Queen/Canada 1978 Truly Sound

“JAZZ TOUR 1978-1979” produced the famous live work “LIVE KILLERS”. This classic is an unexpected upgrade! This work is a guest recording album containing the “December 1, 1978 Montreal performance”. Since ancient times, it has been praised as “the representative audience of JAZZ TOUR” and “the best sound in QUEEN history”, and has produced masterpiece titles such as “LIVE ACHIEVEMENT” and “BEST OF MONTREAL.” This work is an upgrade version of that. Moreover, it is not a remastered or adjusted one with equalization, but a young new excavation master of Gene that has appeared in recent years. The sound is on a different level from what has already been released. Even when “BEST OF MONTREAL” appeared in 2005, it received rave reviews as “even better than the best LIVE ACHIEVEMENT” and “the highest level among the many QUEEN audience recordings”, but even that is not a problem. Originally, it was a great recording that conveyed the subtleties of the performance with great balance, but the musical sound, which sounds like two or three layers of skin have been peeled off, has a more direct feel. Of course, it is undeniably full of the reality of audience recording, but when the cheers become quiet during the performance, it is so vivid that you wonder, “Are you listening to the line?” However, that is during the performance. The loud cheers that erupt after each song and the huge response when Freddie Mercury points the microphone are very realistic. It’s like a smooth velvet carpet being spread out in a large, spacious venue. Speaking of the vividness of his interaction with the audience during “Now I’m Here” and “I’m In Love With My Car”! Of course, since the recording itself is the same as the previous release, there is no difference that “the sound of the recorder’s own applause is loud” at the beginning and “Keep Yourself Alive” etc. However, the atmosphere at the scene contained in this work is so hot that it’s no wonder Taper forgets to record and claps his hands. In fact, Taper doesn’t sing out loud, nor does he clap for every song. Even though he was careful about recording, the enthusiastic performance and enthusiasm increased, and the feeling of “unintentionally forgetting that I was recording” was very real. Yes, tapers record because they love the band. That’s why I buy tickets, buy equipment, and record whenever I want to relive the excitement over and over again. I know that QUEEN will show me that emotion and let me hear it. That’s why we carefully prepare everything before heading to the venue. The applause of the recorder himself, which should normally be a flaw. Since it is such a high quality recording, this taper must be well-crafted. Despite this, I can feel the joy and joy that made me clap my hands involuntarily. The irreplaceable charm of audience recording is that you can communicate with the taper who was a stranger 37 years ago. This work can be said to be a “100% original version of “LIVE KILLERS”, but it is also great to listen to as a “complete version of that masterpiece”. ”, “If You Can’t Beat Them”, “It’s Late”, and “Fat Bottomed Girls”, you can fully listen to the four songs, and enjoy the natural flow of the concert, free from the constraints of analog single-sided. Also, “LIVE KILLERS” is the European leg from January to March 1979, but this work is the North American leg. In North America, QUEEN had completely solidified their popularity with the huge hit of the previous year’s “We Will Rock You/We Are The Champions,” and this work is packed full of that momentum. (Therefore, there is no “Don’t Stop Me Now” that was not played in the North American leg). Not only is the best recording of “JAZZ TOUR 1978-1979” upgraded, but it is also the best “complete version”, “North American edition”, and “100% original version” of “LIVE KILLERS”. A live album that makes you want to tell the person who recorded it 37 years ago, even though you don’t even know his face, “QUEEN is the best after all!” This weekend, the “QUEEN who conquered the earth” will visit your room. Live at the Forum, Montreal, Quebec, Canada 1st December 1978 TRULY PERFECT SOUND Disc 1(51:13) 1. Intro 2. We Will Rock You (fast) 3. Let Me Entertain You 4. Somebody To Love 5. If You Can’t Beat Them 6. Death On Two Legs 7. Killer Queen 8. Bicycle Race 9. I’m In Love With My Car 10. Get Down, Make Love 11. You’re My Best Friend 12. Now I’m Here 13. Spread Your Wings Disc 2(68:35) 1. Dreamer’s Ball 2. Love Of My Life 3. ‘ 39 4. It’s Late 5. Brighton Rock incl. Drum & Guitar Solo 6. Fat Bottomed Girls 7. Keep Yourself Alive 8. Bohemian Rhapsody 9. Tie Your Mother Down 10. Sheer Heart Attack 11. We Will Rock You 12. We Are The Champions 13. God Save The Queen