Queen/London,UK 1985 SBD & AUD Mix Ver.

The legendary stage “July 13, 1985 Wembley Stadium” has been in the spotlight due to the huge success of the movie “Bohemian Rhapsody”. The super-excellent master who recorded the scene of that “LIVE AID” will be released for the first time in the world. This stage is a legend among legends that needs no explanation. Although it was omitted in the movie, the worldwide bashing of the South African concert, the loud booing at Rock in Rio, and the discord between the members… They were on the verge of disbanding due to injuries all over their bodies, but everything was overturned in just one stage performance. It was a legendary show where not only the four members but also the tens of thousands of people in the audience came together to do Elton John and say, “You guys ate me up!” This pattern is also reproduced in the movie. Although there are pros and cons regarding the story of the movie, the reenactment of the highlight scenes touched everyone’s hearts and became the driving force behind its huge success. Although it was such a legendary show, until now there has been no known documentation from the audience’s perspective. Maybe most people didn’t think to record it because it was being broadcast all over the world, but there are exceptions to everything. Among the 72,000 people who gathered at the scene, there was someone spinning the tape. Moreover, that person is Japanese. Yes, he was a staff member of the famous “Kinney”. In addition to the world’s first released Kinney master, this work is a definitive album that includes an FM soundboard that is still considered the world’s best. It is the first live album in history that fully enjoys that legendary stage from the “band side” and “audience side”. [First half: Original master of the prestigious Kinney] The first thing that appears is the shocking Kinney recording. A hidden treasure that has remained unpublished until today due to television and radio broadcasts. The original cassette was converted directly to CD. The sound is truly the essence of Kinney Magic. Of course, the breath of the scene is also a realistic audience recording, but the atmosphere is transparent, and the performance and singing voice jump straight into your hands. And the freshness unique to the original master is overwhelming. It has probably never been played in the 33 years since it was recorded. There is almost no dubbing deterioration or aging deterioration, and there is no distortion or fluctuation. The neat sound does not make a slight movement from beginning to end until the vast cheers. That sound depicts “LIVE AID on the audience side.” Elton also stands in the middle of the frenzy as he admits defeat. Please make sure you are not mistaken here: this is not a recording that is bothered by strange voices or screams (never!). Although you can feel the excitement of 72,000 people coming together as one, there is a strange lack of nearby voices, not even a single voice. It feels like you’re in an empty space in the middle of an intense excitement. Looking at the video, I can’t believe that such a space exists, but that’s what it sounds like. And that enthusiasm is wonderful. Cheers erupt from the appearance of the four, but as soon as Freddie plays the intro to “Bohemian Rhapsody,” the Wembley pot suddenly boils over. A detailed yet expansive chorus bursts out. Its thickness and beauty. It was a moving scene in movies and on TV, but the feeling of being on the scene was on a completely different level. This is the moment when your skin won’t stop growing and your hair will stand out. The intense sense of realism is irresistible. The following “Radio Ga Ga” was also a great success, and even though it was a new number at the time, 72,000 people couldn’t stop chanting. And that huge “Day-O” exchange. The cheers that were randomly erupting just a moment ago follow Freddie, but what is amazing is their orderly control. Freddie’s voice came through as if no one was speaking privately, and he sang back in perfect harmony. It may seem like a normal scene, but there are 72,000 people gathered here. Although the sense of scale can be seen in the thickness of the voice that returns, the synchronization rate is so high that I think it is hall class. And then “Hammer To Fall” begins. In the middle of the song, a sudden wave of laughter and applause erupts. In fact, at this time Freddy was playing around with the television broadcast camera. Some of you may remember the scene where a face was shown in close-up on the broadcast and it was chaotic, and the Wembley pot was boiling at that moment. The truth of LIVE AID, which could not be seen on TV or radio, becomes clear with neat sound. The simmering pot was filled with clapping that almost drowned out the performance of “Crazy Little Thing Called Love,” and finally reached its peak with “We Will Rock You.” In that intro, the boil gives way to an