Queen/MA,USA 1.30.1976 Upgrade

A brushed-up version of the historic recording, which was highly acclaimed as “the best of QUEEN bootlegs” and “a treasure for 70s audiences.” This is a super masterpiece that cannot be surpassed. [Transcendental recording by the legendary taper] Included in that super masterpiece is “January 30, 1976 Boston Performance”. It is a transcendental audience recording that captures a scene from “A NIGHT AT THE OPERA TOUR”. This recording was truly shocking. It was released about 10 years ago, but it was recorded by the famous historical taper: Dan Lumpinski. He is a legendary person who left many outstanding recordings in the Boston area in the late 70’s, and what’s more, this is one of the best in his collection. The strong core and ultra-delicate details are comparable to those of a sound board, and the luster of the sound is on par with the carefully mixed official works. The vivid stereo feeling separates the channels neatly even in Freddie and Brian’s solo parts, and even Freddie’s tambourine is beautiful in “Keep Yourself Alive” and “Liar”. [Precise mastering that made an enthusiast’s dream come true] Its appearance shocked enthusiasts all over the world, and even completers raised their hands and certified it as No. 1. Specialized overseas sites praised the song, saying, “Even if it’s official, it will be difficult to surpass this” and “Every rock fan should listen to it.” At that time, “A NIGHT AT THE ODEON: HAMMERSMITH 1975” had not yet been made official, but even though it was broadcast on the BBC, it received great praise. The sound quality is so high that there is no need to say things like “for the 70’s”, and it is an absolute recording of QUEEN that still cannot be surpassed. This work is a refinishing of such a historical super famous recording with the latest mastering. Based on the best version to date, “A NIGHT AT BOSTON DEFINITIVE EDITION” (hereinafter referred to as the previous work), it has been further refined. Of course, the original sound was much clearer in the previous work, so there is no point in adding further processing from there. Rather, what this work aimed for was an “official feel.” Specifically, we made the sound beautiful to the limit without losing the sharp edges, and increased the depth of the bass at a level that does not cloud the vivid sense of separation. In other words, we applied a process similar to creating an official product from the officially recorded sound board sound source (in other words, the recording itself is so transcendent that it can be done in the same process as the official product). The result is a sound that is slightly gorgeous, yet well-balanced and beautiful. Rather than just saying it’s a different upgrade, it’s realizing the mania’s dream of “if this recording were made official.” [The best live album of the 70’s] It’s amazing that such a sound is depicted as a masterpiece that far exceeds “A NIGHT AT THE ODEON”! Let’s check the show’s position from the activity schedule at the time. ●1975《A Night at the Opera” released on November 21st》・November 14th to December 24th: UK (26 performances)←*Official ●1976・January 27th to March 12th: USA (33 performances) ←★Coco★・March 22nd – April 4th: Japan (9 shows)・April 11th – 23rd: Australia (8 shows) This is an overview of the time. The official “A NIGHT AT THE ODEON” was the final performance in 1975, but this work was released in 1976. This is the third performance of the “USA” leg, which is the beginning. In other words, it was also after the 3rd performance of “A NIGHT AT THE ODEON”. However, the difference in conditions between the year-end and New Year holidays is clear. At the Hammersmith performance, which became the official version, Freddie and Brian suffered from influenza in addition to being tired on the last day of the tour. Although it was an amazing show considering the circumstances, I couldn’t feel the enthusiasm I showed at the beginning of the tour. On the other hand, the Boston performance of this work has been completely conditioned for a whole month and has just entered the enemy territory of America that should be conquered. Her singing voice is smooth and powerful. It’s a little different from the sky-high tension, but the feeling of fulfillment that fills my mind and body pushes me to the limit. Speaking of the uplifting feeling of the soaring singing voice of “Seven Seas Of Rhye”… And with the start of the US tour, the set changed as well. You can enjoy plenty of “Sweet Lady,” “Flick Of The Wrist,” “The Prophet’s Song,” “Stone Cold Crazy,” and “Doing All Right,” which you can’t hear on “A NIGHT AT THE ODEON,” but the best part is “Lazing On A Sunday.” Afternoon”. It is a rare song that has only been recorded in Japan and Hyde Park, but you can enjoy it with the sound of an official masterpiece. Moreover, unlike the Japanese performance, it is an early version singing with the same vocal line and chorus as the album. Anyway, an overwhelming masterpiece. In rock history, there are extremely rare audience recordings that surpass the official one, but this work is the QUEEN version. The dimensional sound makes it meaningless to distinguish between recording methods, and the great performance was performed in the best condition. This is the highest peak of the super famous recording that has been called “the best masterpiece of QUEEN bootlegs”. I do not recommend it to those who are rejected by the guest list due to some beliefs, but for others it is an absolutely inevitable top album. ★A super famous sound source with an A+ rating on a Queen specialty site. “This version of Ogre Battle is perhaps its definitive delivery from Freddie Mercury” ★Queen’s best bootleg is this work. Live at Boston Music Hall, Boston, MA, USA 30th January 1976 TRULY PERFECT SOUND*UPGRADE Disc 1(54:56) 1. Intro 2. Bohemian Rhapsody 3. Ogre Battle 4. Sweet Lady 5. White Queen 6. Flick Of The Wrist 7. Bohemian Rhapsody 8. Killer Queen 9. The March Of The Black Queen 10. Bohemian Rhapsody (reprise) 11. Bring Back That Leroy Brown 12. Brighton Rock 13. Guitar Solo 14. Son And Daughter 15. The Prophet’s Song 16 Stone Cold Crazy Disc 2(46:07) 1. MC 2. Doing All Right 3. Lazing On A Sunday Afternoon 4. Keep Yourself Alive 5. Seven Seas Of Rhye 6. Liar 7. In The Lap Of The Gods.. .Revisited 8. Now I’m Here 9. Big Surrender 10. Jailhouse Rock 11. Stupid Cupid / Be-Bop-A-Lula 12. Jailhouse Rock 13. God Save The Queen