Queen/IL,USA 1980 Upgrade

“THE GAME TOUR” reached its peak with both the album and single reaching number one in the United States. The super best recording representing the scene has been brushed up. What is being sucked into this work is “Chicago performance on September 19, 1980”. It is a superb audience recording that conveys the whole story. Speaking of “THE GAME TOUR”, while there are a lot of great performances that are suitable for the heyday, the sound that is suitable for the content is rare. This work quenches the thirst of such maniacs and updates the highest peak of the famous album, which is said to be on par with “LIVE KILLERS”. I’m concerned about the quality, but first of all, the position of the show. Let’s take a look at the overall picture of the tour that captivated the world. ●1980《“THE GAME” released on June 30th》・June 30th-July 14th: North America #1 (14 performances)・August 5th-September 30th: North America #2 (35 performances) ←★Coco★・November 23rd-December 18th: Europe (17 performances) ●1981・February 12th-19th: Japan (6 performances)・February 28th-March 21st: Central and South America# 1 (7 performances) September 25th – October 18th: Latin America #2 (6 performances) November 24th + 25th: North America #3 (2 performances) ←★Official This is the panoramic view of “THE GAME TOUR” . This tour also has the official work “QUEEN ROCK MONTREAL”, but this work was the 27th concert of “North America #2” which was over a year ago even though it was in the same North America. This work, which recorded such a show, is an overwhelming audience recording. “DEFINITIVE CHICAGO 1978” will be released at the same time this week, but this work is also a collection of the same recording artist. Originally, they were distributed as separate masterpieces, but in recent years, master Oomoto has discovered them at the same time. It turned out that they were made by the same taper. In fact, the quality is so amazing that it goes “like a sound board”, and the on-core boasts a thick and heavy response, and if the small weak tone is beautiful, it won’t scare you at all even when it comes close to being powerful. Of course, the details are also very fine, and you can even feel the dynamism of the drum skin bouncing back and forth. And amazingly close. If you listen closely with headphones, you can detect the venue’s acoustics, but you won’t be able to feel it unless you look for it. Moreover, even the acoustics are well-balanced as if it were an official live album, and it only gives exquisite luster and dynamism to the bare soundboard sound. The sound of such a performance alone is amazing, but even the enthusiasm that conveys the heyday is beautiful. You can tell that it is an audience recording because there is a scene where there is a very slight applause, but the other applause is a three-dimensional feeling that spreads to every corner of the wide venue. It’s a wonderful balance, as if it was calculated and mixed, but the reality is unique to guest records. The grain of each stroke, each voice, is delicate, and the farther it goes, the smaller it becomes while remaining vivid. The perspective gives it a three-dimensional feel. It’s so great that I couldn’t help but go on for a long time, but this is actually a story that has already been published. Our store is the master introduced in “THE ULTIMATE ENTERTAINER II”. This work is an updated master that has further refined the ultimate generation of Oomoto Direct with the latest and meticulous mastering. Although this recording did not have as many weaknesses as “DEFINITIVE CHICAGO 1978,” there were still areas for improvement upon closer inspection. The stereo feeling was extremely crazy in the first two songs, and the slight ringing of the hall clouded the details. Each one is a small thing, but as a result of carefully arranging them, the clarity became much better, and the result was a beautiful sound with a sharp outline until the moment when each note disappeared. We were able to bring out the hidden potential of the famous recording that has received rave reviews from enthusiasts to the fullest. What is depicted with such a sound is the splendor that can be called the true value of “THE GAME TOUR” at its peak. It’s a little different from the sky-high explosive tension, but the sense of fulfillment and stability that can only be found in the prime of life is exquisite. Each song is a dignified performance that makes you feel as if you are embracing the wind of success with your whole body, and the dynamism and slow singing are perfect. This is the stage of a champion full of confidence. Moreover, there are plenty of songs that could not be heard in the official work “QUEEN ROCK MONTREAL”. You can also listen to “Mustapha,” “Death On Two Legs,” “You’re My Best Friend,” and “Fat Bottomed Girls.” In particular, “You’re My Best Friend” is the number up to this “North America #2”, and there are also “I’m In Love With My Car”, “Play The Game” and “Save Me” exclusive to this tour. You can enjoy plenty of famous songs from the early 80’s such as “Fat Bottomed Girls”. It is a live album that allows you to witness the scene that swept the United States even in the glorious history of QUEEN with the best sound. The legendary master recording master, the highest peak update edition that brings out its potential. Live at Horizon, Chicago, IL, USA 19th September 1980 TRULY PEREFCT SOUND(UPGRADE) Disc 1 (51:40) 1. Intro 2. Jailhouse Rock 3. We Will Rock You (fast) 4. Let Me Entertain You 5. Play The Game 6. Mustapha 7. Death On Two Legs 8. Killer Queen 9. I’m In Love With My Car 10. Get Down, Make Love 11. You’re My Best Friend 12. Save Me 13. Now I’m Here 14. Dragon Attack/Now I’m Here(reprise) Disc 2 (56:12) 1. Fat Bottomed Girls 2. Love Of My Life 3. Keep Yourself Alive / Drum Solo 4. Guitar Solo 5. Brighton Rock (reprise ) 6. Crazy Little Thing Called Love 7. Bohemian Rhapsody 8. Tie Your Mother Down 9. Another One Bites The Dust 10. Sheer Heart Attack 11. We Will Rock You 12. We Are The Champions 13. God Save The Queen