Queen/MA,USA 1976 Upgrade

Dan Lumpinski is a legend of the 70’s taper along with Mike Millard. The “QUEEN bootleg masterpiece” left by the historical master has been updated and reprinted. [QUEEN’s masterpiece and a treasure that made Lampinski famous] The masterpiece was recorded at the “Boston performance on January 30, 1976.” It is a transcendental audience recording that captures the first act of “A NIGHT AT THE OPERA TOUR”. There is nothing more monumental than this recording. The most powerful thing is the sound. This master was discovered about 10 years ago, but when it was posted on a collector site, it received the highest ratings such as “EX+” and “A++”, and reviews called it “the best QUEEN recording ever” and “a treasure for the 70’s audience”. It received rave reviews. Although it has a strong close contact like a so-called soundboard, its elegant and natural sound brings back “1976” on a realistic level, and to casually call it “like a soundboard” would be disrespectful to the sound source. . This is an exceptional work in the Lumpinski collection, which produced a large number of representative works by each band/artist, and is a masterpiece that has elevated the master’s name to the level of Millard. As such a super famous recording, it has been released many times and has been a huge hit and sold out. Of course, we upgrade each time using the latest equipment and technology. This work is the latest 2020 version. The sound is the ultimate in vividness and naturalness. The previous releases (such as “A NIGHT AT BOSTON DEFINITIVE EDITION” and “DEFINITIVE BOSTON 1976 2ND NIGHT”) have been refined with full mastering, so they are not completely different (in fact, they are different). (It’s a bad type), but its “extreme” feeling is tremendous. For example, the previous work pursued a sound board-like closeness and sharpness of the edges, but the mastering of this work has a natural sound. Rather than sharpening the attack or outline, we focused on the resolution of minute details, and on top of that, we widened the range as much as possible. To visualize this in an easy-to-understand way, while the previous edition felt like it was aimed at being an “official work,” this work is more like a “reproduction of the scene.” If the previous edition had a direct feeling of “pushing” with a dazzling and gorgeous feel, this work has extremely delicate “details” and “three-dimensionality” that even depicts the direct feeling of the music being played right there. Those looking for a “sound board replacement” may prefer the previous edition, but it is this work that will melt your heart with the “beauty of the guest record”. [The live performance itself is a masterpiece because it is a masterpiece] And what is more important than the sound is the show itself. If you are familiar with the existing group, I think you have already made up your mind, but for those who are new to it, let’s review the basics. Speaking of the “Night at the Opera” era, there is now an official version “A NIGHT AT THE ODEON: HAMMERSMITH 1975”, but this work is also released immediately after that. Let’s look back at the schedule at that time. 1975《A Night at the Opera” released on November 21st》 November 14th – December 24th: UK (26 performances) ← * Official 1976 January 27th – March 12th: USA (33 Performances)←★Here★ ・March 22nd – April 4th: Japan (9 shows) ・April 11th – 23rd: Australia (8 shows) This is the overall picture of “A NIGHT AT THE OPERA TOUR”. While the official version was the last day of the “UK” tour, this work is the third performance of the “US” leg at the beginning of 1976. In other words, it was after the three performances of “HAMMERSMITH 1975”. Even though it was only recently, there is a clear difference in conditions between the year-end and New Year holidays. In the official “HAMMERSMITH 1975”, Freddie and Brian contracted the flu in addition to being tired on the last day of the tour. Considering the circumstances, it seemed like an amazing effort, but it wasn’t at its best. On the other hand, the Boston performance of this work was completely conditioned for a whole month and has just entered the enemy territory of America that should be conquered. Her singing voice is smooth and powerful. It’s a little different from the sky-high tension, but it’s a masterpiece that fills your mind and body with a sense of fulfillment. Speaking of the uplifting feeling of the soaring singing voice of “Seven Seas Of Rhye”… Moreover, the set is much longer than “HAMMERSMITH 1975″. Let’s compare and organize them here.・Terror Princess: Son And Daughter/Doing All Right (★)/Keep Yourself Alive/Liar ・Queen II: Ogre Battle/White Queen (As It Began)/The March Of The Black Queen/Seven Seas Of Rhye ・Sheer Heart Attack: Flick Of The Wrist (★) / Killer Queen / Bring Back That Leroy Brown / Brighton Rock / Stone Cold Crazy (★) / In The Lap Of The Gods…Revisited / Now I’m Here・Opera Night: Bohemian Rhapsody / Sweet Lady (★) / The Prophet’s Song (★) / Lazing On A Sunday Afternoon (★) / Others: Big Surrender / Jailhouse Rock / Stupid Cupid / Be-Bop-A-Lula *Note: ” ★” are songs that cannot be heard on the official edition “A NIGHT AT THE ODEON: HAMMERSMITH 1975”. …and it looks like this. There are six songs in the repertoire that cannot be heard on the official version, but the best one is “Lazing On A Sunday Afternoon”. It is a rare song that has only been recorded in Japan and Hyde Park, but you can enjoy it with the sound of an official masterpiece. Moreover, unlike the Japanese performance, this is an early version singing with the same vocal line and chorus as the album. It no longer makes sense to be a soundboard or an audience. A super famous recording called “QUEEN’s masterpiece” in a dimension that transcends the official / unofficial distinction, its highest peak… That is the horizon on which this work stands. It’s a great introduction to unofficial albums, and it’s probably the one you come back to at the end. No matter how sold out it is, this is a super masterpiece that cannot be allowed to disappear from the market. Remastered Memo Although the sound quality is originally high, we have widened the range as much as possible to improve the separation of performances. Live at Boston Music Hall, Boston, MA, USA 30th January 1976 ULTIMATE SOUND(UPGRADE) Disc 1(54:56) 1. Intro 2. Bohemian Rhapsody 3. Ogre Battle　★After the show, MC 4 said, “It’s completely different from yesterday.” Sweet Lady 5. White Queen 6. Flick Of The Wrist 7. Bohemian Rhapsody 8. Killer Queen 9. The March Of The Black Queen 10. Bohemian Rhapsody (reprise) 11. Bring Back That Leroy Brown 12. Brighton Rock 13. Guitar Solo 14. Son And Daughter 15. The Prophet’s Song 16. Stone Cold Crazy Disc 2(46:07) 1. MC 2. Doing All Right 3. Lazing On A Sunday Afternoon 4. Keep Yourself Alive 5. Seven Seas Of Rhye ★ Interesting way to sing 6. Liar 7. In The Lap Of The Gods…Revisited 8. Now I’m Here 9. Hey Big Surrender 10. Jailhouse Rock 11. Stupid Cupid / Be-Bop-A-Lula 12. Jailhouse Rock 13. God Save The Queen