explosion, and everyone in the pot gets into rhythm. However, the beat of the 72,000 people finally exceeded the band’s performance, and the clapping went crazy. The energy of the audience was so huge that they were so absorbed in it that even the simple rhythm went awry. And all that chaos comes together in an instant when Freddie starts singing. This is the amazing power of Freddie Mercury, who was able to freely manipulate the crowd no matter how large it was. No matter how grand it is, this is not just a place for mayhem, nor is it a riot. This is the moment when you realize that you are at a concert where you are inspired by QUEEN and follow Freddie. The enthusiasm at the top rushes straight into “We Are The Champions”. This take is just too good. A passionate and thick chorus swirls in perfect harmony, and Freddie’s passionate singing pierces through the middle. The length and flow of her voice, and the strength of her vibrato. It’s overwhelming. Usually, at a concert, the performance is performed after the full set has been sung, but on this day, the highlight was less than 20 minutes after the performance started. I don’t remember “We Are The Champions” being as beautiful as this, perhaps because of this. The emotion of the singing voice piercing through the space, and the beauty of the synchronization with the huge chorus. This also goes beyond television and radio broadcasts. It’s a series of miracles from beginning to end, but this 3 minutes and 52 seconds is a miracle among miracles. The legendary 21 minutes and 12 seconds that I have watched until I got tired of it and confirmed it in the movie. The scene was wonderful so far. This is a real miracle. The scene. He is a miraculous new excavation master who will teach you with a sense of the moment that will never come back. [Second half: Best stereo soundboard] The second half is a full soundboard recording that has been hailed as the “best” by enthusiasts. The movie’s soundtrack version did not include “Crazy Little Thing Called Love” and “We Will Rock You,” which were not used, but this includes the complete version of the show, as well as Freddie and Brian alone that night (21:48). You can also enjoy “Is This The World We Created?” which appeared and played again in the highest peak sound. Of course, this show has been officially made into a DVD, but the one that is considered the “best” by enthusiasts is the FM broadcast at the time. There’s nothing wrong with the sound quality of the official DVD, but instead of having the loud cheers covered in stereo sound? The localization of the performance was closer to the center, and it was so solid that it was almost monaural. On the other hand, since the FM sound board is a live broadcast, the audience’s chanting is weak (though it is still loud enough to enter), and the performance and singing voice itself is super vivid. The introductory synth sound of “Radio Ga Ga” flows from the right, and John Deacon’s chorus sings from the left. The first half of the Kinney recording was centered on the on-site feeling, but this sound board is a live album that can be synchronized with QUEEN himself. Also, listen to “Is This The World We Created?” in the evening session. Only the two of them perform earnestly, but there is frequent howling from the intro, and the mix is ​​unstable. In the middle of the process, even the staff’s conversation gets mixed in. This is a broadcasting accident that would be unimaginable in modern times, but this is also because it was a major, unprecedented project that went beyond the limits of the 1980s. It is a song that gives you a real sense of the times, while also making you realize how miraculous the daytime main stage was. “LIVE AID’s QUEEN” continues to captivate the world even after 33 years. A newly discovered audience recording that allows you to experience the scene, and the highest-quality close-contact stereo soundboard in history. This is a historical live album containing two peak records. The reenactment scenes from the movie were great entertainment, but this is the real miracle. Live at Wembley Stadium, London, UK 13th July 1985 TRULY AMAZING SOUND(from Original Masters)/STEREO SBD (45:47) Original Audience Recording ★Live recording take from the audience seats (first appearance!) 01. Intro 02. Bohemian Rhapsody 03 . Radio Ga Ga 04. Day-O 05. Hammer To Fall★ Cheers erupt as the camera gets closer to the face 06. Crazy Little Thing Called Love 07. We Will Rock You ★At first, the handclaps are louder than the music, so they are out of place (that much excitement) 08. We Are The Champions ★Amazing divine take Stereo FM Broadcast Recording ★Radio Since it is a broadcast sound source, it is recorded in stereo 09. Intro 10. Bohemian Rhapsody 11. Radio Ga Ga 12. Day-O 13. Hammer To Fall 14. Crazy Little Thing Called Love 15. We Will Rock You 16. We Are The Champions Freddie Mercury & Brian May 17. Is This The World We Created? are