Description
Ryogoku Kokugikan’s closed sound check IEM sound source is now available with amazing ultra-high quality real stereo sound that is different from the previously released version! Regarding the rehearsal that took place before the actual start of Paul’s Ryogoku Kokugikan gig, the sound source recorded by ear monitor has already appeared on the Internet, and many people may have heard it on “CLOSED SOUNDCHECK”. The value of the sound source that revealed the scene before the start of the Kokugikan gig, which was the highlight of this visit to Japan, was extremely high. However, it is also true that there were some tough aspects in terms of sound quality. There was a lot of noise, which is common in eavesdropping, and the received earphone channel was for the horn team, so the sound was far away, and reverb was added to create a stereo effect. Similarly, although it was an intercepted sound source, it was not at the same level as “CLOSED SOUNDCHECK AT TOKYO DOME 10.30.2018”, which surprised fans with its high-quality sound of a different dimension. The sound quality of this title was so outstanding that when you think of the sound quality of a general earphone sound source, you probably had the impression that you could listen to it with a different item. That is why I am reminded of how special recording “CLOSED SOUNDCHECK ~” was, but if I could listen to the sound check of Ryogoku with the same high quality sound… It is natural that such a wish would come to mind. Meanwhile, the sound source provider of the best-selling title “CLOSED SOUNDCHECK~” has done it again! He is a master of ear monitor recording, not only with “CLOSED SOUNDCHECK~,” but also with “RYOGOKU KOKUGIKAN 2018: ORIGINAL IN-EAR MONITOR,” which captures the actual Ryogoku gig, which has become a rare masterpiece. RECORDING” has been proven. The sound source for Ryogoku Soundcheck that he provided had a slightly rougher texture compared to those two titles, and he humbly provided it, but when I listened to it, I was surprised. Although it may not reach the astonishing level of those two titles, it is still a very high-quality recording, and even this time it maintains a stereo feeling. The first online sound source that I touched on was a rough recording in a sense, where the noise of “Za” dominated the entire sound source, but this time’s sound source has no such noise. Moreover, it is a real stereo sound source, not a processed pseudo stereo. If you remember the feeling of that gift sound source, you will definitely be surprised by how easy it is to listen to it on a completely different level. Yes, the earphone sound sources such as “CLOSED SOUNDCHECK ~” and “RYOGOKU KOKUGIKAN ~” are so special that this sound check is also excellent enough. And in terms of content, it is fuller than online sound sources. There, the instrumental jam played at the beginning was less than a minute, and only the final part was recorded, but this time the opening jam was completely recorded for 9 minutes. What’s more, as “CLOSED SOUNDCHECK~” proved, the addition of a horn section to this jam immediately increases the level of perfection as “music”. On the contrary, it also includes a 10-minute recording of how each instrument was set up before the jam started. It overwhelms previous internet sound sources not only in sound quality but also in terms of content. Furthermore, while Tokyo Dome’s “CLOSED SOUNDCHECK~” was a final general production held before the next day’s performance, this one is a familiar rehearsal that is always held before the performance. When you listen to it this way, you can clearly understand the position of the songs that Paul picks up during a normal sound check. The new song “I Don’t Know”, which everyone wanted to perform on this visit to Japan but was never able to perform, is not only concerned with the fact that the melody is not suitable for performing at large venues. , this song is probably being used as a slow number that is perfect for the staff to make various adjustments. Paul continues to sing his repertoire on stage as much as possible without lowering the key, but interestingly, he keeps lowering the key of the old covers he likes to play at sound checks (bitter smile). This includes repertoires such as “Midnight Special” and “Singing The Blues,” but even the arrangement of the latter has changed to a vaudeville style. However, it is also true that the great appeal of the sound check is that these performances can be heard. Even more so when you can hear it with this quality of sound. Finally, the part where “Let ‘Em In”, which is also played in the actual performance, is featured is different from the public sound check in front of VIP ticket fans, and what’s more, the part where the performance was stopped midway is a rehearsal. A typical scene. In addition to its good sound quality and rich content, its value as a document is also one of the great pleasures for enthusiasts. If you listen to this title first and then play the actual “RYOGOKU KOKUGIKAN 2018: ORIGINAL IN-EAR MONITOR RECORDING”, you will be able to vividly relive that glorious night at Kokugikan a month ago. But… I really wish they would have performed “I Don’t Know” live (lol). Ryogoku Kokugikan, Tokyo, Japan 5th November 2018 (from Original Masters) Original In-Ear Monitor Recording (Stereo) (67:23) 1. Soundcheck 2. Jam 3. Matchbox 4. Blue Suede Shoes 5. Jam 2 6. Flaming Pie 7. One After 909 8. Coming Up 9. Miss Ann 10. I Don’t Know★Conversations such as Paul’s “The bass is too loud” and then repeating things over and over again. 11. Let ‘Em In 12. San Francisco Bay Blues 13. Singing The Blues 14. Midnight Special 15. Lady Madonna 16. Paul’s Outro
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