Pink Floyd Pink Floyd/NY,USA 09.27.1970 Early Show Complete Upgrade

PINK FLOYD, who brought the band potential that created the great album to the stage during the release of “Atom Heart Mother”. Two new titles that convey the live performance have been decided to be released simultaneously. Two consecutive works polished by meticulous mastering are now available. This work is the second part of the two consecutive works released simultaneously. It is a beautiful audience recording of “New York City performance (Early Show) on September 27, 1970”. The two most recent works are the same as “ELECTRIC FACTORY 1970: DEFINITIVE EDITION”, which will be released at the same time, but many people will look at the title explanations individually. Let’s check the show’s position again here.・January 10th – February 28th: ​​Europe #1 (18 shows) ←※LIVE AT LEEDS, etc. {March 1st: Production of “Atom Heart Mother” begins}・March 5th – 30th: Europe #2 (15 shows) ←※NUREMBERG 1970, etc.・April 9th ​​- May 16th: North America #1 (17 shows) ←※FILLMORE WEST 1970, etc. {Tour interrupted due to equipment theft}・June 27th – July 26th: Europe #3 (7 shows) ←※HYDE PARK 1970, etc. {July 26th: Recording of “Atom Heart Mother” finished}・August 8th – September 12th: Europe #4 (4 shows)・September 26th – October 25th: North America #2 (20 shows) ←★Here★・November 6th – December 22nd: Europe #5 (21 shows) ←※HANOVER 1970, etc. This is PINK FLOYD in 1970. The two works released simultaneously this week were both part of “North America #2”. This is also known as the mass production period of famous recordings in 1970, and this work is the latest one. Now, let’s focus on the detailed schedule and organize our collection. Details of “North America #2” * September 26th “ELECTRIC FACTORY 1970” * September 27th: New York City performance (early show) ← ★ This work ★ ・ September 27th-October 2nd (3 performances) 《October 2nd “Atom Heart Mother” released》 ・ October 3rd-25th (8 performances) * October 16th “PEPPERLAND 70: 1ST GEN REEL” * October 17th “PEPPERLAND 1970” ・ October 18th + 21st (2 performances) * October 23rd “SANTA MONICA OCTOBER 1970: REVISITED” ・ October 25th: Boston performance … and so on. It was the day after “ELECTRIC FACTORY 1970”, but on this day, two performances were held in one day at the traditional famous venue “Fillmore East”. It was the early show that this work was recorded. This vacuum-packed work from such a scene is a masterpiece recognized by a famous collector. It is a cassette master excavated from the “Marbal Collection” and digitized by “Neonknight”. It was found by a winning formula, and even after 10 years since 2015, it is still the best master that has not been surpassed. Moreover, this time, for permanent preservation, meticulous mastering was also carried out by “GRAF ZEPPELIN”. The highest peak renewal sound has been realized with great care. The sound is truly exquisite. Although it is not as fiercely clear as “ELECTRIC FACTORY 1970”, the powerful core has no sense of distance and reaches straight through the hall sound. And the exquisite thing is the lustrous hall sound. It adds thickness and dynamism to the core without hiding the details. This is also perfect for the 1970 FLOYD sound, which still retains the psychedelic color. The key point is that the sound is not simply thick, but is rich in tolerance, and you can immerse yourself in a tripping sensation as if your whole body is at the mercy of the extremely colorful sound world. Moreover, this work is the highest peak update board that “GRAF ZEPPELIN” has polished such a famous recording. Pitch correction that does not allow even 1/1000th of a second of deviation, balance adjusted based on band analysis, noise processing that carefully removes each channel one by one, etc. As always, while being faithful to the basics, the potential of the sound source is maximized with obsessive precision. All the work is a series of small upgrades, but the phase correction is particularly effective in this work. As those who are familiar with the original sound will have realized, the stereo feeling of this recording was quite distorted to the right. When listening with headphones, it was so strong that I felt gravity pulling my hair from the right side. In contrast, this work is firmly in the center. Just by eliminating that strong sense of incongruity, the completeness of the music work has exploded. In addition to the short set of two performances on the day, “Atom Heart Mother”, which is thought to have been performed on the day, was not recorded. Because it is only about 49 minutes long, it cannot be the best masterpiece of the tour, but such a sound should be passed down to future generations. HeavyThis is a transfer by NEONKNIGHT from the Marbal cassette released in 2015, and is currently considered the best. Unfortunately, it is a 48-minute sound source with only 5 songs, but at this time, there is nothing more in circulation. The phase, which was significantly out of sync when originally released, has been corrected, the sound image is generally placed in the center position throughout, and the band is accurately corrected. The sound distortion at the beginning of the live performance has also been corrected as much as possible, making it dramatically easier to hear. A beautiful audience recording of the “September 27, 1970 New York City performance (Early Show)”. Although the “Atom Heart Mother”, which is thought to have been performed on the day of the short set of two performances on the day, was not recorded, the sound is excellent. A masterpiece in which Neonknight digitized the cassette master unearthed from the Marbal Collection, and then GRAF ZEPPELIN polished it up to create a top-notch updated version. Fillmore East, New York City, New York, USA 27th September 1970 (Early Show) TRULY AMAZING SOUND UPGRADE (48:33) 1. Astronomy Domine 2. Green Is The Colour 3. Careful With That Axe, Eugene 4. Fat Old Sun 5. Set The Controls For The Heart Of The Sun