performance” on the second day of the “HOT SPACE” tour. Based on the conventional master with many cuts in the middle, supplemented with newly discovered separate recordings. You can now enjoy almost the entire view of the show (only the intro of “Now I’m Here” was missing from both sound sources). The editing, which is much more complete than the online version, is wonderful, with “We Will Rock You” starting impromptu with a call with the audience, the complete version of “Love Of My Life” that had ended midway, and Freddie’s mistake due to Brian. You can enjoy a happening show in full view that you never know what will happen, such as the explosive “Save Me” and the ultra-rare “Not Fade Away”. This is a full live album that is a collector’s treasure. Johanneshovs Isstadion, Stockholm, Sweden 10th April 1982 TRULY AMAZING/PERFECT SOUND(2 Source Mix) Disc 1 (53:06) 1. Flash ★0:00 – 0:11 Compensation 2. The Hero 3. Tie Your Mother Down 4. Action This Day 5. Play The Game 6. Somebody To Love 7. Staying Power ★3:59 – 4:05 Compensation 8. Get Down, Make Love 9. We Will Rock You (improvisation) 10. Fat Bottomed Girls 11. Love Of My Life ★2:39 – 3:44 Compensation 12. Save Me Disc 2 (60:33) 1. Keyboard/Guitar Solo 2. Liar 3. Not Fade Away 4. Crazy Little Thing Called Love 5. Bohemian Rhapsody 6. Under Pressure 7. Now I’m Here ★ Missing beginning – Source 2 is also missing, so no compensation is given. 8. Dragon Attack 9. Now I’m Here (reprise) ★0:57 – 3:12 Reprise 10. Another One Bites The Dust 11. Sheer Heart Attack 12. We Will Rock You 13. We Are The Champions 14. God Save The Queen

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