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Pink Floyd Pink Floyd/MA,USA 1975 Original Matrix Ver.

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Description

There are two miraculous high-quality sound recordings, the June 18, 1975 Boston performance. The tapers are well-known Dan Lampinski and Steve Hopkins, and their best versions were released under the titles “DEFINITIVE RAVE MASTER” and “RAVE MASTER”, and both are highly regarded as the definitive version of the same sound source. Although it depends on the seat position and recording environment, in the well-received 1977 Boston performance, the Hopkins sound source is recorded with a much better quality sound than the Lampinski sound source, and although there is a slight difference in the 1975 Boston performance, the Lampinski sound source is considered to be superior to the Hopkins sound source. In recent years, many master versions of this Hopkins sound source have begun to leak out, and the splendor of the master version has been a hot topic in various places, as was the case with last week’s Boston 1977. The master of this 1975 Boston performance was also recorded with excellent sound quality, and this time, the original sound source, which is a matrix of Hopkins and Lampinski sound sources with an exquisite taste, is the main board. By 100% synchronizing two sound sources with a neat and clear sound different from the rough texture of Boston in 1977, a best of the best version with a more advanced and deep feel has been completed. As the overseas Floyd master also stated, “The sound of this matrix is ​​much better than anything that has been previously released” (even better than all the same-day versions released in the past), it is recorded with incredible ultra-high sound quality. Another good point is that the 20-second musical gap of Money and Us and Them, which was missing in “DEFINITIVE RAVE MASTER”, has been connected for the first time in this board. As it was released by an overseas Floyd expert, the perfection of the careful construction is overwhelming, the two sound sources are 100% synchronized, and not only is there no unnaturalness of the common matrix sound source, but the quality of both sound sources is well mixed, making it a truly excellent album. The recording data of both is listed on the jacket, but Hopkins is in the 10th row of the center section, seat number 14, while Lampinski is in the 5th row of the center section, slightly to the right. Both of them are using ECM-99a microphones and Sony TC-152SD stereo cassette decks. Anyway, please listen to this sound! You can enjoy the unprecedented Boston 1975 sound source, which is different from “DEFINITIVE RAVE MASTER” and “RAVE MASTER”. Live at Boston Garden, Boston, Massachusetts, USA 18th June 1975 ULTIMATE SOUND Disc 1(55:24) 1. Intro. 2. Raving And Drooling 3. You Gotta Be Crazy 4. Shine On You Crazy Diamond Part 1-5 5. Have A Cigar 6. Shine On You Crazy Diamond Part 6-9 Disc 2(79:59) 1. Speak To Me 2. Breathe 3 . On The Run 4. Time 5. Breathe(Reprise) 6. The Great Gig In The Sky 7. Money 8. Us And Them 9. Any Color You Like 10. Brain Damage 11. Eclipse 12. Echoes

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