Pink Floyd/Belgium 1969 Unprocessed Master

PINK FLOYD and Frank Zappa are unparalleled British and American geniuses when it comes to the evolution of rock. A superb live album will be released where you can experience the miraculous stage where both men overlapped their sounds. What is infused into this work is, of course, “October 25, 1969 “AMOUGIES POP & JAZZ FESTIVAL””. This is the best audience recording. If you have been paying attention to this article, you probably know that the definitive album “AMOUGIES POP & JAZZ FESTIVAL 1969” is a huge hit. As you can see from the title, this work is a related work to that new masterpiece, and it is “another peak album” that is similar and different. [100% pure historical audience] The biggest point is that it is a “100% pure audience album.” The concept was “audience expansion version of the official soundboard”, and by accumulating every moment of the highest quality in history, the complete form of the show was drawn. However, the more the new masterpiece became popular, the more people commented that the audience part was wonderful. In fact, the soundboard part was familiar from the official box “THE EARLY YEARS 1965-1972”, but the audience recording used for its expansion was as good as the official soundboard. That should be it. This audience part was also not free. I’m sure many of you know this, but there is only one type of audience recording (at the moment) that records the legendary show. This is a full recording of the 2006 fan label Harvested edition “INTERSTELLAR ZAPPADRIVE” that shook the collector world. However, it was not “INTERSTELLAR ZAPPADRIVE”. Although the recording itself is the same, it goes back to the original cassette of the Harvested edition and was a flat transferred “Unprocessed Master.” Yes, this work is the full-length version of that “Unprocessed Master”. [The ultimate unprocessed sound reprinted from the original cassette] The sound is amazing. Of course it is a vintage audience, but the strength of the core with no sense of distance and the fineness of detail are far from the image of the word “audience recording”. Moreover, it is overwhelmingly natural. Sound board audio and fine adjustments were also made, but this work is completely unprocessed without even that. As expected, it is more than 50 years old, so it feels a little rough, but that is more a vintage feeling due to PA and recording equipment than deterioration over time or dubbing marks. The breath of the audience that comes through from the other side of the performance is more fresh than the official sound board. There is also a sense of unity and experience that runs through the entire story. Every moment was the highest peak, but when switching between the sound board and the audience, you can’t help but feel that “Ah, something has changed”. However, this work continues to concentrate solely on the progressive performance of our time, and you can fully immerse yourself in the experience as if a miraculous co-starring is happening right in front of your eyes. In a sense, it was the ultimate live album that realized the concept of “making full use of the official soundboard.” On the other hand, in the sense of “experiencing the legendary scene”, 100% audience is the best, and this work, which goes back to the existing original cassette, is the ultimate. Mont de L’Enclus, Amougies, Belgium 25th October 1969 TRULY AMAZING/PERFECT SOUND(UPGRADE) (78:28) 1. Astronomy Domine 2. Green In The Colour 3. Careful With That Ax, Eugene 4. Tuning up with Frank Zappa 5. Interstellar Overdrive (with Frank Zappa) 6. Set The Controls For The Heart Of The Sun 7. A Saucerful Of Secrets