Paul McCartney/Tokyo,Japan 11.15.1993

Coupled with the momentum of the bubble economy at the time, Paul’s first performance in Japan in 1990 was literally a fever. In that respect, there was a time when the performance in Japan in 1993 was considered to be a time when it was not very popular among enthusiasts for a while after it ended. On the contrary, I think the 1993 tour itself was an underestimation. However, over the past 20 years, their performance in Japan in 1993 and their latest album “OFF THE GOURND” have come to be reevaluated. Above all, the numerous newly discovered audience albums from the 1993 performance in Japan that have been released over the past 10 years have played a major role in increasing the re-evaluation. This is because the items released in 1993 have long since disappeared from the market. As evidence of this, all of the items released so far based on independently acquired sound sources have been very popular, and the only currently released item, “TOKYO DOME 1993 1ST & 2ND NIGHT”, has also become a bestseller. . This title captures the first two episodes of the 1993 Tokyo Dome performance, which was held three times, with unique audience recordings and excellent sound quality, but unfortunately it captures the third day of the Tokyo Dome performance. There are no current items available. Indeed, in 2014, a four-disc set coupled with the sound source of the second day called “THE NEW WORLD TOUR IN TOKYO DOME” was released, but this has also been sold out for a long time. For that reason, even non-enthusiasts were eagerly awaiting new items for the third day at Tokyo Dome. In the first place, the third day of the Tokyo Dome was broadcast on TV as a set with the sound check on that day, but the live performance was only broadcast for less than one-third of the actual show. , and to add to that, only “Let Me Roll It” was taken on the 14th, and it was said that the editing was dissatisfying in every sense. This did not reduce the value of a complete audience recording for the third day of Tokyo Dome, and because of this, “THE NEW WORLD TOUR IN TOKYO DOME”, which included the sound source of the third day, became very popular. It ended up being sold out. However, this summer, a new audience recording of the third day of Tokyo Dome was suddenly provided by a maniac. Of course, it goes without saying that this is a sound source that has never been distributed among traders or on the Internet, but what is revolutionary is its recording state. Speaking of 1993, DAT was already starting to become popular among tapers, and all the items released so far were recorded using it. However, the audience master provided this time surprisingly used a cassette tape. The grade used is of course High Posi. When you listen to the sound source that first appeared on the third day of Tokyo Dome, which was recorded in a setting that was considered heretical in 1993 when the digital age began, you will be surprised by the on-sound image with a tremendous direct feeling. No matter how close the sound image was to audience recordings at Tokyo Dome using DAT in this era, you could not escape the dome-specific echo. In that respect, there are no such echoes in this sound source, which is an analog cassette recording. Thanks to this, the performance is also surprisingly close-up. For example, the intro of “Looking For Changes” played by Robbie Mackintosh is already at the soundboard level. Not only can you hear the band playing like this song with overwhelming sound pressure, but even the sound pressure of the acoustic corner that was set up in the middle of the show in response to the success of “UNPLUGGED” is amazing. If you use digital, the sound tends to get depressed during this part, but you will be overwhelmed by the power that only analog can provide here. Since it is based on a cassette recording, there are of course cuts due to tape changes, but the job of changing all of them between songs was amazing. We patched the “THE NEW WORLD TOUR IN TOKYO DOME” sound source to the cut points that occurred, and we hope that this will allow you to experience the amazing sound image of this sound source. However, the great appeal of this sound source is that it captures a pleasant sense of realism, especially on the left side, where there are yellow cheers like Beatlemania. This is surprisingly hard to hate. This is because it’s not just a buzz, but everything from Beatle classics to songs from “OFF THE GOURND” is exciting. What impressed me was how they cheered for Robbie, such as when Robbie’s instrumental “Robbie’s Bit (Thanks Chet)” started. That’s why I can’t hate it. And during this song, you can hear a masterpiece exchange between the audience from the right side, which you should actually listen to and laugh at. Looking back now, at the end of that acoustic corner, Paul’s killer ballads were sung in quick succession, starting with “Michelle”, “Here There And Everywhere”, “Yesterday” and “My Love”. Something luxurious. Moreover, all of these songs are no longer sung live, so this gorgeous ballad selection looks even more fresh. After all, at the time, these were songs that I took for granted as being able to hear them live. And as mentioned when “THE NEW WORLD TOUR IN TOKYO DOME” was released, Paul was in great shape on this day. Unlike in 1990 when he suffered from poor health during the tour before coming to Japan, Paul is here with his engine running at full throttle. They sang “O Sole Mio” teasingly before “Hey Jude,” and their passionate singing went beyond joking. In addition to that, the songs from “OFF THE GOURND”, which imprint the energetic band sound on the album, stand out. The all-too-brief TV broadcast did little to convey the unique charm of the final day of Tokyo Dome. Still, the strong sound produced by high-position recording, which is different from the digital audience, further highlights the splendor of this day. This is an absolutely amazing recording, so please enjoy it with the loud sound from the speakers! New master appearing for the first time. The best source for the 3rd day performance in Tokyo in 1993! ! Live at Tokyo Dome, Tokyo, Japan 15th November 1993 TRULY PERFECT SOUND(from Original Masters) Disc 1 (71:58) 1. Opening Film 2. Drive My Car 3. Coming Up 4. Looking For Changes 5. Jet 6. All My Loving 7. Let Me Roll It 8. Peace In The Neighborhood 9. Off The Ground 10. Can’t Buy Me Love 11. Robbie’s Bit (Thanks Chet) 12. Good Rockin’ Tonight 13. We Can Work It Out 14. I Lost My Little Girl 15. Ain’t No Sunshine 16. Hope Of Deliverance 17. Michelle 18. Biker Like An Icon 19. Here, There And Everywhere 20. Yesterday 21. My Love Disc 2 (64:53) 1. Lady Madonna 2. C’mon People 3. Magical Mystery Tour 4. Let It Be 5. Live And Let Die 6. Paperback Writer 7. Back In The U.S.S.R. 8. Penny Lane 9. Sgt. Pepper’s Lonely Hearts Club Band 10. Band On The Run 11. I Saw Her Standing There 12. O Sole Mio 13. Hey Jude