Peter Gabriel/CA,USA 1980

Mike Millard’s legendary master series has become more popular than soundboards. The latest installment is the Peter Gabriel edition, which permanently preserves the shocking crime scene. This work was recorded at “Santa Ana Performance on June 17, 1980”. This is a superb audience recording of the first act of “TOUR OF CHINA 1984” vacuum-packed. “TOUR OF CHINA 1984” is the tour title and also refers to the backing band at the time. Actually, it is neither “China” nor “1984,” but let’s first check the position of the show from its history. 1979, May 12: Performance at Hammersmith Odeon ・June 23: Performance at GLASTONBURY FESTIVAL ・August 23 – September 1: Europe #1 (4 performances) 1980, February 20 – March 16 Sun: UK (19 performances)《MELT released on May 30th》・June 17th-July 12th: North America (21 performances)←★Here★・August 30th-October 8th: Europe# 2 (30 performances) This is Peter Gabriel in 1979/1980. Naturally(?), there will be no performance in China. Peter completed “PETER GABRIEL (MELT)” in the summer of 1979 and began touring. Before the release of the album, they focused on the circuit in their home country of England, but with the release of the album, they started their North American leg. The Santa Ana performance of this work was the stage on the first day. [Close-up sound unique to club gigs] This work recorded at such a show is not as wonderful as usual… but more intense and vivid than ever! This work was digitized from the 1st Gene cassette that a friend who accompanied Millard received, and it is extremely close. This seems to be due to not only Millard’s technology but also the environment. After all, “THE CLUBHOUSE”, where this work was filmed, is a small club with a capacity of 342 people. Of course, this would not normally be a place where a world-famous star like Peter would perform, but this day was special. As a matter of fact, the North American tour was held 3 months after the UK tour, and a warm-up show was held before the full-scale start. This work is that club gig. In fact, there was no announcement on this day. Millard, who is a big fan of Peter, got the information early and arrived at the venue, but despite the small club, it was empty. After waiting for several hours without even knowing if Peter was actually coming, rock fans who had heard the rumors suddenly flocked to the venue…such was the scene. Quiet talk. Returning to the original topic, this work has a great sense of closeness and closed room feeling in such a narrow club. Even though the extremely thick core has the usual mirrored sound, you can’t feel the hall sound coming from it. It’s not impossible to find a sense of atmosphere if you listen carefully through headphones, such as the voice of the MC between songs or the gentle sound of a tambourine, but such efforts are meaningless musically. The exposed core remains super tight and flows into your ears with zero time lag. Even in the Mirrored Collection, it is an extremely sound board-like sound, and it is a super direct sound like a direct connection to a table or IEMs. [The “night of the incident” that was forced to end] The “night of the incident” is also depicted with such intimate sound. This work is a single CD of about 63 minutes, but this is the complete recording of the day. In fact, the show ended forcibly after playing about 11 songs. By the way, those 11 songs are… ・I (CAR): Solsbury Hill/Modern Love/Moribund The Burgermeister/Humdrum ・II (SCRATCH): Mother Of Violence ・III (MELT): The Start/I Don’t Remember/ Family Snapshot (★) / Not One Of Us (★) / Lead A Normal Life (★) ・SO: We Do What We’re Told (Milgram’s 37) (★) *Note: “★” marks are from 1979 Reading. A song that wasn’t even played at the festival. …and it looks like this. Speaking of this tour’s representative sound source, it is the FM broadcast of the Reading Festival that took place in 1979, but although this work is short, it also shows off famous songs that cannot be heard there. “We Do What We’re Told (Milgram’s 37)” and “Lead A Normal Life” are repertoires that cannot be heard even on the traditional version “PLAYS LIVE.” And the last part of the show is the best part to listen to. As mentioned above, fans who heard about the secret gig rushed to the venue at once, but the venue capacity was quickly exceeded (342 people is natural). When “Humdrum” finished, the clubhouse manager appeared on stage. It announces that the show has been canceled by order of the authorities. The manager says he will refund the money, but of course the audience is not satisfied and gets angry, and Peter is also completely confused. Although they managed to perform one more song, they were eventually kicked off the stage (by the way, Millard and his friends ignored security and persisted for about an hour, but in the end they were kicked out without the show restarting). is). Even in such a boring scene, you can experience a super realistic experience with mirrored sound. “Club recording by Millard”…The sound is special, and the content is also a shocking crime scene. This is a superlative album that shines like no other, musically, audio-wise, and document-wise. This is an absolute masterpiece that is unlike any other in Millard’s historical collection. Super best audience recording recorded at the secret gig of “Santa Ana, June 17, 1980″. It has been digitized from the 1st Gene cassette that legendary master Mike Millard personally gave to a friend, and it gives you a great sense of closeness in a club that can only hold about 350 people. Moreover, due to the crowd crowding into the secret gig, the show was canceled by order of the authorities just after the 11th song, “Humdrum.” The audience is unconvinced and gets angry, and Peter is completely confused…This is a one-of-a-kind super masterpiece that allows you to experience the ultra-realistic scene of such an incident with mirrored sound. The Clubhouse, Santa Ana, CA, USA 17th June 1980 ULTIMATE SOUND (63:00) 1. Intruder 2. The Start/I Don’t Remember 3. Solsbury Hill 4. Family Snapshot 5. MC 6. Milgram’s 37 7. Modern Love 8. Not One Of Us 9. Lead A Normal Life 10. Moribund The Burgermeister 11. Mother Of Violence 12. Humdrum 13. Gabriel announces the show must end The concert was canceled midway due to the request of the police. The audience is angry. Peter is also in trouble. “I’ll give you my money back!” Peter Gabriel – Vocals, Keyboards John Ellis – Guitar Jerry Marotta – Drums Larry Fast – Keyboards Tony Levin – Bass