Description
Speaking of the Boston performance in the United States on June 27, 1977, it is by far the most famous sound source among Floyd’s 1977 sound sources. It is well known that there are two definitive sources recorded on the same day at different locations by Dan Lumpinski and Steve Hopkins, two famous tapers from the 70’s, but this one that appears this time. The latest work is an upper title that tells you that the 77-year classic has finally reached its peak. As a sound source that was all the rage at the time, there were several variations from Sigma and its predecessors Ayanami and Sirene labels, so let’s first take a look at the history of the sound source. [1] “PERFECT DAY” / (Recording) Steve Hopkins [2] “BOREDOM AND PAIN” / (Recording) Steve Hopkins [3] “PERFECT END” / (Recording) Dan Lumpinski [4] “DEFINITIVE BOREDOM AND PAIN” / *Remastered version of [2] [5] “THE UNPROCESSED BOSTON 1977” / *Uses digital source converted to DAT from the master cassette of [2] [6] “BOSTON 1977 MASTER TAPES” / *[ 2] Master cassette direct connection sound As for the recording of this day, “Steve Hopkins sound source” is by far the best, so at this point, “BOSTON 1977 MASTER TAPES” recorded in master cassette direct connection sound is this day. It has received high praise as one of the best albums. In addition to the definitive “Steve Hopkins sound source” from the Boston performance on June 27, 1977, this edition also includes a new mix version of “Dan Lampinski sound source”, which is another excellent source from that day. doing. This is a new complete version that connects the Lampinski master, which is familiar from the Sigma album “Perfect End”, with this Hopkins master version. The middle cuts of the Hopkins version have been carefully supplemented in this Lumpinski version, but this version also includes the beginning of Dogs, about 30 seconds of the 13th minute of Pigs, and Shine On You Crazy Diamond Parts 6-9. Approximately 10 seconds from around 2:40 are carefully supplemented with the Hopkins master version. What is noteworthy is the sound recorded on this disc. The previously released “PERFECT END” was recorded without much processing on the Lampinski sound source, but this new mix has further refined the sound and reproduces the original sound. Compared to the original, it produces a brighter sound that can be easily recognized. Perhaps because the recording position was farther away than Hopkins, the Lampinski sound source for this performance was not very impressive, but with this new mix that has been moderately remastered, the quality of the original sound has become even more outstanding. I think you can see that the sound has changed to a very high quality. The hiss that was present in the original sound has also disappeared, and you can enjoy an upper sound that overturns the image of Lumpinski’s 1977 Boston performance. This sound source was restored by a famous European Floyd collector, and this new mix is a must-have for fans as it has never been released anywhere else in the world. Be sure to get your hands on a high-quality live album that will overturn the image of Lumpinski Boston ’77. Live at Boston Garden, Boston, Massachusetts, USA 27th June 1977 PERFECT SOUND(UPGRADE) Disc 1 1. Sheep 2. Pigs On The Wing 1 3. Dogs 4. Pigs On The Wing 2 5. Pigs(Three Different Ones) Disc 2 1. Shine On You Crazy Diamond Part 1-5 2. Welcome To The Machine 3. Have A Cigar 4. Wish You Were Here 5. Shine On You Crazy Diamond Part 6-9 6. Money 7. Us And Them
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