Pink Floyd/New York, USA 1972

A new excavated sound source appears in the last Pink Floyd album of the year!! Floyd’s final work of 2015 will be the first appearance and first album title obtained by the label itself, and it will be the final beauty!! There are various Floyd specialty labels this year as well. The masterpiece title created a buzz among fans. Among them, Hakone Aphrodite’s newly discovered treasured reel sound source “HAKONE APHRODITE 1971: Remastered & Restored”, which saw the light of day for the first time in 44 years, was at the top of the list, but there were also others known as Floyd’s first bootleg LP. “SANTA MONICA OCTOBER 1970” is a reel-to-reel reproduction of the 1970 Santa Monica performance from another source of super-excellent sound obtained by the label, and the reel master of the 1972 Sapporo performance that has been popular for many years. , “SAPPORO 1972: Direct Reel Master,” a direct transfer album with the highest sound quality made from actual tapes provided directly by the person who recorded it, thrilled fans with numerous titles. On the other hand, what stood out was the existence of titles that appeared for the first time on the label and were made into bootleg first editions, such as “CHICAGO 1973” and “DORTMUND 1981 3RD NIGHT”. Just last month, “DEFINITIVE LANDOVER 1975” was released, which was the world’s first album of the Landover performance on June 9, 1975, using the label’s own top secret source, and I still remember the big shock it gave fans. It’s a new place. At that time, the other day, our label once again obtained a treasured sound source that will be released for the first time on the label and made into a first edition. This was recorded on May 2, 1972 at Carnegie Hall in New York, USA, and was previously known as a monaural sound source with extremely poor sound quality. However, the take I got this time is actually a real stereo, and it is a shocking hyper sound that boasts the highest quality sound, which is completely different from the poor monaural version that was on the market (I think it is probably the original master of this mono version).・This is an upgraded version!! By the way, this sound source is originally known as a sound source that only exists in the second half of the show, and this time it only appears in the second half of the show, but the sound quality is You’ll be very excited because it’s the strongest real stereo sound of the special A class, which is different from AUD recordings that just have good sound! What’s more, everything in the second part, such as the long interlude waiting for the encore, the MC, and the tuning, is the beginning. It is completely uncut recorded from , and it is a sensational title that is suitable to conclude Floyd 2015!! The impact appeared even before the performance of “One Of These Days” started, and first from the left channel “.. .It’s Pink Floyd, Carnegie Hall”, followed by “…May 2nd 1972” from the right channel, and a person who is probably the recorder is playing live data at the scene in stereo. This shows that this recording is definitely a stereo recording of that day’s performance, but when the performance begins to move, the excellent stereo feeling with good visibility expands all at once, and the crisp and glossy guitar fills its range. You are sure to be overwhelmed by the powerful and clear sound of all the sounds, such as the way the sound spreads and the sharp sound of the keyboard. Even in the rhythmless scene from around 3 minutes and 37 seconds, the floating feeling and depth of the sounds from each part jump out with super-super stereo sound, and the scene where the musical propulsion increases even further (*6 minutes (around 34 seconds ~) also has a very sharp sense of drive accompanied by the closeness of the sound, and you may faint if you hear it for the first time. Also, after the end of the song, there is a tuning scene that lasts about 2 minutes, and the sound is very close and vivid, just like many of the audience members felt at Hakone Aphrodite in 1971. Even the muddy sounds are so vibrant that you’ll think they’re part of the song. “Eugene” is also a song where you can enjoy the full and sophisticated sound, but on this day there was a rare scene where the bass showed a very varied movement from around 3 minutes 22 seconds to 4 minutes 39 seconds, and Nick also beat the beat. It includes an approach unique to this day, such as speeding up and responding to this, and you can also hear the pyro explosion sound at the same time as the scream starts, so you can enjoy an impression that is quite different from performances on other days. After the performance, a full tuning scene of about 2 minutes or more is recorded here, and the atmosphere in the margins of the sound during this tuning is as dense as the actual sound, and it is extremely vivid. The introduction of “Echoes”, which is typical of this time in 1972, appears with a transparent sound of such high quality that it makes you shiver, and the guitar leads the music with a beautiful sound that touches your skin, spread out in the finest real stereo. Also, because it is such a relaxing song, the sound image does not shake or shake at all, and you can see that it is a perfectly focused sound, and you can fully appreciate the good state of preservation of the master tape. The chorus by Gilmore and Rick can be heard perfectly from the beginning, and the lyrics that have been sung are flown into space one after another in ultra-high resolution sound, and the guitar comes in again in the second half ( *From 20 minutes 33 seconds onwards), the unique approach of this day, such as standing up with a run-up arpeggio instead of standing up straight like in the performance on the other day, will be manifested in a dazzlingly clear sound, so please look forward to it. What’s more, after the performance, the uncut recording of the approximately 6 minute (!!) encore wait is recorded, showing not only the excitement and cheers in the venue on that day, but also the members returning to the stage and tuning in as well as making sounds. The fact that you can listen to the full length is also a big topic. From the very beginning, “Mystic” is filled with a special sound filled with spiritual melody and sound decoration, and the dazzling interplay between the strange single melody of the keyboard and the distorted guitar is sure to pull your soul out. . The scene where Roger hits the crash cymbal and the slide bar guitar resonate in unison (*3 minutes 07 seconds to 31 seconds) is incredibly powerful, and the subsequent noisy scene depicts the free and lively sound of each instrument. It should stand out vividly and catch your attention. In the second half, from 12:06 to 11 seconds, there is a problem where the organ’s sound suddenly stops coming out, but since the sound is coming from a close distance, this is more like a documentary documentary than an equipment problem. An image like this is exuded, and the performance is extremely vivid. All of the recorded songs are over 10 minutes long, so this work is over 70 minutes in total, but just by looking at the number of songs and credits, you can’t get rid of the impression that only the second half of the show was recorded incompletely. Sho. However, even in view of that, this exceptional real stereo sound quality more than compensates for it, and if this recording contains the first half of the show, it will definitely be at the top of all 1972 sound sources. It must have been the definitive sound source that reigned supreme. Even if it is cracked or misshapen, a truly high-quality coffee bean will still have a scent that tickles your nose, even if it’s just a chipped piece. Even if it lacks perfection as a record, This amazing sound and listening experience will leave a deeply trembling impression in your heart. Although some remastering was done for the release, the original recorded sound was of such high quality that there was almost no need for it, so only noise removal and pitch adjustment were done in the noticeable parts, and the charm of the source material was improved. It is a disc that hits so fast that it is refreshingly powerful. This weekend and New Year’s Eve, please pick up this title and check out the power of real stereo. This is Floyd’s last special first edition title of 2015, which will make you lean forward and listen to it!! Carnegie Hall, New York City, NY. USA 2nd May 1972 TRULY PERFECT SOUND(STEREO) (72:21) 1. One Of These Days 2. Careful With That Ax, Eugene 3. Echoes 4. A Saucerful Of Secrets