Pink Floyd/The Wall Flat Transfer

“Umaguma (live disc),” “More,” and “Atomic Heart Mother”…the “FLAT TRANSFER” series has been shocking with its unprecedented sound quality every time it has been released. The fourth edition has finally appeared. Yes, the highest-ever edition of the monumental concept album “The Wall” is here! If you’ve experienced even one of the three previous “FLAT TRANSFER” series, you’ve probably already made up your mind. No further explanation is necessary. I don’t have enough vocabulary to express it in words anyway, and I want to immerse myself in this work, so I’ll end it with a goodbye everyone……I’m sure there are many people who haven’t experienced it yet. There may be some. In any case, I would like to apologize if I have ruined the chance to encounter such a great sound, so I will do my best. [What is the “FLAT TRANSFER” series that makes miracles a reality? ] Now, what is the true nature of this work? It’s “The Wall” like you’ve never heard it before, and it’s “the greatest masterpiece with the best sound.” In the first place, the fate of any great musical work is to search for the “best sound.” Sometimes it’s digital remastering, sometimes it’s media discs with new technology, sometimes it’s the excavation of the extremely rare Mato 1…maniacs all over the world are driven by the instinct of “listening to excellent sound”. The company has pursued the “best sound” using every means possible. In particular, PINK FLOYD’s band and fans were highly conscious of acoustics, and their journey of exploration among enthusiasts was one of the best in the rock world. This work is the final stop on such a journey of “The Wall”. The reason why we are able to say that we are confident in our final outcome despite all the possibilities is precisely because this work is a “FLAT TRANSFER MASTER”. As I mentioned in the explanation of the previous three works, this is a master tape newly discovered in a European country, and was brought through our store’s own route. In the first place, when an album is pressed in each country, the master is distributed from the band’s home country (in the case of FLOYD, of course, the UK), and a stamper is created based on it. This work is (probably) based on that distribution master. It is neither the beginning of the product LP nor the cutting master. They are digitized from zero-degradation master tapes that have never been converted to physical grooves. Furthermore, the reason why it is considered a distribution master is because the contents were complete. It’s not a demo or rough mix that is common with leaked material, but the mixdown and mastering are perfectly finished. However, the sound quality was superior to anything I had ever experienced before. This was the impact of the “FLAT TRANSFER” series, and the amazing songs “Umaguma” and “Atomic Heart Mother” shocked enthusiasts all over the world. [The joy of encountering the “real The Wall” on a different level than before] And this is the latest installment in the series, “The Wall.” The sound is the same as before…well, better than ever. It’s a completely new experience from the start “In The Flesh?”. The minute SE at the beginning is also beautifully reproduced down to the subtleties, but even when a dynamic performance comes in, the natural feeling does not move in the slightest. It’s not a “manufactured strong sound” like the current remastered version, but you can even feel the vibrations of the guitar strings and drum skin, and you can clearly see that the large amplitude creates dynamism. And, as the ensemble gets thicker towards the highlights, the clearness becomes more vivid. In the remastered version, the emphasis is on excitement, so even the reverberation is emphasized and it becomes bouncy, but this work is completely unprocessed. Because the vibration of each instrument is fortissimo, the depth of the silent parts is not buried, and the outlines are clearly drawn. The three-dimensional effect that dwells in a single note, and the three-dimensional effect of the ensemble created by the musicians, is extremely vivid. It was so obviously wonderful that I couldn’t help but write about it, but this is just the story of 3 minutes and 20 seconds of “In The Flesh?”. After that, each song, every moment, continues to be interesting to listen to. For example, the slide guitar of “Another Brick In The Wall (Part 1)”. In the remastered version, emphasis was placed on the attack sound and there was no extension, but in this work, the extension is unusually good, and it is extremely long until the moment it disappears. The drums of “The Happiest Days Of Our Lives” continue. That “Don! Don!” is so beautiful. In the remastered version, it felt like metal objects were popping out from the deep bass rumble, perhaps because of the equalization, but in this version, the hi-hat and bass drum are completely synchronized. You can clearly see the tone that Nick was originally aiming for. Furthermore, the following “Another Brick In The Wall, Part 2” has a natural sound, unlike the remastered version where the peak of the drum hitting sound was a bit pushed up, and yet it is detailed down to the subtleties, so the three-dimensional feeling / realism depicted is even more It’s brighter. The children’s chorus also stands tall like a wall, its surface carved with such subtlety that you can almost see the faces of each person. It has become long again. I tried my best to cut it short, but it was still 15 minutes from the start. Other features include the unevenness of the acoustic guitar’s wound strings, the fineness of the deep bass vibe of the synth, and the sense of reality and depth that resides in the many SEs. If I continue to write all 80 minutes and 44 seconds as I can, it will be a nuisance to the people who read it…Every single note is so different that I have such a thought. I can’t go back to any other official CD anymore. The mellow sound world is expanding to such an extent. Oops, the way I write this may be wrong. I’m not saying “PINK FLOYD’s remastered version is a bad idea!” In fact, the more different they are from other bands, the better they are. It can be said that it is exceptional as a rock. In fact, I’ve been enjoying it so far without any complaints, but once I learned the “true sound” with this work, I couldn’t listen to it anymore. Really, no good at all. “Did this sound come from there?” “Was the sound this detailed?” “Maybe the sound of the remastered version was processed?” Truths that would make me happy if I didn’t know about them keep coming to light. If this is real, then it must have been the “The Wall” I’ve been listening to…that’s what makes me think. I’m really sorry for being uncharacteristically sentimental. However, this time I can’t hold back. There was “The Wall” on Earth that was so beautiful and resonated deep in my heart. Originally, I would like to start over for 43 years with this sound. However, even if that doesn’t happen, it’s not too late. You can experience the joy of encountering “The Wall” once again. “The Wall” approaches with an emotion that goes beyond the level of simply saying “a masterpiece with the best sound.” “The Wall” edition of the “FLAT TRANSFER” series that shocked the whole world. It has been digitized without any processing from the newly discovered master tape before LP cutting, and it is the highest quality in history, allowing you to enjoy “The Wall” that is close to the sound of the production studio. The sound is overwhelming, far exceeding any official CD, with its natural feel, subtlety, and reality where you can even feel the presence of the instruments and performers. This is a very moving two-disc set that allows you to relive your first encounter with the “real The Wall.” PINK FLOYD – THE WALL FLAT TRANSFER(2CD) Disc 1(39:08) 1. In The Flesh? 2. The Thin Ice 3. Another Brick In The Wall, Part 1 4. The Happiest Days Of Our Lives 5. Another Brick In The Wall, Part 2 6. Mother 7. Goodbye Blue Sky 8. Empty Spaces 9. Young Lust 10. One Of My Turns 11. Don’t Leave Me Now 12. Another Brick In The Wall, Part 3 13. Goodbye Cruel World Disc 2(41:54) 1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell 10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall